अपनी भाषा में प्लॉट जोड़ेंUnscrupulous agent Rush makes singing waiter Clayton a big radio star while Peggy, who has lost her own radio show, helps Clayton.Unscrupulous agent Rush makes singing waiter Clayton a big radio star while Peggy, who has lost her own radio show, helps Clayton.Unscrupulous agent Rush makes singing waiter Clayton a big radio star while Peggy, who has lost her own radio show, helps Clayton.
- The Mills Brothers
- (as The Four Mills Bros.)
- Ted Rio Rita and His Orchestra
- (as Ted Fio Rito and His Band)
- Herbert Brokman
- (as Joseph Cawthorne)
- Three Mimics
- (as The Three Radio Rogues)
- One of the Three Radio Rogues
- (as Jim Hollingwood)
कहानी
क्या आपको पता है
- ट्रिवियाScreenwriter Julius J. Epstein first arrived in Hollywood about 10:30 p.m. on October 14, 1933 and by midnight was collaborating on the screenplay of Twenty Million Sweethearts (1934) as pages had to be turned in early Monday morning.
- गूफ़At about the one-hour mark Buddy Clayton (Dick Powell) is in a hotel room chatting with Pete (Allen Jenkins). As Powell reaches, his vest buttons itself.
- भाव
Pete: Well, I've put all the kiddies east of the Mississippi to bed. How's rehearsal?
Peggy Cornell: Oh awful. Some yokel stood outside the rehearsal hall making and stared at me until I nearly broke me up. What have you got a summons?
Pete: No, fan mail.
Peggy Cornell: Oh. Three of them. That's two more than last week! Your public are growing up and learning to write.
Pete: Listen to this: Dear Uncle Pete. I am well. How are you? I hear you on the radio every night. Great stuff for a he man poet... Have you heard my last poem, Peggy?
Peggy Cornell: I sure hope so.
Pete: Frankie Wallace was a pug. He laid his opponents out like a rug. Until one day... Wait a minute! You haven't heard the last of it.
Peggy Cornell: Well. You've got me cornered.
Pete: Frankie Wallace was a pug. He laid his opponents out like a rug...
- कनेक्शनFeatured in Carnal Knowledge (1971)
- साउंडट्रैकThe Last Round-Up
(1933) (uncredited)
Written by Billy Hill
Sung with modified lyrics by Eddie Foster, Billy Snyder, Matt Brooks and Morris Goldman
The first half is very enjoyable with a behind-the-scenes look at radio, the Mills Brothers, O'Brien's matchless chutzpah, and Powell's knockout rendition of "I'll String Along with You". Apparently, however, the screenwriters had another 30 minutes to fill, so they recycled much of the first half. The trouble is that unlike love and the old song, the plot etc. is not better "the second time around". What's really unfortunate is that the fine signature tune is repeated to the point of tedium. Too bad the film didn't quit while ahead.
Of course, watching Rogers at this career stage remains a treat even if she's more subdued than usual. While O'Brien machine guns out more words per second than a dragster spits out rpm's. His promotional drive almost amounts to a force of nature. At the same time, Powell does his tuneful tenor bit as a "Lochinvar from California" heart-throb". However, some of his facial expressions while crooning the musical's last number are borderline clownish.
All in all, the impression is of a pleasant lower-end musical whose repetitive material over- stretches a solid core of performers and a great signature tune.
- dougdoepke
- 8 अप्रैल 2010
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