VALUTAZIONE IMDb
8,0/10
30.895
LA TUA VALUTAZIONE
Mabel, moglie e madre, è amata dal marito Nick ma la sua malattia mentale si rivela un problema nel matrimonio.Mabel, moglie e madre, è amata dal marito Nick ma la sua malattia mentale si rivela un problema nel matrimonio.Mabel, moglie e madre, è amata dal marito Nick ma la sua malattia mentale si rivela un problema nel matrimonio.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 10 vittorie e 7 candidature totali
Matthew Labyorteaux
- Angelo Longhetti
- (as Matthew Laborteaux)
George Dunn
- Garson Cross
- (as O.G. Dunn)
Vincent Barbi
- Gino
- (as Vince Barbi)
Trama
Lo sapevi?
- QuizJohn Cassavetes could not find a distributor for the film after completion, and was at one point literally carrying the reels under his arm, from one theater to another, in hopes of getting one to play his movie. Finally, Martin Scorsese, who had recently become critically acclaimed following his film Mean Streets - Domenica in chiesa, lunedì all'inferno (1973) happened to be a huge fan of Cassavetes' work and threatened to pull his film Alice non abita più qui (1974) from a major New York film festival unless they accepted this film.
- BlooperIn the scene at the end of the film when Nick and Mabel are putting the children to bed, the boom mic is visible on the left side of the screen poking out from behind the door frame just after Nick exits the room and Mabel is about to turn off the light.
- Citazioni
Mabel Longhetti: Dad... will you stand up for me?
George Mortensen: Sure.
[stands up]
Mabel Longhetti: No, I don't mean that. Sit down, Dad. Will you please stand up for me?
- Versioni alternativeThe world premiere screening of a restored print was held at the Castro Theatre in San Francisco on April 26, 2009, as part of the San Francisco International Film Festival. The restoration was done by the UCLA Film & Television Archive with funding provided by Gucci and the Film Foundation.
- Colonne sonoreLa Boheme: 'Che facevi, che dicevi Act 3
Written by Giacomo Puccini
Performed by Mirella Freni, Nicolai Gedda and Thomas Schippers
Recensione in evidenza
Everyone views movies differently. I for one didn't think we were meant to wonder who was crazier Mabel or her husband. Cassavetes makes a strong, bold (and rarely voiced) point...it is the husband! Mabel loved her children, loved to dance and sing and for that she was committed. Her "unidentified mental illness" seems to intensify when her husband mistreated her and was physically or verbally violent...in my opinion going a bit crazy after someone slaps you is probably healthier and saner than being polite, demure, and rational.
Mabel loves life, shows her love without apology, and is severely punished for it. Everyone else in the movie struggles to calm everyone down and avoid showing too much emotion. While this may be more socially acceptable it isn't sane or even healthy. Humans are emotional beings...I for one say Brava! Mabel.
I think the director tips his hand and proves his point when Mabel's character comes home from the institution. She hasn't seen her children, husband, and family for 6 months and people assault her, some she has never even met, before she even leaves the car. When she does get inside the safety of her own home the people who put her away and told to forget the past greet her with small talk and politeness! Then when she finally sees her children after being told to "wait a minute" she says to herself that she wants to remain calm and show "no emotions." It seems obvious that this is a perfectly acceptable time to be emotional but fresh from the institution she know being normal doesn't allow you to be emotional. Emotions are scary, messy, and inconvenient and I for one am thrilled that John Cassavetes didn't shy away from them.
This movie is a true original.
Mabel loves life, shows her love without apology, and is severely punished for it. Everyone else in the movie struggles to calm everyone down and avoid showing too much emotion. While this may be more socially acceptable it isn't sane or even healthy. Humans are emotional beings...I for one say Brava! Mabel.
I think the director tips his hand and proves his point when Mabel's character comes home from the institution. She hasn't seen her children, husband, and family for 6 months and people assault her, some she has never even met, before she even leaves the car. When she does get inside the safety of her own home the people who put her away and told to forget the past greet her with small talk and politeness! Then when she finally sees her children after being told to "wait a minute" she says to herself that she wants to remain calm and show "no emotions." It seems obvious that this is a perfectly acceptable time to be emotional but fresh from the institution she know being normal doesn't allow you to be emotional. Emotions are scary, messy, and inconvenient and I for one am thrilled that John Cassavetes didn't shy away from them.
This movie is a true original.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Neurosis de mujer
- Luoghi delle riprese
- 1741 N. Taft Avenue, Hollywood, Los Angeles, California, Stati Uniti(the Longhettis' home)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo in tutto il mondo
- 25.601 USD
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