The Sentinel
- 2006
- Tous publics
- 1h 48min
Un agent des services secrets est présenté comme la taupe dans une tentative d'assassinat contre le président. Il doit effacer son nom et déjouer une autre tentative d'assassinat.Un agent des services secrets est présenté comme la taupe dans une tentative d'assassinat contre le président. Il doit effacer son nom et déjouer une autre tentative d'assassinat.Un agent des services secrets est présenté comme la taupe dans une tentative d'assassinat contre le président. Il doit effacer son nom et déjouer une autre tentative d'assassinat.
- Récompenses
- 2 nominations au total
Clark Johnson
- Charlie Merriweather
- (as Clarque Johnson)
Joshua Peace
- Agent Davies
- (as Josh Peace)
Géza Kovács
- Agent Turzanski
- (as Geza Kovacs)
Histoire
Le saviez-vous
- AnecdotesIn one of the behind-the-scenes featurettes for the film, a Secret Service consultant to the production stated that actress Eva Longoria far surpassed the other actors in "shooting school". In fact, he remarked that her score would beat about 90% of members of the Secret Service. Longoria mentioned that when she was younger she often accompanied her father to the gun range, so being around and handling guns wasn't new to her.
- GaffesThe President attends the G8 conference in Toronto. Delegates from Korea, China and India can clearly be seen but these nations are members of the G20 not the G8.
- Citations
Pete Garrison: You want to shoot me? Forget about the Kevlar. Shoot me in my face!
- ConnexionsFeatured in The Secret Service: Building on a Tradition of Excellence (2006)
- Bandes originalesI Got Peace Like a River
Traditional
Commentaire à la une
Spoiler!!! Stop now if you don't know the ending. I hate Tom Cruise Mission Impossible bastardizations. In the old TV series that used to be one of my all time favorites, Mr. Phelps was the voice of God. He was the ultimate Good Guy. Cruise's updated version of MI (No. 1) turned Mr. Phelps into the Bad Guy. That's like making Tonto the Bad Guy who does in the Lone Ranger. I hate movies -- or novels -- that do that, where it turns out that the DA prosecuting the innocent accused killer turns out to have done the murder himself, or the Vice President turns out to be the mole from the whatever enemy who poisons the President -- or in the case of the Sentinel, the head of the Secret Service turns out to be the Bad Guy about to kill the Prez. I warned you, that's a huge spoiler. But to me, that kind of plot is already spoiled. As the main revelation of the movie, it stinks.
Besides that, even if you don't have any more trust in your leaders than to give credence to "Mr. Phelps" turnabouts, Sentinel has some other gaping holes just too big to let slide. Maybe, just maybe, you could buy that the First Lady is having an affair with her SS detail chief behind the Prez's back. That's not impossible. Presidents have affairs, why not First Ladies? But can you really believe a guy could rise to the top of the Service itself without ever having been fully screened? Really! You think? And what was that mystery terror organization behind the plot, and how did they get onto the SS head's entanglement with the now-defunct KGB? Hmmnh? Another poser: Can anyone explain how that Xavier loser guy got all that insider info about the First Lady's affair with Douglas to begin with -- if you tell me it was the Head of the Service feeding it to him, then why the whole rest of the movie? He would have just removed the Douglas character for cause from the outset, don't cha know? The cast was good and the acting was varsity level. I liked that Michael Douglas gets to act his age, and the plot doesn't let him get away with being a 60 year old superstud who can outrun the young agents under his charge. He is slow, and he gets winded quickly. I liked Keifer. I never watched 24, but now I think I'd like it. And it was good to see Kim Basinger again, after all those years when she dropped out.
If you ignore the plot holes and the revolting spoiler, you could really like the movie for what it shows you about the inner workings of the Secret Service, one of the all-time real success stories of government service. A Beltway insider who should know told me that that part of the film was A+, and I'll take his word for it.
Besides that, even if you don't have any more trust in your leaders than to give credence to "Mr. Phelps" turnabouts, Sentinel has some other gaping holes just too big to let slide. Maybe, just maybe, you could buy that the First Lady is having an affair with her SS detail chief behind the Prez's back. That's not impossible. Presidents have affairs, why not First Ladies? But can you really believe a guy could rise to the top of the Service itself without ever having been fully screened? Really! You think? And what was that mystery terror organization behind the plot, and how did they get onto the SS head's entanglement with the now-defunct KGB? Hmmnh? Another poser: Can anyone explain how that Xavier loser guy got all that insider info about the First Lady's affair with Douglas to begin with -- if you tell me it was the Head of the Service feeding it to him, then why the whole rest of the movie? He would have just removed the Douglas character for cause from the outset, don't cha know? The cast was good and the acting was varsity level. I liked that Michael Douglas gets to act his age, and the plot doesn't let him get away with being a 60 year old superstud who can outrun the young agents under his charge. He is slow, and he gets winded quickly. I liked Keifer. I never watched 24, but now I think I'd like it. And it was good to see Kim Basinger again, after all those years when she dropped out.
If you ignore the plot holes and the revolting spoiler, you could really like the movie for what it shows you about the inner workings of the Secret Service, one of the all-time real success stories of government service. A Beltway insider who should know told me that that part of the film was A+, and I'll take his word for it.
- davidthomas1572
- 23 avr. 2006
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- El centinela
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 36 280 697 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 367 854 $US
- 23 avr. 2006
- Montant brut mondial
- 78 810 595 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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