Pendant la 2ème Guerre Mondiale, une jeune femme, Wang Jiazhi, est entraînée dans un jeu dangereux d'intrigues émotionnelles avec une figure politique puissante, M. Yee.Pendant la 2ème Guerre Mondiale, une jeune femme, Wang Jiazhi, est entraînée dans un jeu dangereux d'intrigues émotionnelles avec une figure politique puissante, M. Yee.Pendant la 2ème Guerre Mondiale, une jeune femme, Wang Jiazhi, est entraînée dans un jeu dangereux d'intrigues émotionnelles avec une figure politique puissante, M. Yee.
- Nomination aux 2 BAFTA Awards
- 28 victoires et 56 nominations au total
- Mr. Yee
- (as Tony Chiu Wai Leung)
- Old Wu
- (as Tsung-Hua Tuo)
- Lai Shu Jin
- (as Chih-ying Chu)
- Liang Jun Sheng
- (as Ko Yu-Luen)
Histoire
Le saviez-vous
- AnecdotesDirector Ang Lee made Tony Leung Chiu-wai study the performances of Marlon Brando in Le dernier Tango à Paris (1972), Humphrey Bogart in Le violent (1950) and Richard Burton in Equus (1977), to give him a sense of wounded masculinity, which Lee felt was right for the character of Mr. Yee.
- GaffesIn the café scene where Mak Tai Tai is calling her comrades the ringer heard through the phone both times is a modern ringer, which wasn't used until the 1970s/early 1980s.
- Citations
Old Wu: Don't tell me what to do! You listen to me! Yee murdered my wife and both my children. But I could still eat with him at the same table! That's what an agent must be able to do! I'd like nothing better than to kill him with my own hands. But if letting him live another few days is valuable, then we must! Keep him hooked, and keep me informed. Don't do anything without my order. Remember... For an agent there is only one thing... Loyalty. To the party, to our leader, to our country. Understand?
Wong Chia Chi: Don't worry. I'll do whatever you say.
Old Wu: Good. Very good. All you need to do is keep him trapped. If you need anything...
Wong Chia Chi: What trap are you talking about? My body? What do you take him for? He knows better than you how to put on an act. He not only gets inside me... he worms his way into my heart like a snake. Deeper. All the way in. I take him in like a slave. I play my part faithfully... so I, too, can get to his heart. Every time... he hurts me until I bleed... and scream. Then he is satisfied. Then he feels alive. In the dark... only he knows it's all real.
Old Wu: That's enough.
Wong Chia Chi: That's why... That's why I can torture him until he can't stand it any longer... and still I go on until we collapse from exhaustion.
Old Wu: Enough!
Wong Chia Chi: And when he finally comes inside me, I think maybe this is it. Maybe this is when you'll rush in and shoot him in the back of the head... and his blood and brains will cover me!
Old Wu: Shut up!
- Versions alternativesAn R-Rated version was made for the home video market for sale in places that doesn't carry NC-17 films (e.g. supermarkets). The run-time of the R-rated version is only ~30 seconds less but features ~70 seconds of alternative footage to soften the rating.
- Bandes originalesKlavierstücke Op. 118 No. 2 Intermezzo
Composed by Johannes Brahms
Performed by Alain Planès
(p) 2007 Decca Label Group
I am very impressed by this film after just watching 5 minutes of it. The mahjong scene is very well made. Behind all the gossip, it has so much subtle tension. Everyone is secretly calculating another and planning their next move, both in the game and outside the game. Another striking thing that I noticed is that the panning motion of the camera. I am sure it is very tricky to get it right! A continuous shot of taking a piece of mahjong, then the hand of tiles, then throwing the unwanted one away. All done in one shot. It's really good camera work.
There is a lot of complex emotions, both expressed and implied. For example, Wang Jiazhi's pain of having to give up her virginity is skilfully implied. Later, her pain of being intimate with Mr Yee is expressed in a rage. The psychological games in the subsequent parts is well portrayed. Wei Tang is masterful in playing her role. She portrays a wide variety of facial expression and bodily gestures so naturally and skilfully. Her power of seduction is undeniable. The surreal atmosphere that she creates when she is Mai Tai Tai is stunning. I have never heard of her before, and I hope she will get to play in more film in the future.
Despite the film being two and a half hour long, it did not feel like it at all. In fact, I am glad that Ang Lee gives us enough time to appreciate the beauty of the film. The plot is gripping, and there is a lot to be pondered on. Men have to caution against lust, while for women, they may have to caution against something else. I will no reveal it here, watch the film to see for yourself.
This film is a beautiful masterpiece. Just a side note, the sexuality in this film is so extremely the polar opposite compared to Ang Lee's last film "Brokeback Mountain". I find this very interesting.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Sắc, Giới
- Lieux de tournage
- Ipoh, Perak, Malaisie(students on the tram: Jalan Chung On Siew)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 604 982 $US
- Week-end de sortie aux États-Unis et au Canada
- 63 918 $US
- 30 sept. 2007
- Montant brut mondial
- 67 091 915 $US
- Durée2 heures 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1