Robert Kearns s'attaque aux constructeurs automobiles de Detroit, qu'il accuse d'avoir volé son idée d'essuie-glace intermittent.Robert Kearns s'attaque aux constructeurs automobiles de Detroit, qu'il accuse d'avoir volé son idée d'essuie-glace intermittent.Robert Kearns s'attaque aux constructeurs automobiles de Detroit, qu'il accuse d'avoir volé son idée d'essuie-glace intermittent.
- Récompenses
- 1 victoire au total
- Baby Bob Jr.
- (as Gavin & Ben Kuiack)
- Baby Bob Jr.
- (as Gavin & Ben Kuiack)
Histoire
Le saviez-vous
- AnecdotesContrary to the court case depicted in the movie, Kearns was actually represented by professional lawyers in his case against Ford. It was in his subsequent, and ultimately more financially successful action against Chrysler, that he acted as his own lawyer.
- GaffesAs the Kearns family is proposing a toast in the diner (celebrating his invention), you can see a white 2008 Acura pulling out of the garage across the street.
- Citations
Bob Kearns: Whatever happened to this little thing called justice we talked about?
Gregory Lawson: This is justice, Bob. This is how justice is dispensed in this country - with checkbooks. There are no brass bands, you know, there are no ticker tape parades, the mayor doesn't give you the key to the city and call you a hero. You get a check, and that check makes the lives of you and your family a little easier... a little more pleasant. It's that simple.
- Crédits fousFollowing his verdict over Ford, Bob received $18.7 million from the Chrysler Corporation.
- ConnexionsFeatured in The Hour: Épisode datant du 2 octobre 2008 (2008)
- Bandes originalesStage Door Queen
Written by Dick Wagner (as Richard Wagner)
Performed by Ursa Major
Courtesy of Spirit Music Group
What is more astonishing is he was almost forgotten after the Ford Motor Company usurped the design and promoted it as its own. The dramatic tension is Kearns' fight for recognition involving years of personal and familial losses. The two moments of inspiration, the "flash of genius," one a personal eye injury and the other driving in the driving rain, are dramatically satisfying if not downright underplayed (appealing to my minimalist sensibilities).
The film is exciting when Kearns is developing the device with those design inspiration moments fleshed out and the partnering with Ford slowly materializing. The film slows down as if in a school zone when at least a third of the Kearns' time is spent struggling with wife Phyllis Kearns (Lauren Graham) over the cost to them in time and trauma to go after Ford. The dutiful wife suffering the ambitious husband has been played in American cinema and theater too much to be fresh, no different here. The scenes with family, especially his wife, evoke my usual response: All right, already, I get the point. Now get on to the good stuff.
Similarly, Kinnear plays Kearns so low key as to be soporific. Although I don't doubt Kearns was an introverted geek, a dramatic rendition would have enlivened the character without compromising his essence.
- JohnDeSando
- 3 oct. 2008
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Détails
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 442 377 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 251 075 $US
- 5 oct. 2008
- Montant brut mondial
- 4 802 953 $US
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1