VALUTAZIONE IMDb
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDetermined to reform upon leaving prison, a former prostitute falls in love with a cotton-barge owner and must choose between him and her banker lover.Determined to reform upon leaving prison, a former prostitute falls in love with a cotton-barge owner and must choose between him and her banker lover.Determined to reform upon leaving prison, a former prostitute falls in love with a cotton-barge owner and must choose between him and her banker lover.
Samuel S. Hinds
- Father Doran
- (as Samuel Hinds)
Tom Herbert
- Salesman Ogelthorpe
- (as Tom Francis)
Wade Boteler
- River Boat Purser
- (non citato nei titoli originali)
Eddy Chandler
- River Boat Steward
- (non citato nei titoli originali)
Jane Darwell
- Mrs. Webster - Head Prison Matron
- (non citato nei titoli originali)
Arthur Hoyt
- Hoyt - Paige's Secretary
- (non citato nei titoli originali)
John Larkin
- Man Meeting Released Prisoner
- (non citato nei titoli originali)
Matt McHugh
- Mr. Jones
- (non citato nei titoli originali)
Robert Emmett O'Connor
- River Boat Captain Scroggins
- (non citato nei titoli originali)
Eileen Percy
- Woman
- (partecipazione non confermata)
- (non citato nei titoli originali)
George Reed
- Alice - Dan's Shipboard Cook
- (non citato nei titoli originali)
Mildred Washington
- Genevieve - Lorry's Maid
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe last of four films co-starring Constance Bennett and Joel McCrea, along with Passione di mamma (1931), The Common Law (1931), and Labbra proibite (1932).
- BlooperWhen Lorry is in her room on the steamboat, there is a fur coat on the top bunker resting up against the bedpost. On the following cuts, the orientation of the coat keeps changing. The matching hat on the top bunker also changes orientation.
- Citazioni
Mrs. Webster - Head Prison Matron: As Head Matron of his Institution, in all my experience, I have never come...
Lorry Evans: Save your wind, save your wind, you might want to go sailing sometime.
- Colonne sonoreYou're the Flower of My Heart, Sweet Adeline
(1903) (uncredited)
Music by Harry Armstrong
Lyric by Richard H. Gerard
Sung a cappella and offscreen by Matt McHugh and Pert Kelton
Recensione in evidenza
Constance Bennett and pal Pat Kelton get out of prison and will do anything--ANYTHING--to get a man with cash. Bennett eventually falls in love with poor Joel McCrea--but will she be able to tell him about her past?
Nothing new story wise but some of the dialogue and situations are pretty frank for 1933. It's made quite clear that Bennett and Kelton have, and will, sleep with men for money. Also one woman is very obviously a kept woman. Very much a pre-Code film.
The dialogue is sharp, funny, fast and racy. All the acting is great--Bennett is just beautiful, McCrea is young, hunky and handsome and Kelton is hysterical doing a Mae West imitation.
Quick (67 minutes) and worth catching.
Nothing new story wise but some of the dialogue and situations are pretty frank for 1933. It's made quite clear that Bennett and Kelton have, and will, sleep with men for money. Also one woman is very obviously a kept woman. Very much a pre-Code film.
The dialogue is sharp, funny, fast and racy. All the acting is great--Bennett is just beautiful, McCrea is young, hunky and handsome and Kelton is hysterical doing a Mae West imitation.
Quick (67 minutes) and worth catching.
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Dettagli
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- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 7 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Bed of Roses (1933) officially released in India in English?
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