अपने बेटे के ग्रेट बैरियर रीफ में पकड़े जाने और सिडनी भेजे जाने के बाद, एक डरपोक क्लाउनफ़िश अपने बेटे को घर वापिस लाने की यात्रा पर निकल पड़ता है.अपने बेटे के ग्रेट बैरियर रीफ में पकड़े जाने और सिडनी भेजे जाने के बाद, एक डरपोक क्लाउनफ़िश अपने बेटे को घर वापिस लाने की यात्रा पर निकल पड़ता है.अपने बेटे के ग्रेट बैरियर रीफ में पकड़े जाने और सिडनी भेजे जाने के बाद, एक डरपोक क्लाउनफ़िश अपने बेटे को घर वापिस लाने की यात्रा पर निकल पड़ता है.
- 1 ऑस्कर जीते
- 49 जीत और कुल 63 नामांकन
Albert Brooks
- Marlin
- (वॉइस)
Ellen DeGeneres
- Dory
- (वॉइस)
Alexander Gould
- Nemo
- (वॉइस)
Willem Dafoe
- Gill
- (वॉइस)
Brad Garrett
- Bloat
- (वॉइस)
Allison Janney
- Peach
- (वॉइस)
Austin Pendleton
- Gurgle
- (वॉइस)
Stephen Root
- Bubbles
- (वॉइस)
Vicki Lewis
- Deb
- (वॉइस)
- …
Geoffrey Rush
- Nigel
- (वॉइस)
Andrew Stanton
- Crush
- (वॉइस)
Elizabeth Perkins
- Coral
- (वॉइस)
Nicholas Bird
- Squirt
- (वॉइस)
Bob Peterson
- Mr. Ray
- (वॉइस)
Barry Humphries
- Bruce
- (वॉइस)
Bruce Spence
- Chum
- (वॉइस)
कहानी
क्या आपको पता है
- ट्रिवियाAndrew Stanton pitched his idea and story to Pixar head John Lasseter in an hour-long session, using elaborate visual aids and character voices. At the end of it, an exhausted Stanton asked Lasseter what he thought, to which Lasseter replied, "You had me at 'fish.'"
- गूफ़Marlin and Dory are advised to swim to the back of the whale's throat and to be blown out of the whale's blowhole. This is not physically possible as whales' mouths and digestive systems are not connected to their respiratory system and blowhole.
- क्रेज़ी क्रेडिटVicki Lewis is credited as "Deb (and Flo)" which refers to the gag in the film where Deb thinks the reflection in the glass is her twin sister.
- इसके अलावा अन्य वर्जनIn the 3D re-release the old Disney logo is replaced with the new Disney logo and the Pixar logo that was used in the 3D version of उड़न छू (2009). These changes were also made in the 3D Blu-ray release (The regular Pixar logo is used in the 2012 DVD & 2D Blu-ray version).
- कनेक्शनEdited into The Paul Behragam Talk Show: "Balto 3" R&T Part 6 (2015)
- साउंडट्रैकThe Girl from Ipanema
Written by Antonio Carlos Jobim, Vinicius de Moraes, and Norman Gimbel
फीचर्ड रिव्यू
Marlin, a nervous and neurotic clownfish is heavily overprotective of his son Nemo, who only wants to explore the sea in its entirety. When Nemo gets caught by a scuba diver and taken away, it is up to Marlin to swallow his own fears and find Nemo. The ensuing search and rescue organized by the him is a mass effort by swimming and flying creatures of all sizes and personalities, such as a threesome of vegetarian sharks, a fish with short term memory and an aged turtle, all helping him realise the error of his ways in restricting himself to just his home.
As charming as it is beautiful, Finding Nemo is a joy, both visually and cinematically. The characters are all so appealing and sweet that you want to hug each and every one of them, Nemo and Dory in particular. But the film transcends above just a generic animated film, for there are lessons to be learnt by it too. The film often tells a children's tale from an adult's point of view, with risky situations and emotional soul-searching putting stress on a disjointed family.
The sea is brought to us in such a memorable and unique way that there is brilliance and beauty in every frame. The animation is of all time high for Pixar, and the sound mixing and editing are also to be credited, as they capture the heart of the sea creditably. But perhaps the best thing about the film is the musical score by Thomas Newman. He creates the essence of the sea, as well as the emotions felt by the fish throughout. Note the masterwork that occurs as an upbeat, jovial number quickly escalates into something darker in a matter of minutes. In short, the music is superb.
The voice cast are capable and cannily chosen, from young Alexander Gould as the naïve Nemo, as well as Albert Brooks as the bumbling Marlin. But the star of the show is Ellen DeGeneres as Dory. As the forgetful but caring fish, she is sweet and soulful, and provides much of the comedy of the film. But the humour is also provided by the great script, which delivers a potentially dull story with wit and soul, and shies away from the sentimentality that could so easily arise of a Disney film. And the jokes, what jokes from satire, spoof and slapstick, they'll be a one-liner for everybody here.
Gorgeous to look at and utterly adorable, Finding Nemo sets the standard for how animated movies should being terms of entertainment value as well as story and themes ending with the touching, thought-provoking message of how too much protectiveness on the parent's side will repel, but, no matter how independent a child (or fish) believes themselves to be, they'll always need their parents.
As charming as it is beautiful, Finding Nemo is a joy, both visually and cinematically. The characters are all so appealing and sweet that you want to hug each and every one of them, Nemo and Dory in particular. But the film transcends above just a generic animated film, for there are lessons to be learnt by it too. The film often tells a children's tale from an adult's point of view, with risky situations and emotional soul-searching putting stress on a disjointed family.
The sea is brought to us in such a memorable and unique way that there is brilliance and beauty in every frame. The animation is of all time high for Pixar, and the sound mixing and editing are also to be credited, as they capture the heart of the sea creditably. But perhaps the best thing about the film is the musical score by Thomas Newman. He creates the essence of the sea, as well as the emotions felt by the fish throughout. Note the masterwork that occurs as an upbeat, jovial number quickly escalates into something darker in a matter of minutes. In short, the music is superb.
The voice cast are capable and cannily chosen, from young Alexander Gould as the naïve Nemo, as well as Albert Brooks as the bumbling Marlin. But the star of the show is Ellen DeGeneres as Dory. As the forgetful but caring fish, she is sweet and soulful, and provides much of the comedy of the film. But the humour is also provided by the great script, which delivers a potentially dull story with wit and soul, and shies away from the sentimentality that could so easily arise of a Disney film. And the jokes, what jokes from satire, spoof and slapstick, they'll be a one-liner for everybody here.
Gorgeous to look at and utterly adorable, Finding Nemo sets the standard for how animated movies should being terms of entertainment value as well as story and themes ending with the touching, thought-provoking message of how too much protectiveness on the parent's side will repel, but, no matter how independent a child (or fish) believes themselves to be, they'll always need their parents.
- PizzicatoFishCrouch
- 19 मार्च 2006
- परमालिंक
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