Un mal día lo tiene cualquiera

It's so bad it's embarrassing.

Despite that, Ana Polvorosa defends the indefensible. What the poor thing does is so difficult, that it should be studied in dramatic arts academies.

This film is a clear example of the decadence and disproportionate cronyism of Spanish productions. That such nonsense has benefited from state aid to the cinema, indicates the scam that the usual ones have set up, and the endemic decadence of the national sector.

To begin with, the script is so bad that not even a 10-year-old could do worse. And to continue there is no rhythm, no meaning, no interest to get hooked on.

The only positive thing is that seeing a product so bad and so poorly made, it makes you reflect on your existence, and on your life. And it may even encourage you to do something, because if these people have managed to do such garbage, surely you can do something better.

Seriously, don't watch it.