Dopo aver assistito a un omicidio per mano della mafia, due musicisti fuggono dallo stato travestiti da donne in una band tutta al femminile, ma subentrano ulteriori complicazioni.Dopo aver assistito a un omicidio per mano della mafia, due musicisti fuggono dallo stato travestiti da donne in una band tutta al femminile, ma subentrano ulteriori complicazioni.Dopo aver assistito a un omicidio per mano della mafia, due musicisti fuggono dallo stato travestiti da donne in una band tutta al femminile, ma subentrano ulteriori complicazioni.
- Vincitore di 1 Oscar
- 11 vittorie e 13 candidature totali
- Minor Role
- (non citato nei titoli originali)
- Party Guest
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizYears after the film's release, a movie reviewer asked Tony Curtis why his "Josephine" was so much more feminine than Jack Lemmon's "Daphne." Curtis explained he was so scared to be playing a woman (or a man pretending to be one) that his tightly wound body language could be read as demure and shy, traditionally feminine traits, whereas Lemmon, who was completely unbothered, and "ran out of his dressing room screaming like the Queen of the May," kept much more of his masculine body language.
- BlooperEarly in the movie, Joe talks about the Brooklyn Dodgers, a name not officially used until 1932. From 1914 to 1931 the Brooklyn baseball team was the Robins, not the Dodgers. However, the Dodgers had been an unofficial nickname since 1895, and the World Series program from 1920 even referred to them as the Dodgers instead of the Robins.
- Citazioni
[last lines]
Jerry: Oh no you don't! Osgood, I'm gonna level with you. We can't get married at all.
Osgood: Why not?
Jerry: Well, in the first place, I'm not a natural blonde.
Osgood: Doesn't matter.
Jerry: I smoke! I smoke all the time!
Osgood: I don't care.
Jerry: Well, I have a terrible past. For three years now, I've been living with a saxophone player.
Osgood: I forgive you.
Jerry: [tragically] I can never have children!
Osgood: We can adopt some.
Jerry: But you don't understand, Osgood! Ohh...
[Jerry finally gives up and pulls off his wig]
Jerry: [normal voice] I'm a man!
Osgood: [shrugs] Well, nobody's perfect!
[Jerry looks on with disbelief as Osgood continues smiling with indifference. Fade out]
- Versioni alternativeVideo version contains extended exit music after the film.
- ConnessioniEdited into Vida conyugal sana (1974)
- Colonne sonoreRunnin' Wild
(1922) (uncredited)
Music by A.H. Gibbs
Lyrics by Joe Grey and Leo Wood
Played during the opening credits
Played by the girls on the train and Performed by Marilyn Monroe
Performed also a capella by Tony Curtis
Gene Cipriano (tenor sax for Tony Curtis) and Al Hendrickson (ukulele for Marilyn Monroe)
After playing witness to a routine gangland shooting, two penniless Chicago musicians, Joe and jerry decide it is the perfect opportunity, to remain safe and get paid a easy buck when they decide to take up residence in an all girl band heading to Florida, crossed-dressed as Josephine (Tony Curtis) and Daphne (Jack Lemmon). But with the only simple aim of getting paid and avoiding the mob, things soon get a little more tricky when a ditsy singer named Sugar (Marilyn Monroe) captures the heart of' Josephine' and a eccentric playboy millionaire falls for 'Daphne'.
Some Like It Hot is one of those rare occasions, where everyone involved is at the very peak of their powers. Billy Wilder's directing is subtle but instrumental in loading every scene with comedic material ready to pop out like a wound up jack in the box. The writing is excellent, it constantly moves at a furious pace. Imagine Usain bolt on roller blades with jet pack attached to his back, and still that's not even as fast as how the dialogue rips through every scene. People may say that the comedy is too high concept, but for me that's the very reason it's so damn funny , as well a begin genius, because it means that the jokes will stand the test of time and span all generations because it's so easy to understand. Anyway who likes having jokes explained to them? No one!
But you can't talk about Some Like It Hot, without mentioning Tony Curtis and Jack Lemmon, who were absolutely perfect for their roles, each adding a feeling of assuredness to theirs, as well as bucket full's of originality with every facial expression as well as every line. Initially I was not convinced by Marilyn Monroe, as I felt she was slightly overrated, but in her role as Sugar, she brings a lot of composure to the role adding balance to the high energy of Tony and Jack, but still getting her laughs not through straight jokes but by simply being able to deliverer every air headed line with great delivery and timing. Whilst still being able to remain sweet, helpless and innocent, even as she plunges picks into a solid cube of ice with great fury, as she talks about her weakness for Saxophone players.
Some Like It Hot it like a magician of comedy, you never know what to expect next, as with every new scene you so excitedly anticipate what piece of comedic magic it will pull out of its sleeve. For me Some Like It Hot is the funniest comedy film I have ever seen, even though it is almost 55 years old, its comedy is still so accessible and funny too!
- silva-w-pius
- 3 gen 2014
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Una Eva y dos Adanes
- Luoghi delle riprese
- Hotel del Coronado - 1500 Orange Avenue, Coronado, California, Stati Uniti(Seminole Ritz Hotel)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.883.848 USD (previsto)
- Lordo in tutto il mondo
- 208.457 USD
- Tempo di esecuzione2 ore 1 minuto
- Colore
- Proporzioni
- 1.85 : 1