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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn author writing a book on jealousy discovers his wife is an expert on the subject.An author writing a book on jealousy discovers his wife is an expert on the subject.An author writing a book on jealousy discovers his wife is an expert on the subject.
Gino Corrado
- Party Waiter
- (non citato nei titoli originali)
Cecil Cunningham
- Party Guest
- (non citato nei titoli originali)
Mark Daniels
- Student
- (non citato nei titoli originali)
Jay Eaton
- Party Guest
- (non citato nei titoli originali)
Julie Gibson
- Singer in Nightclub
- (non citato nei titoli originali)
Herschel Graham
- Nightclub Patron
- (non citato nei titoli originali)
Robert Homans
- Policeman in Subway Train
- (non citato nei titoli originali)
Max Linder
- Party Guest
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizDon Ameche's first film for MGM. He had made a screen test there in 1935 and was rejected, but was signed the following year by 20th Century-Fox.
- Citazioni
Nellie Woods: Sorry I'm not what you were expecting.
Elliott Morgan: What makes you think I'm expecting anybody?
Nellie Woods: What makes me think that dogs like liver?
Elliott Morgan: I don't get the analogy, but I expect it's very clever. It so happens that you're wrong; there's no one coming.
Nellie Woods: You're right. She's gone out with her husband.
Elliott Morgan: [feigning confusion] Uh... who has?
Nellie Woods: The liver.
- ConnessioniFeatures Il mago di Oz (1939)
- Colonne sonoreJealous
(uncredited)
Music by Jack Little
Lyrics by Dick Finch and Tommie Malie
Sung by Julie Gibson
Sung a cappella by Rosalind Russell
[Played as background music during the opening and end credits; played as background music often; performed by the nightclub singer]
Recensione in evidenza
Very charming early 40's romantic screwball comedy. Don Ameche is a psychology professor at Digby College, which he decides to leave after being asked to pass a dimwitted football player so Digby can win an upcoming game. Prof. Hathaway is now free to publish his book on his theories on marital jealousy. Only he doesn't expect to be smitten with his editor, Kay Francis and likewise his wife, Rosalind Russell with Kay Francis' partner, Van Heflin. It's not heavy on plot; rather, its forte is in its snappy dialog, especially from Russell and Francis.
Here is one thing I especially love about 40's/50's romantic comedies: the bachelor pads, such as Van Heflin's here! They're always large and usually have a sunken living room with lots of cool furniture. You go up three steps and behold! A grand piano! As if this weren't enough, Heflin's also got a log cabin retreat outside the city (NY). Other outstanding 1940's visuals: Kay Francis' outrageous hats. Francis looks even better here than in the 30's. She even reminded me somewhat of Sean Young in BLADE RUNNER. Other highlights include the make-up exam Prof. Hathaway gives to Rubber-Legs, the football player in question at the beginning, at the request of the dean. The questions are deliberately idiotic, but Rubber-Legs bows out with a headache! For more abuse of football players at the hands of professors I recommend Disney's THE MONKEY'S UNCLE (24 years later). Then there's the scene in the publisher's office where Ameche and Russell find claustrophobic Elliott Morgan (Heflin) locked in a closet by Nellie (Francis)! Funny seeing a bearded Heflin through the keyhole. There's also a lot of coffee preparing and drinking in this movie, and some kind of statement about beards. At the beginning the football players are wearing beards until they defeat their opponent. Later, Francis declares that Elliott is hiding behind a beard for security (??) We're also treated to some 1940's feminism spouted by Don Ameche and scoffed at by Francis, who says those are the women (overly independent) who are alone at night.
This is a sprightly comedy with sturdy comedic performances from all. Give it a look - you'll feel good when you do!
Here is one thing I especially love about 40's/50's romantic comedies: the bachelor pads, such as Van Heflin's here! They're always large and usually have a sunken living room with lots of cool furniture. You go up three steps and behold! A grand piano! As if this weren't enough, Heflin's also got a log cabin retreat outside the city (NY). Other outstanding 1940's visuals: Kay Francis' outrageous hats. Francis looks even better here than in the 30's. She even reminded me somewhat of Sean Young in BLADE RUNNER. Other highlights include the make-up exam Prof. Hathaway gives to Rubber-Legs, the football player in question at the beginning, at the request of the dean. The questions are deliberately idiotic, but Rubber-Legs bows out with a headache! For more abuse of football players at the hands of professors I recommend Disney's THE MONKEY'S UNCLE (24 years later). Then there's the scene in the publisher's office where Ameche and Russell find claustrophobic Elliott Morgan (Heflin) locked in a closet by Nellie (Francis)! Funny seeing a bearded Heflin through the keyhole. There's also a lot of coffee preparing and drinking in this movie, and some kind of statement about beards. At the beginning the football players are wearing beards until they defeat their opponent. Later, Francis declares that Elliott is hiding behind a beard for security (??) We're also treated to some 1940's feminism spouted by Don Ameche and scoffed at by Francis, who says those are the women (overly independent) who are alone at night.
This is a sprightly comedy with sturdy comedic performances from all. Give it a look - you'll feel good when you do!
- Phil Reeder
- 7 dic 2002
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Dettagli
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Chi dice donna... (1941) officially released in India in English?
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