Almost four years after HBO unceremoniously stopped running "Mr.Show with Bob and David",many of the producers,cast and crew of the show came together to make a feature-length movie about arguably one of the more memorable characters created on it:Indominable shirt-less redneck ne'er-do-well Ronnie Dobbs(David Cross,in one of the best showcases of his talent). This effort is a treat to those who enjoyed the show and/or the character,but I imagine the appeal is fairly limited.
This film is sort of a Rags-to-riches story,telling of just how Ronwell Dobbs went from ordinary,below-average intelligence hoodlum from rural Georgia who has a penchant for getting in trouble with the law,to a national and international celebrity and anti-hero,due much in part of the grooming of prissy,disgraced English film producer and failed inventor Terry Twillstein(Bob Odenkirk,who doesn't seem to get employed enough for my money). Terry gets his chance to groom Ronnie when the local sheriff in Ronnie's home-state(M.C.Gainey)makes a deal with Terry to take Ronnie off his hands. From there,Ronnie goes about finding creative new(and old)ways to get arrested in every state in the nation and many cities of many countries around the world. He,naturally becomes hugely rich and,as wealth is often to do to people,makes Ronnie an even bigger irresponsible ass than before.
Chock-full of cameos,ranging from former "Mr.Show" cast members such as Mary Lynn Rajskub(as herself),Sarah Silverman and Brian Posehn to non-show affiliates such as Jeff Goldblum,Matt Stone,Trey Parker,Scott Thompson,Mandy Patinkin,Jeff Garlin,Dave Foley,Andy Richter and Garry Shandling,this film is funny and loose,but it seems to be sort of an odd fit for the material it's presenting. Anyone familiar with "Mr.Show"knows that the sketches and characters had no end and merely blended into the next segment,simply to wrap around and come back to the host segment,whereas this movie has to flesh out a story that initially had one,maybe two segments of about seven minutes in length and make it into a full 90 min. film. It works just well enough as is,but it does kinda feel like writers Odenkirk and Cross and director Troy Miller were getting bored with the story and wanted to create a quick resolution to it. Granted,this show works no worse than just about any SNL sketch that got green-lighted in the past(Night at the Roxbury,anyone?),but having been a fan of the original show,I suppose I expected more.
As it is,it's a great showcase(as said earlier)for Cross and a tantalizingly sharp skewering of current television standards and what makes a celebrity in this culture.
