NOTE IMDb
5,1/10
36 k
MA NOTE
Un loup-garou en liberté à Los Angeles change la vie de trois jeunes adultes qui, après avoir été attaqués par la bête, apprennent qu'ils doivent la tuer pour éviter de devenir eux-mêmes des... Tout lireUn loup-garou en liberté à Los Angeles change la vie de trois jeunes adultes qui, après avoir été attaqués par la bête, apprennent qu'ils doivent la tuer pour éviter de devenir eux-mêmes des loups-garous.Un loup-garou en liberté à Los Angeles change la vie de trois jeunes adultes qui, après avoir été attaqués par la bête, apprennent qu'ils doivent la tuer pour éviter de devenir eux-mêmes des loups-garous.
- Récompenses
- 3 nominations au total
Daniel Edward Mora
- Jose
- (as Daniel Mora)
Histoire
Le saviez-vous
- AnecdotesIn 2014, Judy Greer spoke of the film in an interview. Greer states, "I don't know why that movie got so fucked up. I don't understand it. I thought the script was fine. Honest to God, I didn't get the big deal. I don't know who kept making them fuck with it". She goes on to say, "Then we shot the movie for, like, seven years. I think they said we had four movies worth of footage. It was so fun, but so weird. I don't get it. I couldn't figure it out."
- GaffesThe pentagrams on many characters' hands appear and disappear with each camera angle change.
- Versions alternativesThe Canadian theatrical version of the movie is the original US R-rated cut, which was later released in the U.S. as the unrated DVD. In Canada, the DVD was only released in the uncut version, labeled as "Uncensored" (see below).
- Bandes originalesLil' Red Riding Hood
Written by Ronald Blackwell
Performed by Bowling for Soup
Courtesy of Jive Records
Commentaire à la une
'Cursed' has already earned a place in Hollywood history for it's infamous production problems. Massive re-shoots (rumored up to 75% of the movie), recasts, rewrites, over a year of delays, basically any and everything that could possibly go wrong. Pass this off as credit to Craven as a director and Williamson as a writer that they were still able to pull off something of a fun movie.
A pair of siblings are bitten by a werewolf following a car crash that leaves one woman dead. Amidst their sudden development of new powers they must contend with the traumas the curse brings. Discovering that the only way to lift the curse is to kill the cause of the infection, they must now find out whom the beast is.
On the evolutionary ladder of Craven's films, this is above 'Shocker', below 'Scream', right about on par with 'People Under the Strairs'. Meaning there is some good, gory fun to be had if one doesn't take it too seriously. Those in the market for some blood and laughs ought to have a fine time.
What hurts so much about this, and is the source of much of the films bashing, is that it could have been so much better. While the talents involved worked hard to salvage as much as they could it still feels like an overall missed opportunity. The scares are OK, but not great; the jokes are OK, but not great; the pacing is OK, but not great; noticing a pattern? Technically it's a mixed bag. Great, energetic camera work with some lively stunt work adds a lot of energy, but on/off pacing slows things down again. Characters and scenarios are OK, but dialogue lacks pizazz. And while there is some good gore being tossed around, the creature itself never looks all that believable (neither in CG or costume incarnations).
In the end this is not the ultimate failure fan-boys have tried to pass it off as; time will be kind to Craven's unfortunate child and horror fans should too.
7/10 (Note: review based on R-rated version of film)
A pair of siblings are bitten by a werewolf following a car crash that leaves one woman dead. Amidst their sudden development of new powers they must contend with the traumas the curse brings. Discovering that the only way to lift the curse is to kill the cause of the infection, they must now find out whom the beast is.
On the evolutionary ladder of Craven's films, this is above 'Shocker', below 'Scream', right about on par with 'People Under the Strairs'. Meaning there is some good, gory fun to be had if one doesn't take it too seriously. Those in the market for some blood and laughs ought to have a fine time.
What hurts so much about this, and is the source of much of the films bashing, is that it could have been so much better. While the talents involved worked hard to salvage as much as they could it still feels like an overall missed opportunity. The scares are OK, but not great; the jokes are OK, but not great; the pacing is OK, but not great; noticing a pattern? Technically it's a mixed bag. Great, energetic camera work with some lively stunt work adds a lot of energy, but on/off pacing slows things down again. Characters and scenarios are OK, but dialogue lacks pizazz. And while there is some good gore being tossed around, the creature itself never looks all that believable (neither in CG or costume incarnations).
In the end this is not the ultimate failure fan-boys have tried to pass it off as; time will be kind to Craven's unfortunate child and horror fans should too.
7/10 (Note: review based on R-rated version of film)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La marca de la bestia
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 38 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 297 522 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 600 000 $US
- 27 févr. 2005
- Montant brut mondial
- 29 621 722 $US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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