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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDetermined to reform upon leaving prison, a former prostitute falls in love with a cotton-barge owner and must choose between him and her banker lover.Determined to reform upon leaving prison, a former prostitute falls in love with a cotton-barge owner and must choose between him and her banker lover.Determined to reform upon leaving prison, a former prostitute falls in love with a cotton-barge owner and must choose between him and her banker lover.
Samuel S. Hinds
- Father Doran
- (as Samuel Hinds)
Tom Herbert
- Salesman Ogelthorpe
- (as Tom Francis)
Wade Boteler
- River Boat Purser
- (non citato nei titoli originali)
Eddy Chandler
- River Boat Steward
- (non citato nei titoli originali)
Jane Darwell
- Mrs. Webster - Head Prison Matron
- (non citato nei titoli originali)
Arthur Hoyt
- Hoyt - Paige's Secretary
- (non citato nei titoli originali)
John Larkin
- Man Meeting Released Prisoner
- (non citato nei titoli originali)
Matt McHugh
- Mr. Jones
- (non citato nei titoli originali)
Robert Emmett O'Connor
- River Boat Captain Scroggins
- (non citato nei titoli originali)
Eileen Percy
- Woman
- (partecipazione non confermata)
- (non citato nei titoli originali)
George Reed
- Alice - Dan's Shipboard Cook
- (non citato nei titoli originali)
Mildred Washington
- Genevieve - Lorry's Maid
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe last of four films co-starring Constance Bennett and Joel McCrea, along with Passione di mamma (1931), The Common Law (1931), and Labbra proibite (1932).
- BlooperWhen Lorry is in her room on the steamboat, there is a fur coat on the top bunker resting up against the bedpost. On the following cuts, the orientation of the coat keeps changing. The matching hat on the top bunker also changes orientation.
- Citazioni
Mrs. Webster - Head Prison Matron: As Head Matron of his Institution, in all my experience, I have never come...
Lorry Evans: Save your wind, save your wind, you might want to go sailing sometime.
- Colonne sonoreYou're the Flower of My Heart, Sweet Adeline
(1903) (uncredited)
Music by Harry Armstrong
Lyric by Richard H. Gerard
Sung a cappella and offscreen by Matt McHugh and Pert Kelton
Recensione in evidenza
Bed Of Roses is the fourth and final film that Joel McCrea and Constance Bennett did which certainly should qualify them as a screen team. Paired by RKO Pictures the two worked well together.
The fact that both Bennett and Pert Kelton are a pair of prostitutes recently released from prison qualifies this film as a before the Code classic. The picture is quite frank about what they do.
In fact they're back doing it as soon as they're released shows they haven't repented. But both are looking for some comfortable permanent arrangements. For Kelton she manages to rope a traveling salesman, but in that same dodge Bennett jumps off a Mississipi riverboat fleeing from the captain after she's caught rolling another of the salesman for his dough.
Where she's picked up by Joel McCrea who runs and lives on a cotton barge. Thanks, but no thanks says Bennett, she's after bigger game and lands it in the person of New Orleans millionaire John Halliday.
I won't say any more, you know how this will end. And remember this is before the Code went in place. The lack of the Code made motion pictures a lot more free with details, but the American movie-going public expected stories to go a certain way.
What might have been nice is a bit more of Pert Kelton, her scenes have some real bite to them, but Bennett and McCrea acquit themselves well here.
The fact that both Bennett and Pert Kelton are a pair of prostitutes recently released from prison qualifies this film as a before the Code classic. The picture is quite frank about what they do.
In fact they're back doing it as soon as they're released shows they haven't repented. But both are looking for some comfortable permanent arrangements. For Kelton she manages to rope a traveling salesman, but in that same dodge Bennett jumps off a Mississipi riverboat fleeing from the captain after she's caught rolling another of the salesman for his dough.
Where she's picked up by Joel McCrea who runs and lives on a cotton barge. Thanks, but no thanks says Bennett, she's after bigger game and lands it in the person of New Orleans millionaire John Halliday.
I won't say any more, you know how this will end. And remember this is before the Code went in place. The lack of the Code made motion pictures a lot more free with details, but the American movie-going public expected stories to go a certain way.
What might have been nice is a bit more of Pert Kelton, her scenes have some real bite to them, but Bennett and McCrea acquit themselves well here.
- bkoganbing
- 29 giu 2013
- Permalink
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- Tempo di esecuzione1 ora 7 minuti
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- 1.37 : 1
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By what name was Bed of Roses (1933) officially released in India in English?
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