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Ajouter une intrigue dans votre langueSingapore, February 1942. An Australian fighter pilot is shot down over the jungle and must find his way back to Allied lines, through Japanese-held territory.Singapore, February 1942. An Australian fighter pilot is shot down over the jungle and must find his way back to Allied lines, through Japanese-held territory.Singapore, February 1942. An Australian fighter pilot is shot down over the jungle and must find his way back to Allied lines, through Japanese-held territory.
- Récompenses
- 3 victoires et 7 nominations au total
Histoire
Le saviez-vous
- AnecdotesFilming in Singapore took place in areas where actual fighting took place. The Sungei Buloh Wetlands (featured at the start of the film) is where the Japanese Imperial Army first landed on the night on 8 February 1942. Bukit Brown (in the middle of the island) contains an old Chinese Cemetery. Gravestones can been seen in various shots throughout the film.
- GaffesJim the pilot at the start of the movie is shown to be wearing modern combat boots. They have a rubber tread. Pilots of the RAAF in World War 2 would be wearing leather soled Ammunition Boots.
- ConnexionsFeatured in Little Tornadoes (2021)
- Bandes originalesWalking My Baby Back Home
Performed by: Annette Hanshaw
Written by: Fred E. Ahlert and Roy Turk
Licensed by: Chappell & Co., INC. (ASCAP)
License courtesy of: Cleopatra Records, by arrangement with The Orchard (USA)
Played during opening sequence as it plays on the radio
Commentaire à la une
This movie is proof that an 80 minute film can be just as long, boring and pretentious as any 3 hour plus epic costume Hollywood picture. The movie's budget is so low that it can not afford to show us any real battle, and for a war film, that is a big minus. To compensate what it can not show us, the filmmakers over-fill the soundtrack with constant gunfire, explosions, bombings, airplanes flying over heard, etc. It was exhausting after a while.
Of course, none of those aforementioned things would matter in the least if the movie had characters we cared about at all, or a story worth giving a damn about. Every single Close Up shot in the movie feels fake, and the director holds them for way too long before cutting away, making them feel even more disingenuous. The characters have no personality, no soul to them, so we are forced to watch two wooden people for what felt like an eternity, both of do as much overacting as possible for roles that require very minimal dialogue. The movie is simply over directed; everything in it feels fake, especially the actors' expressions. There really is nothing to find here: no drama, no suspense, no tension, only your life wasting away one second at a time.
Of course, none of those aforementioned things would matter in the least if the movie had characters we cared about at all, or a story worth giving a damn about. Every single Close Up shot in the movie feels fake, and the director holds them for way too long before cutting away, making them feel even more disingenuous. The characters have no personality, no soul to them, so we are forced to watch two wooden people for what felt like an eternity, both of do as much overacting as possible for roles that require very minimal dialogue. The movie is simply over directed; everything in it feels fake, especially the actors' expressions. There really is nothing to find here: no drama, no suspense, no tension, only your life wasting away one second at a time.
- armanddiab
- 23 déc. 2014
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- 空降失落叢林
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 600 000 $AU (estimé)
- Montant brut aux États-Unis et au Canada
- 8 462 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 042 $US
- 1 sept. 2014
- Montant brut mondial
- 8 462 $US
- Durée1 heure 24 minutes
- Couleur
- Rapport de forme
- 1.78 : 1 / (high definition)
- 1.85 : 1
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