Rent
- 2005
- Tous publics
- 2h 15min
La version cinématographique de la comédie musicale Pulitzer et Tony Award sur les bohémiens de l'East Village de New York aux prises avec la vie, l'amour et le sida, et les impacts qu'ils o... Tout lireLa version cinématographique de la comédie musicale Pulitzer et Tony Award sur les bohémiens de l'East Village de New York aux prises avec la vie, l'amour et le sida, et les impacts qu'ils ont sur l'Amérique.La version cinématographique de la comédie musicale Pulitzer et Tony Award sur les bohémiens de l'East Village de New York aux prises avec la vie, l'amour et le sida, et les impacts qu'ils ont sur l'Amérique.
- Récompenses
- 1 victoire et 22 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe New Year's Eve sequence was turned into an actual party for the cast and crew, and the celebrating was real.
- GaffesIn Today 4 U, Angel sings " Like Thelma and Louise did when they got the blues..." The scene takes place in 1989, more than a year before Thelma & Louise (1991) came out.
- Crédits fousThank you, Jonathan Larson
- Versions alternativesThe delayed echoing effect that is heard when a character is speaking directly into the microphone for Maureen's protest does not occur on the DVD if you have a mono television soundtrack.
- ConnexionsFeatured in No Day But Today: The Story of 'Rent' (2006)
- Bandes originalesSeasons of Love
Written by Jonathan Larson
Performed by Rosario Dawson, Taye Diggs, Idina Menzel, Jesse L. Martin, Adam Pascal, Tracie Thoms, Wilson Jermaine Heredia, and Anthony Rapp
Commentaire à la une
So I'm reading the reviews...none seem too terrible, most are lukewarm, and some are even good. But one theme seems to override them: the material is "dated." Figures that journalists, whose livelihoods depend on presenting news flashes that will easily fall into the shadows after something more captivating happens, would find this material dated. You really think the topic of people living with -- not dying from -- AIDS is dated? Wake-up, friends...I'm not one to throw around statistics, but even I can tell you that AIDS is a much bigger problem today than when Jonathan Larson -- a genius in his own right -- wrote this almost 20 years ago. And drug addiction? Yeah let's not even guess how much that statistic has surged.
True, the material is not as shocking as it was when it first graced the stages of NYC 10 years ago. But -- though I never knew the man -- I have a feeling Mr. Larson was not going for shock value. I am sure he realized in his day that his masterpiece would create quite a stir, but I highly doubt that was his purpose. What was it, then? If you ask me, it is obvious ...the human condition.
The elements of humanity that satiate the stage version are virtually all apparent in the film version. These characters are vastly different from each other on the surface -- but listen to their songs. They are all experiencing life. And not only that, for the most part they aren't afraid to experience life -- the devastations, the love, the convictions, the laughter, the tears. Just listen to Seasons of Love -- it's all in there. That song, to me, is the premise of Mr. Larson's story -- this is life. It isn't necessarily glamorous, it isn't always glorious, but this is what happens in a year of these peoples' lives. And the one thing that gets them through it is the fact that they have each other -- their love for one another overshadows all of the intricacies of day-to-day life. And that theme, to me, is never dated, especially when it is portrayed so well, as Chris Columbus and the incredible cast have managed to do.
I applaud everyone who had any part in this film -- aside from the excellent adaption of Jonathan Larson's exquisite piece of art, I think it is extremely important to constantly expose our society to controversial topics, about which most of us don't like to think. And I think the ones that are dubbed "dated" are the most important, because it means that those are probably the ones we have forgotten. But just because it seems "dated" does not mean it has gone away.
True, the material is not as shocking as it was when it first graced the stages of NYC 10 years ago. But -- though I never knew the man -- I have a feeling Mr. Larson was not going for shock value. I am sure he realized in his day that his masterpiece would create quite a stir, but I highly doubt that was his purpose. What was it, then? If you ask me, it is obvious ...the human condition.
The elements of humanity that satiate the stage version are virtually all apparent in the film version. These characters are vastly different from each other on the surface -- but listen to their songs. They are all experiencing life. And not only that, for the most part they aren't afraid to experience life -- the devastations, the love, the convictions, the laughter, the tears. Just listen to Seasons of Love -- it's all in there. That song, to me, is the premise of Mr. Larson's story -- this is life. It isn't necessarily glamorous, it isn't always glorious, but this is what happens in a year of these peoples' lives. And the one thing that gets them through it is the fact that they have each other -- their love for one another overshadows all of the intricacies of day-to-day life. And that theme, to me, is never dated, especially when it is portrayed so well, as Chris Columbus and the incredible cast have managed to do.
I applaud everyone who had any part in this film -- aside from the excellent adaption of Jonathan Larson's exquisite piece of art, I think it is extremely important to constantly expose our society to controversial topics, about which most of us don't like to think. And I think the ones that are dubbed "dated" are the most important, because it means that those are probably the ones we have forgotten. But just because it seems "dated" does not mean it has gone away.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Rent: Vidas extremas
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 29 077 547 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 016 021 $US
- 27 nov. 2005
- Montant brut mondial
- 31 670 620 $US
- Durée2 heures 15 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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