VALUTAZIONE IMDb
6,7/10
63.625
LA TUA VALUTAZIONE
Uno scienziato invia un uomo con straordinari poteri psichici a cacciare altri come lui.Uno scienziato invia un uomo con straordinari poteri psichici a cacciare altri come lui.Uno scienziato invia un uomo con straordinari poteri psichici a cacciare altri come lui.
- Premi
- 3 vittorie e 9 candidature
Stephen Lack
- Cameron Vale
- (as Steven Lack)
Robert A. Silverman
- Benjamin Pierce
- (as Robert Silverman)
Murray Cruchley
- Programmer 1
- (as Lee Murray)
Géza Kovács
- Killer in Record Store
- (as Geza Kovacs)
Sonny Forbes
- Killer in Attic
- (as Sony Forbes)
Jérôme Tiberghien
- Killer in Attic
- (as Jerome Tiberghien)
Victor Désy
- Dr. Gatineau
- (as Victor Desy)
Trama
Lo sapevi?
- QuizDavid Cronenberg once called this the most frustrating film he'd ever made. The film was rushed through production - filming had to begin without a finished script and end within roughly two months so the financing would qualify as a tax write-off, forcing Cronenberg to write and shoot at the same time. Cronenberg also cited difficulty with and antagonism between the leads, particularly Patrick McGoohan and Jennifer O'Neill.
- BlooperAfter the famous "exploding head" scene, there wasn't a drop of blood on Revok or the table.
- Citazioni
Benjamin Pierce: My art... keeps me sane.
[gestures at plaster head]
Benjamin Pierce: Art.
[taps his temples]
Benjamin Pierce: Sane.
- Curiosità sui creditiCredits scroll like words on the CONSEC computer monitor.
- Versioni alternativeThe death of the first scanner ('Victor Del Grande' ) was filmed in two different ways: the theatrical release has Revok (Michael Ironside) causing his head to explode; an alternate take, featured in television versions, shows him dying of a grotesque heart attack instead. The Sci-Fi Network has shown the scene intact.
- ConnessioniEdited into 365 days, also known as a Year (2019)
Recensione in evidenza
Cameron Vale (played by artist Stephen Lack) is a derelict who, after a bizarre incident in a shopping mall, is rounded up by two goons who bring him to eminent doctor Paul Ruth (Patrick McGoohan). Paul reveals to Cameron the reality of his situation: Cameron is in fact a "Scanner", or a person with extraordinary telepathic abilities. Scanners can not only look into the minds of others, and manipulate them, but can also do very unpleasant things to human bodies. Paul recruits Cameron to help him track down Darryl Revok (Michael Ironside, in his breakthrough role), a rogue Scanner with plans for world domination.
The late, great Dick Smith was the special consultant to the makeup effects crew (Stephan Dupuis, Chris Walas, Tom Schwartz), and it's these effects that take center stage in this interesting and bleak thriller from Canadian legend David Cronenberg. The exploding head that everybody remembers so vividly actually occurs only about 13 and a half minutes into the show, so viewers don't have long to wait. Of course, as has been pointed out, how does one top something like that? Well, Cronenberg waits until the end to come up with a pretty good showdown between good Scanner and bad Scanner.
The pace is admittedly deliberate, but the ideas unfortunately don't feel completely fleshed out. Quite a bit of exposition is packed into the last act. The filming of this classic wasn't particularly enjoyable for Cronenberg as he *did* have to begin filming before his script was even finished, so he *was* unfortunately rushed. Still, his story is a damn entertaining and intense one.
Howard Shores' music score is wonderfully over the top and scary, and sets and locations do have a very sparse look. The acting is variable; McGoohan looks bored, as if he doesn't really want to be there, and Jennifer O'Neill, while beautiful, doesn't really add anything to the film. Lack gets a lot of flak for his performance, which I'll agree isn't a particularly dynamic one, but it does suit the character, a man who was a lonely fringe dweller for a long time until being awakened into a larger reality. (Cronenberg does make an effective parallel here to the way that real life people with mental issues get treated.) Former Cronenberg repertory player Robert A. Silverman is fun in another of his offbeat parts, and Lawrence Dane is excellent as security chief Braedon Keller, but it's Ironside who completely steals the show as the nasty villain.
While not without flaws, "Scanners" remains one of its directors' most memorable efforts to date.
Seven out of 10.
The late, great Dick Smith was the special consultant to the makeup effects crew (Stephan Dupuis, Chris Walas, Tom Schwartz), and it's these effects that take center stage in this interesting and bleak thriller from Canadian legend David Cronenberg. The exploding head that everybody remembers so vividly actually occurs only about 13 and a half minutes into the show, so viewers don't have long to wait. Of course, as has been pointed out, how does one top something like that? Well, Cronenberg waits until the end to come up with a pretty good showdown between good Scanner and bad Scanner.
The pace is admittedly deliberate, but the ideas unfortunately don't feel completely fleshed out. Quite a bit of exposition is packed into the last act. The filming of this classic wasn't particularly enjoyable for Cronenberg as he *did* have to begin filming before his script was even finished, so he *was* unfortunately rushed. Still, his story is a damn entertaining and intense one.
Howard Shores' music score is wonderfully over the top and scary, and sets and locations do have a very sparse look. The acting is variable; McGoohan looks bored, as if he doesn't really want to be there, and Jennifer O'Neill, while beautiful, doesn't really add anything to the film. Lack gets a lot of flak for his performance, which I'll agree isn't a particularly dynamic one, but it does suit the character, a man who was a lonely fringe dweller for a long time until being awakened into a larger reality. (Cronenberg does make an effective parallel here to the way that real life people with mental issues get treated.) Former Cronenberg repertory player Robert A. Silverman is fun in another of his offbeat parts, and Lawrence Dane is excellent as security chief Braedon Keller, but it's Ironside who completely steals the show as the nasty villain.
While not without flaws, "Scanners" remains one of its directors' most memorable efforts to date.
Seven out of 10.
- Hey_Sweden
- 22 ago 2014
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Telépatas, mentes destructoras
- Luoghi delle riprese
- Toronto, Ontario, Canada(yorkdale subway station)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.100.000 CA$ (previsto)
- Lordo Stati Uniti e Canada
- 14.225.876 USD
- Lordo in tutto il mondo
- 14.225.876 USD
- Tempo di esecuzione1 ora 43 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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