Miss Meadows

A tap dancing vigilante may seem an impossible idea to turn into a comprehensible script but somehow Karen Leigh Hopkins makes it work. The opening sequence of the film makes it clear that Miss Meadows (Holmes) is no ordinary school teacher cum vigilante, with victim number one clocked very early after the title sequence. Holmes does a great job of making Miss Meadows seem the epitome of eccentricity, with, apparently, carefully created, precisely drawn and meticulously manicured manners, even at the point of the kill.

Throughout the plot are moments of blissful dialogue intertwined with pauses, telling looks, and, it has to be said, the incongruous, but it does hang together if you stick with it. There are continuity blunders in more than one scene, and occasional poor editing, but these do not stop the film from being surprisingly engrossing. The acting is rather good too, especially from James Badge Dale (the Sheriff) and Ava Kolker (Heather). There are memorable scenes like dancing to an unseen and unheard accordion in a field which make this film a little like an old fashioned fairy tale or a fable, but the message is totally adult in content, and should leave you thoughtful by the end.

A film like few others which is going to be underrated and under exposed. It is better than it will score on places like 1Mbd.