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6,9/10
1423
LA TUA VALUTAZIONE
La storia della lotta di un piccolo giornale cittadino per liberare una ragazza innocente da un'accusa di omicidio.La storia della lotta di un piccolo giornale cittadino per liberare una ragazza innocente da un'accusa di omicidio.La storia della lotta di un piccolo giornale cittadino per liberare una ragazza innocente da un'accusa di omicidio.
Howard Da Silva
- Carl Durham
- (as Howard da Silva)
Jay Adler
- Munsey's Assistant
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe "N" word is overdubbed with "Negro" on at least two occasions. [Note: this may be a local station's practice; the version shown on TCM contains the uncensored language.]
- BlooperAt the funeral, there is a headstone marked "Robert Elis 1720-1777". After the service, as the mourners are leaving, the same headstone appears in a completely different place.
- Citazioni
District Attorney Ralph Munsey: Take it easy, Reese. Things are tough all over. Pretty soon a man won't be able to sell his own mother.
- Versioni alternativeThe manufacture-on-demand DVD from Warner Archive Collection has the opening and closing 1992 Warner Bros. Pictures logos.
- ConnessioniReferences Bernadette (1943)
Recensione in evidenza
Deceptively titled, The Underworld Story boasts only tenuous connections to organized crime. It's a newspaper story that centers around a high-profile murder with racial overtones. But its crusading tone and topical allusions never grow strident and don't overwhelm some adroit plotting and incisive character study.
Big-city reporter Dan Duryea finds himself in a jam that makes him persona non grata to his newspaper, the district attorney's office and underworld boss Howard Da Silva. Broke and blacklisted, he buys himself a partial stake in a struggling community paper, The Lakewood Gazette, owned by Gale Storm, who's put off by his brash ways and temporizing ethics. But a headline story breaks right there in the idyllic New England town: The daughter-in-law of press baron Herbert Marshall has been murdered, and Duryea seizes the chance to run with the scoop.
It's not a whodunit, though; the killer, it's clear from the outset, is Marshall's snivelling son (Gar Moore, who sounds like HAL the computer). But when the murdered woman's black maid (Mary Anderson) goes missing, Marshall sees opportunity to whip up public sentiment against her. Storm, who knew the maid, trusts in her innocence; Duryea, on the other hand, waits to see which outcome might profit him most. When The Gazette starts a defense fund for Anderson, Marshall and his son start running scared and seek a favor from Da Silva to put a stop to the tenacious Duryea, who's been won over by Storm....
The Underworld Story's a modest movie that's well put together (it looks great, too, photographed by Stanley Cortez, who also shot The Magnificent Ambersons and Night of the Hunter). But it belongs to Duryea, who could play affable but slithery better than anybody, and his twists and turns keep us guessing.
Reminiscent of 30s socially-conscious cinema more than film noir, The Underworld Story also shows that decade's story-telling verve. It's been purged of preaching, so when one character remarks `Looks like they're burning witches again,' we suddenly recall that its release came in the midst of the Hollywood anti-Communist witch hunt, and that at least two of its principals director Cy Endfield and Da Silva were among its victims.
Big-city reporter Dan Duryea finds himself in a jam that makes him persona non grata to his newspaper, the district attorney's office and underworld boss Howard Da Silva. Broke and blacklisted, he buys himself a partial stake in a struggling community paper, The Lakewood Gazette, owned by Gale Storm, who's put off by his brash ways and temporizing ethics. But a headline story breaks right there in the idyllic New England town: The daughter-in-law of press baron Herbert Marshall has been murdered, and Duryea seizes the chance to run with the scoop.
It's not a whodunit, though; the killer, it's clear from the outset, is Marshall's snivelling son (Gar Moore, who sounds like HAL the computer). But when the murdered woman's black maid (Mary Anderson) goes missing, Marshall sees opportunity to whip up public sentiment against her. Storm, who knew the maid, trusts in her innocence; Duryea, on the other hand, waits to see which outcome might profit him most. When The Gazette starts a defense fund for Anderson, Marshall and his son start running scared and seek a favor from Da Silva to put a stop to the tenacious Duryea, who's been won over by Storm....
The Underworld Story's a modest movie that's well put together (it looks great, too, photographed by Stanley Cortez, who also shot The Magnificent Ambersons and Night of the Hunter). But it belongs to Duryea, who could play affable but slithery better than anybody, and his twists and turns keep us guessing.
Reminiscent of 30s socially-conscious cinema more than film noir, The Underworld Story also shows that decade's story-telling verve. It's been purged of preaching, so when one character remarks `Looks like they're burning witches again,' we suddenly recall that its release came in the midst of the Hollywood anti-Communist witch hunt, and that at least two of its principals director Cy Endfield and Da Silva were among its victims.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Underworld Story
- Luoghi delle riprese
- Los Angeles City Hall - 200 North Spring Street, Downtown, Los Angeles, California, Stati Uniti("The Turk" was murdered on the steps of City Hall)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Proporzioni
- 1.37 : 1
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What is the Spanish language plot outline for Delitto in prima pagina (1950)?
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