La storia drammatica di Carol Wethrly, sopravvissuta con la sua famiglia ad una esplosione atomica, di assistere suo marito ed i suoi figli mentre le mortali radiazioni li stanno pian piano ... Leggi tuttoLa storia drammatica di Carol Wethrly, sopravvissuta con la sua famiglia ad una esplosione atomica, di assistere suo marito ed i suoi figli mentre le mortali radiazioni li stanno pian piano uccidendo.La storia drammatica di Carol Wethrly, sopravvissuta con la sua famiglia ad una esplosione atomica, di assistere suo marito ed i suoi figli mentre le mortali radiazioni li stanno pian piano uccidendo.
- Candidato a 1 Oscar
- 2 vittorie e 6 candidature totali
- Brad Wetherly
- (as Ross Harris)
- Pharmacist
- (as William Schilling)
Trama
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- QuizKevin Costner has said that he has never forgotten this film and the powerful influence it has had on him. Costner would later star during the 1990s in such post-apocalyptic movies as Waterworld (1995) and L'uomo del giorno dopo (1997).
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Mary Liz Wetherly: [Remember] the morning I walked in on you and Dad?
Carol Wetherly: Yes.
Mary Liz Wetherly: What's it like?
Carol Wetherly: What's what like?
Mary Liz Wetherly: Making love. Don't play mother with me.
Carol Wetherly: That's what I am.
- Colonne sonoreAll My Loving
(1963)
By John Lennon and Paul McCartney
Produced by Andrew Dorfman
Performed by Mitch Weissman
Courtesy of Mac Len Music
There is no BIG EVENT here. No mass hysteria, violence, rape, disfigurement or any of those other factors that are paraded as horrifying in the majority of Nuclear War films - I am thinking specifically of Threads and The Day After Here.
In Testament we actually see humanity. We see how one family, one community copes with the devastation of just that - their family and their community.
This is what is so tragic, compelling and ultimately horrifying about this film. It is not a panache, it is not a broad canvas. It is about people not about issues and as such the humanity shines through.
I am not saying the other films aren't powerful in their way. They are - and both Threads and The Day After gave me nightmares. But Testament was so far beyond them in terms of simple courage and purpose. There was no grandiose, no glamour or tacked on love story. This was not hollywood, was life or the end of it, and all the more frightening for it.
Testament is one of the main reasons why we should see more women making politic films - and perhaps running a few more countries.
- vampiresan
- 10 ott 2002
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Botteghino
- Lordo Stati Uniti e Canada
- 2.044.892 USD
- Fine settimana di apertura Stati Uniti e Canada
- 317.996 USD
- 6 nov 1983
- Lordo in tutto il mondo
- 2.044.892 USD