IMDb रेटिंग
7.4/10
1.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंStan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.Stan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.Stan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.
Baldwin Cooke
- Waiter
- (बिना क्रेडिट के)
Jean De Briac
- Shopkeeper
- (बिना क्रेडिट के)
Dick Gilbert
- Phone Booth Gawker
- (बिना क्रेडिट के)
Vladimir Gueteron
- Orchestra Leader
- (बिना क्रेडिट के)
Charlie Hall
- Cabdriver
- (बिना क्रेडिट के)
Jack Hill
- Man in Rainbow Club
- (बिना क्रेडिट के)
Frank Holliday
- Rainbow Club Singer
- (बिना क्रेडिट के)
Bob Minford
- Phone Booth Gawker
- (बिना क्रेडिट के)
Tiny Sandford
- Headwaiter
- (बिना क्रेडिट के)
Harry Wilde
- Nightclub patron
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाThe number Oliver Hardy calls to reach Stan Laurel (OXford-0614) was Laurel's real phone number.
- गूफ़From where they were standing, it would have been impossible for the laughing crowd to have actually seen Ollie at the phone booth.
- इसके अलावा अन्य वर्जनThere is also a colorized version.
- कनेक्शनAlternate-language version of La vida nocturna (1930)
- साउंडट्रैकThe Curse of an Aching Heart
(1913) (uncredited)
Music by Al Piantadosi
Lyrics by Henry Fink
Performed by Frank Holliday
फीचर्ड रिव्यू
Laurel and Hardy want to go out for a night at a bar, some sneaky drinking and an all round fun time. However, Laurel is unable to get out of the house as his wife has forbidden him. He manages to wrangle his way out of the house with the use of a faked telegram.
Having half the film with Laurel and Hardy separated was a bit of a risk, but one that the duo just about carry off. The plot sees Laurel trapped in his house by his wife while Hardy tries to contact him by phone. Laurel trying to play his wife is pretty amusing but, once the short moves out of the house it becomes less funny as the routines in the bar are less funny. It is still amusing but not quite as much.
As often happens, a Laurel and Hardy short that lacks one strong central sequence needs to achieve a consistent level of humour. This film neither has a peak or a high consistent level, meaning that it isn't as good as others in my opinion. Laurel does good work early on with his wife, and laughs convincingly towards the end. Hardy is less well used and his looks are used for reasons which are too slight and thus undervalue them slightly. Garvin is strong as Mrs Laurel though.
Overall this short needed to be consistently funny but it didn't manage to deliver it. Still funny but it lacks any parts which rise above the rest and lift the short as a whole.
Having half the film with Laurel and Hardy separated was a bit of a risk, but one that the duo just about carry off. The plot sees Laurel trapped in his house by his wife while Hardy tries to contact him by phone. Laurel trying to play his wife is pretty amusing but, once the short moves out of the house it becomes less funny as the routines in the bar are less funny. It is still amusing but not quite as much.
As often happens, a Laurel and Hardy short that lacks one strong central sequence needs to achieve a consistent level of humour. This film neither has a peak or a high consistent level, meaning that it isn't as good as others in my opinion. Laurel does good work early on with his wife, and laughs convincingly towards the end. Hardy is less well used and his looks are used for reasons which are too slight and thus undervalue them slightly. Garvin is strong as Mrs Laurel though.
Overall this short needed to be consistently funny but it didn't manage to deliver it. Still funny but it lacks any parts which rise above the rest and lift the short as a whole.
- bob the moo
- 2 अग॰ 2003
- परमालिंक
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