Un ricercatore della CIA amante dei libri trova tutti i suoi colleghi di lavoro morti e deve vincere in astuzia i responsabili fin quando non avrà scoperto di chi potersi fidare realmente.Un ricercatore della CIA amante dei libri trova tutti i suoi colleghi di lavoro morti e deve vincere in astuzia i responsabili fin quando non avrà scoperto di chi potersi fidare realmente.Un ricercatore della CIA amante dei libri trova tutti i suoi colleghi di lavoro morti e deve vincere in astuzia i responsabili fin quando non avrà scoperto di chi potersi fidare realmente.
- Candidato a 1 Oscar
- 6 vittorie e 4 candidature totali
Max von Sydow
- Joubert
- (as Max Von Sydow)
Helen Stenborg
- Mrs. Russell
- (as Helen Stenbure)
Hansford Rowe
- Jennings
- (as Hansford H. Rowe Jr., Hansford Rolle)
Carlin Glynn
- Mae Barber
- (as Carlin Gylnn)
Trama
Lo sapevi?
- QuizFormer CIA director Richard Helms acted as a personal consultant to Robert Redford for his role as The Condor.
- BlooperIn the CIA office scene where various clocks are displaying the time zone, Winnipeg is misspelled as Winipeg.
- Citazioni
[after Joubert unexpectedly kills someone]
Joe Turner: Why?
Joubert: I don't interest myself in "why". I think more often in terms of "when", sometimes "where"; always "how much".
- ConnessioniFeatured in Flicks: Episodio #1.17 (1975)
- Colonne sonoreI've Got You Where I Want You
(uncredited)
Music by Dave Grusin
Lyrics by Tom Bähler
Performed by James Gilstrap
Recensione in evidenza
Sidney Pollack is a great admirer of Alfred Hitchcock, which he also proved with "The Interpreter". Apparently he loves suspenseful thrillers and I sure hope for him that his movies will age as well as those that Hitchcock made. And I guess they do. Even though it was made thirty years ago, "Three Days of the Condor" still hasn't lost any of its power. Sure, you could call it a typical product of the seventies, but even today this movie feels up-to-date and believable.
Turner works for the American Literary Historical Society, or at least so it seems. In reality he is a CIA researcher, with the code name Condor, who gets paid to read books, in which he has to find possible scenarios that could be used in intelligence work. When he returns to his office after he went out to get lunch, he finds all his colleagues dead and he doesn't know who shot them. He immediately calls a superior who sends his section chief to get him out of there. But when the man arrives, he immediately opens fire on Turner. In an act of pure desperation - he no longer knows who he can trust - Turner kidnaps a woman he has never seen before and forces her to hide him. He will stay in her house until he can find out what exactly is going on. But even there he isn't save. He is discovered and attacked in the woman's house, but is able to kill the man. Now he knows one thing for sure: the man too had a connection to the CIA, which means that someone in the CIA must be behind all this...
I guess the best thing about this movie is the fact that it doesn't give away all its information at once. At first Turner appears to be an ordinary guy who arrives late for work. Nothing special there. But because he gradually builds up tension by slightly releasing more information, the writer knows how to keep you focused and interested. I guess the best way to describe this movie is calling it a classic spy thriller without James Bond-like locations or bad guys and and no super hero who can beat all the bad guys with a blink of an eye. No, this is a normal man who was at the wrong place at the wrong time and who now has to face an unusual and life threatening situation. I guess that's where this movie gets its strength: you can easily identify with him, even though he is a spy.
And yes, the whole concept of the movie is very seventies: the paranoia towards the government, the insecurity of not knowing who your enemies or your friends are... all give it that typical feeling. but even today this movie hasn't lost any of its power or relevance. All in all this is a very good and stylish thriller that offers plenty of tension and some very nice acting. Especially Robert Redford and Faye Dunaway were very nice to watch, but the other actors did a fine job too. Thanks to the combination of the acting, a good story and some nice camera-work, Pollack has created a movie Hitchcock might have been proud of if he had done it. That's why I give this movie a 7.5/10.
Turner works for the American Literary Historical Society, or at least so it seems. In reality he is a CIA researcher, with the code name Condor, who gets paid to read books, in which he has to find possible scenarios that could be used in intelligence work. When he returns to his office after he went out to get lunch, he finds all his colleagues dead and he doesn't know who shot them. He immediately calls a superior who sends his section chief to get him out of there. But when the man arrives, he immediately opens fire on Turner. In an act of pure desperation - he no longer knows who he can trust - Turner kidnaps a woman he has never seen before and forces her to hide him. He will stay in her house until he can find out what exactly is going on. But even there he isn't save. He is discovered and attacked in the woman's house, but is able to kill the man. Now he knows one thing for sure: the man too had a connection to the CIA, which means that someone in the CIA must be behind all this...
I guess the best thing about this movie is the fact that it doesn't give away all its information at once. At first Turner appears to be an ordinary guy who arrives late for work. Nothing special there. But because he gradually builds up tension by slightly releasing more information, the writer knows how to keep you focused and interested. I guess the best way to describe this movie is calling it a classic spy thriller without James Bond-like locations or bad guys and and no super hero who can beat all the bad guys with a blink of an eye. No, this is a normal man who was at the wrong place at the wrong time and who now has to face an unusual and life threatening situation. I guess that's where this movie gets its strength: you can easily identify with him, even though he is a spy.
And yes, the whole concept of the movie is very seventies: the paranoia towards the government, the insecurity of not knowing who your enemies or your friends are... all give it that typical feeling. but even today this movie hasn't lost any of its power or relevance. All in all this is a very good and stylish thriller that offers plenty of tension and some very nice acting. Especially Robert Redford and Faye Dunaway were very nice to watch, but the other actors did a fine job too. Thanks to the combination of the acting, a good story and some nice camera-work, Pollack has created a movie Hitchcock might have been proud of if he had done it. That's why I give this movie a 7.5/10.
- philip_vanderveken
- 10 lug 2005
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Three Days of the Condor
- Luoghi delle riprese
- 55 East 77th Street, Manhattan, New York, New York, Stati Uniti(American Literary Historical Society)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 27.476.252 USD
- Lordo in tutto il mondo
- 27.476.252 USD
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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What is the streaming release date of I tre giorni del Condor (1975) in Australia?
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