सफलता की ओर कैरियर की सीढ़ी चढ़ने के इच्छुक एक वकील को एक छेड़छाड़ करने वाले अपराधी में एक अप्रत्याशित प्रतिद्वंद्वी मिल जाता है जो मुकदमा चलाने की कोशिश कर रहा है.सफलता की ओर कैरियर की सीढ़ी चढ़ने के इच्छुक एक वकील को एक छेड़छाड़ करने वाले अपराधी में एक अप्रत्याशित प्रतिद्वंद्वी मिल जाता है जो मुकदमा चलाने की कोशिश कर रहा है.सफलता की ओर कैरियर की सीढ़ी चढ़ने के इच्छुक एक वकील को एक छेड़छाड़ करने वाले अपराधी में एक अप्रत्याशित प्रतिद्वंद्वी मिल जाता है जो मुकदमा चलाने की कोशिश कर रहा है.
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
Gary Carlos Cervantes
- Ciro
- (as Carlos Cervantes)
कहानी
क्या आपको पता है
- ट्रिवियाThe kinetic objects, with the rolling glass marbles, are designs of Dutch artist Mark Bischof.
- गूफ़By the expert's testimony in court we are informed that Ted Crawford's bullet pierced through the frontal cortex in the temporal lobe coming to rest upon the upper side of the brain against the skull. Yet when we see wife Jennifer's head hit the floor for a brief moment in a close-up, there is no injury visible at all. Furthermore in another scene Ted points to his left cheek bone when he describes where he shot his wife. Such an injury is very different from that described during the trial. The shot was fired at close range with a powerful .45, which makes it very unlikely that the bullet would come to rest within the skull.
- भाव
Ted Crawford: Even a broken clock is right twice a day.
- क्रेज़ी क्रेडिटThe opening credits, rather than merely superimposed on the background, cast shadows and have reflections as if they exist in the scene.
- कनेक्शनFeatured in HBO First Look: Look Closely: The Making of 'Fracture' (2007)
- साउंडट्रैकOmbra Fedel Anch'io
Composed by Riccardo Broschi
Performed by Vivica Genaux (as Vivica Geneaux)
Pianist Paul Floyd
फीचर्ड रिव्यू
The tagline of this film sounds interesting, but also shows the movie's thin plot. 'I shot my wife. Prove it.' Ultimately, the film is smart and witty and keeps you intrigued the entire time as you try find a way to do what the tagline asks you to. However, that's it. Naturally, Anthony Hopkins can do now wrong and 'newbie' Ryan Gosling does really well. Together in a scene, these two are awesome.
What I like about this film is that it totally focuses on the Hopkins/Gosling story-line. In many other films like these there's always that the policemen/attorneys (in this case Gosling) fall in love and then mess it up/ruin their marriage because the case is tearing them apart, you know the drill. There's always some sub story-line involving romance. Gosling finds romance in this movie with Rosamund Pike's character, but it doesn't evolve into another story-line. It doesn't take Willy Beachum's (Ryan Gosling) eyes off the price and even when it falls apart, he doesn't appear to care much (it's all about getting Crawford behind bars) or to feel a need to make it right. I like that. I mean, I love romance in films, but this movie shouldn't be about that and it's not.
Also, the fact that Ted Crawford (Hopkins) is in complete control over everything and everyone in this film astonishes me. This man plays roles like these so well! He just keeps you glued to the screen. The way he is in charge of Willy for (almost!) the entire film is just enjoyable to watch, making the end of the film even more enjoyable when the story comes out and the roles change.
Another reason to praise Gosling for the way he portrayed Willy Beachum. Anthony Hopkins is a legend. He is what draws people to theatres and he is one of the most brilliant actors of all times. Plus, he portrays such a strong character here that I can't help but praise Gosling for holding his own in a very strong manner. Scenes with Gosling are entertaining to watch. You feel drawn to him in almost the same way you feel drawn to Hopkins, even though Willy is in a dark place for most of the film and is hardly in control. Gosling's got great timing.
The story-line might be a little thin and fragile, the outcome is worth it. The movie surprises in more than one way, not in the last place because of the pretty much brilliant performances of both actors. Gosling is going to be big.
8/10
What I like about this film is that it totally focuses on the Hopkins/Gosling story-line. In many other films like these there's always that the policemen/attorneys (in this case Gosling) fall in love and then mess it up/ruin their marriage because the case is tearing them apart, you know the drill. There's always some sub story-line involving romance. Gosling finds romance in this movie with Rosamund Pike's character, but it doesn't evolve into another story-line. It doesn't take Willy Beachum's (Ryan Gosling) eyes off the price and even when it falls apart, he doesn't appear to care much (it's all about getting Crawford behind bars) or to feel a need to make it right. I like that. I mean, I love romance in films, but this movie shouldn't be about that and it's not.
Also, the fact that Ted Crawford (Hopkins) is in complete control over everything and everyone in this film astonishes me. This man plays roles like these so well! He just keeps you glued to the screen. The way he is in charge of Willy for (almost!) the entire film is just enjoyable to watch, making the end of the film even more enjoyable when the story comes out and the roles change.
Another reason to praise Gosling for the way he portrayed Willy Beachum. Anthony Hopkins is a legend. He is what draws people to theatres and he is one of the most brilliant actors of all times. Plus, he portrays such a strong character here that I can't help but praise Gosling for holding his own in a very strong manner. Scenes with Gosling are entertaining to watch. You feel drawn to him in almost the same way you feel drawn to Hopkins, even though Willy is in a dark place for most of the film and is hardly in control. Gosling's got great timing.
The story-line might be a little thin and fragile, the outcome is worth it. The movie surprises in more than one way, not in the last place because of the pretty much brilliant performances of both actors. Gosling is going to be big.
8/10
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Crimen perfecto
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $3,90,15,018
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,11,80,000
- 22 अप्रैल 2007
- दुनिया भर में सकल
- $9,20,11,561
- चलने की अवधि1 घंटा 53 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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