Un avvocato di New York e la moglie tentano di vivere come agricoltori raffinati nella bizzarra comunità di Hooterville.Un avvocato di New York e la moglie tentano di vivere come agricoltori raffinati nella bizzarra comunità di Hooterville.Un avvocato di New York e la moglie tentano di vivere come agricoltori raffinati nella bizzarra comunità di Hooterville.
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- QuizArnold the Piggy was the only cast member to win an award for a performance in a sitcom. He won the coveted "Patsy" Award in 1967, given to the best performance by an animal.
- BlooperIn the opening song when Oliver sings "You are my wife," he reaches for Lisa with his left hand. As Lisa sings "Goodbye city life," Oliver reaches in and grabs her with his right hand.
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Lisa Douglas: When you married me you knew that I couldn't cook, I couldn't sew, and I couldn't keep house. All I could do was talk Hungarian and do imitations of Zsa Zsa Gabor.
Oliver Douglas: Who?
- Curiosità sui creditiIn some episodes, the opening credits appear in unusual locations (e.g.: chicken eggs, towels, writing on walls, breakfast items, newspaper headlines). In other episodes, the characters - particularly Lisa - react to the appearance of the credits superimposed over them or next to them.
- ConnessioniFeatured in Oltre il giardino (1979)
Recensione in evidenza
This programme was traditionally thought of as just another of the cornpone country comedies that CBS used to be noted for, like "Petticoat Junction" or "The Beverly Hillbillies". But with its button-down straight man, Eddie Albert, surrounded by a wild assortment of extraordinary oddballs, "Green Acres" looks both backwards to the screwball comedies of the '30s and ahead to the Bob Newhart series of shows which followed a similar premise.
I am a fan of the British absurdist tradition, as exemplified both by university humour, like "Monty Python" and "Fawlty Towers", with its basis in the antics of the Goons (and Alfred Jarry), and by John Lennon's disassociated imagery, with its basis, probably, in Edward Lear (and Hilaire Belloc), but I personally happen to believe that this particular show belongs to a distinct comedy continuum, one that's entirely American. But I do agree completely that where these two styles are concerned, fans of one are bound to appreciate the other.
I am a fan of the British absurdist tradition, as exemplified both by university humour, like "Monty Python" and "Fawlty Towers", with its basis in the antics of the Goons (and Alfred Jarry), and by John Lennon's disassociated imagery, with its basis, probably, in Edward Lear (and Hilaire Belloc), but I personally happen to believe that this particular show belongs to a distinct comedy continuum, one that's entirely American. But I do agree completely that where these two styles are concerned, fans of one are bound to appreciate the other.
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By what name was La fattoria dei giorni felici (1965) officially released in India in English?
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