This Romanian drama, adapted from Caesar Petrescu's short story "Fram, the Polar Bear," may evoke mixed feelings, but it undeniably offers a vivid portrayal of circus life in the beginning of the 20th century. The cinematography is striking, blending elements of Italian classicism with the Russian film tradition, and I particularly appreciated the lighting choices in the nighttime scenes.
As an art historian, I recall Tudor Caranfil's remarks in his "Dictionary of Romanian Films" about "Saltimbancii": "The Buffone circus returns to Iasi, where little Geo, the owner's son, dreams of becoming an Arctic explorer like Nansen. Despite his mother's hopes for him to become a doctor, fate leads him to the circus after her passing, where the symbol of eternal frost is embodied by a white bear." This straightforward summary overlooks the harsh realities faced by circus performers during that era. Tragedy, injury, or simply losing their appeal could spell disaster for them, yet they persevered. The film conveys a powerful message: never give up, keep fighting, and victory will come at the end. If you're not winning, it's not the end!
I find it perplexing that some negative reviews come from those influenced by a more sensitive perspective. Perhaps my fond memories of attending circuses every few months during my childhood shape my view. They were joyful family experiences! It's ironic to see accusations of "child abuse" and "animal abuse" from individuals who often support prolonged proxy wars funded by their governments, while simultaneously criticizing those who oppose such conflicts. Maybe it's time to address the broader issue of "abuse of humanity" rather than focusing on just one aspect.
Elisabeta Bostan did a good job and I am ready for the sequels... yes, they exist!
