VALUTAZIONE IMDb
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3837
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDespite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.
- Premi
- 3 vittorie e 1 candidatura in totale
Maude Allen
- Fat Woman
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizSpecial permission had to be granted from the Hays Office in order to retain the famous miscegenation (interracial marriage) sequence in the movie. Miscegenation was banned as a film subject, and had been excluded from Show Boat (1929).
- BlooperWhen Joe begins to sing "Ol' Man River", he picks up a board and begins to whittle it. He slices off two pieces, and then the camera switches to an oblique shot, but now the board is whittled to a slender rod.
- Curiosità sui creditiIn the opening credits, there is a cardboard cutout display of a show boat parade, with cutout paper townspeople watching it, on a moving turntable. The parade revolves past the camera carrying cardboard banners on which are printed the title and other credits. Most of the parade figures are simply figures, but among them cutouts of Paul Robeson and Helen Morgan can be seen. (The appearance of these figures does not coincide with the appearance of their names onscreen.) In the background shadows of a paddlewheel and a riverboat can be seen.
- ConnessioniFeatured in The All Talking, All Singing, All Dancing Show (1973)
- Colonne sonoreCotton Blossom
(1927) (uncredited)
Music by Jerome Kern
Lyrics by Oscar Hammerstein II
Sung by offscreen mixed chorus (during opening credits) and in opening scene by mixed chorus of dock workers
Recensione in evidenza
I was too young to see this version until well after the 1951 one had fixed a certain standard in my brain. It took a TCM rerun to open my eyes. Mind you, I still like the 1951 production very well indeed, but there is a depth of story, song, and character in this one that makes it overall the better of the two (and the "best" of a larger lot).
First, you have Paul Robeson and Helen Morgan. Both are icons who needed no dubbing no matter where or when they sang standards like "Old Man River" and "Just My Bill." Then there is Hattie McDaniel in a role largely skipped in the 1951 movie. And a greater selection of minor songs prevails as well. Indeed, the inclusion of many black people who are missing from the later film give it a unique richness.
Black and white never looked so good.
First, you have Paul Robeson and Helen Morgan. Both are icons who needed no dubbing no matter where or when they sang standards like "Old Man River" and "Just My Bill." Then there is Hattie McDaniel in a role largely skipped in the 1951 movie. And a greater selection of minor songs prevails as well. Indeed, the inclusion of many black people who are missing from the later film give it a unique richness.
Black and white never looked so good.
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Dettagli
- Tempo di esecuzione1 ora 53 minuti
- Colore
- Proporzioni
- 1.37 : 1
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Divario superiore
By what name was La canzone di Magnolia (1936) officially released in India in English?
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