यह पुलित्जर और टोनी अवार्ड जीतने वाले म्यूज़िकल का फिल्मी संस्करण है, जो जीवन, प्यार और एड्स के साथ संघर्ष कर रहे न्यूयॉर्क शहर के ईस्ट विलेज के ग़ैर-रुढ़िवादियों और अमेरिका पर उनके प्रभाव क... सभी पढ़ेंयह पुलित्जर और टोनी अवार्ड जीतने वाले म्यूज़िकल का फिल्मी संस्करण है, जो जीवन, प्यार और एड्स के साथ संघर्ष कर रहे न्यूयॉर्क शहर के ईस्ट विलेज के ग़ैर-रुढ़िवादियों और अमेरिका पर उनके प्रभाव के बारे में है.यह पुलित्जर और टोनी अवार्ड जीतने वाले म्यूज़िकल का फिल्मी संस्करण है, जो जीवन, प्यार और एड्स के साथ संघर्ष कर रहे न्यूयॉर्क शहर के ईस्ट विलेज के ग़ैर-रुढ़िवादियों और अमेरिका पर उनके प्रभाव के बारे में है.
- पुरस्कार
- 1 जीत और कुल 22 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाThe New Year's Eve sequence was turned into an actual party for the cast and crew, and the celebrating was real.
- गूफ़In Today 4 U, Angel sings " Like Thelma and Louise did when they got the blues..." The scene takes place in 1989, more than a year before थेल्मा और लुईज़ (1991) came out.
- क्रेज़ी क्रेडिटThank you, Jonathan Larson
- इसके अलावा अन्य वर्जनThe delayed echoing effect that is heard when a character is speaking directly into the microphone for Maureen's protest does not occur on the DVD if you have a mono television soundtrack.
- कनेक्शनFeatured in No Day But Today: The Story of 'Rent' (2006)
- साउंडट्रैकSeasons of Love
Written by Jonathan Larson
Performed by Rosario Dawson, Taye Diggs, Idina Menzel, Jesse L. Martin, Adam Pascal, Tracie Thoms, Wilson Jermaine Heredia, and Anthony Rapp
फीचर्ड रिव्यू
So I'm reading the reviews...none seem too terrible, most are lukewarm, and some are even good. But one theme seems to override them: the material is "dated." Figures that journalists, whose livelihoods depend on presenting news flashes that will easily fall into the shadows after something more captivating happens, would find this material dated. You really think the topic of people living with -- not dying from -- AIDS is dated? Wake-up, friends...I'm not one to throw around statistics, but even I can tell you that AIDS is a much bigger problem today than when Jonathan Larson -- a genius in his own right -- wrote this almost 20 years ago. And drug addiction? Yeah let's not even guess how much that statistic has surged.
True, the material is not as shocking as it was when it first graced the stages of NYC 10 years ago. But -- though I never knew the man -- I have a feeling Mr. Larson was not going for shock value. I am sure he realized in his day that his masterpiece would create quite a stir, but I highly doubt that was his purpose. What was it, then? If you ask me, it is obvious ...the human condition.
The elements of humanity that satiate the stage version are virtually all apparent in the film version. These characters are vastly different from each other on the surface -- but listen to their songs. They are all experiencing life. And not only that, for the most part they aren't afraid to experience life -- the devastations, the love, the convictions, the laughter, the tears. Just listen to Seasons of Love -- it's all in there. That song, to me, is the premise of Mr. Larson's story -- this is life. It isn't necessarily glamorous, it isn't always glorious, but this is what happens in a year of these peoples' lives. And the one thing that gets them through it is the fact that they have each other -- their love for one another overshadows all of the intricacies of day-to-day life. And that theme, to me, is never dated, especially when it is portrayed so well, as Chris Columbus and the incredible cast have managed to do.
I applaud everyone who had any part in this film -- aside from the excellent adaption of Jonathan Larson's exquisite piece of art, I think it is extremely important to constantly expose our society to controversial topics, about which most of us don't like to think. And I think the ones that are dubbed "dated" are the most important, because it means that those are probably the ones we have forgotten. But just because it seems "dated" does not mean it has gone away.
True, the material is not as shocking as it was when it first graced the stages of NYC 10 years ago. But -- though I never knew the man -- I have a feeling Mr. Larson was not going for shock value. I am sure he realized in his day that his masterpiece would create quite a stir, but I highly doubt that was his purpose. What was it, then? If you ask me, it is obvious ...the human condition.
The elements of humanity that satiate the stage version are virtually all apparent in the film version. These characters are vastly different from each other on the surface -- but listen to their songs. They are all experiencing life. And not only that, for the most part they aren't afraid to experience life -- the devastations, the love, the convictions, the laughter, the tears. Just listen to Seasons of Love -- it's all in there. That song, to me, is the premise of Mr. Larson's story -- this is life. It isn't necessarily glamorous, it isn't always glorious, but this is what happens in a year of these peoples' lives. And the one thing that gets them through it is the fact that they have each other -- their love for one another overshadows all of the intricacies of day-to-day life. And that theme, to me, is never dated, especially when it is portrayed so well, as Chris Columbus and the incredible cast have managed to do.
I applaud everyone who had any part in this film -- aside from the excellent adaption of Jonathan Larson's exquisite piece of art, I think it is extremely important to constantly expose our society to controversial topics, about which most of us don't like to think. And I think the ones that are dubbed "dated" are the most important, because it means that those are probably the ones we have forgotten. But just because it seems "dated" does not mean it has gone away.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Rent: Vidas extremas
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $4,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,90,77,547
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,00,16,021
- 27 नव॰ 2005
- दुनिया भर में सकल
- $3,16,70,620
- चलने की अवधि2 घंटे 15 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें