Dopo aver trovato l'amore, Bridget Jones si domanda se ha davvero tutto ciò che aveva sempre sognato di avere.Dopo aver trovato l'amore, Bridget Jones si domanda se ha davvero tutto ciò che aveva sempre sognato di avere.Dopo aver trovato l'amore, Bridget Jones si domanda se ha davvero tutto ciò che aveva sempre sognato di avere.
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- QuizIn the book, Bridget Jones is obsessed by Colin Firth from Orgoglio e pregiudizio (1995), and even gets to meet him for an interview. This plotline is omitted from this movie, where Firth played her love interest Mark Darcy. They did, however, film the interview scene with Colin dressed in his street clothes, and Renée Zellweger in character. The scene is included in the DVD extras.
- Blooper(at around 22 mins) At the Law Council dinner when Bridget goes into the bathroom to correct her makeup, the shot of her drying her face shows that it is clearly a double and not Renée Zellweger.
- Citazioni
Daniel Cleaver: [Daniel Cleaver and Mark Darcy have just had a fistfight over Bridget] You know what, mate? If you are so obsessed with Bridget Jones, why don't you just marry her?
Mark Darcy: [turns away and starts to walk]
Daniel Cleaver: [pause] Cause then she'd definitely shag me.
[Mark dives again into the fountain]
- ConnessioniEdited into Bridget Jones 2: T4 Movie Special (2004)
- Colonne sonoreMagic Moments
Written by Burt Bacharach and Hal David
Performed by Perry Como
Courtesy of BMG Network Enterprises on behalf of BMG
Recensione in evidenza
'Bridget Jones's Diary' was an immensely enjoyable film. It had a lot going for it, and succeeded on almost every level. It didn't cover much new ground and didn't break any conventions, but it was warm, charming, hugely funny and sometimes poignant, with a great cast.
When hearing that there was a sequel, there were mixed feelings. Admittedly, did question the point of it and was worried as to whether it would be as good considering the general reputation of sequels (though there are a lot of exceptions that are as good and nearly better). On the other hand, was more than willing to give 'Bridget Jones: The Edge of Reason' the benefit of the doubt, considering the same people were on board, cast and crew, who did such a great job in 'Bridget Jones's' Diary.
My feelings after 'Bridget Jones: The Edge of Reason' were that of real disappointment. It is not as terrible as many have said and there are far worse sequels around, at least it has things that salvage it from being worse, but what worked so well in 'Bridget Jones's' Diary' didn't here. Always try and judge sequels on their own terms and try not to compare, but it is hard not to when there is such a significant drop in quality, of which 'Bridget Jones: The Edge of Reason' is a big step down.
There are redeeming qualities. 'Bridget Jones: The Edge of Reason' is attractive visually in a film that doesn't require epic sweeping cinematography or opulence, but still manages to be beautifully shot, cohesively edited and have striking locations. There are a few amusing moments, but they are too far and between.
Regarding the cast, they do do well with what they are given, although their material is nowhere near as good they are hardly slumming it and do try to be true to how they were previously. Renee Zellwegger's performance is not as good here, but her accent is still game and she does try to bring out the funny, adorably awkward and sympathetic sides of her character when the material allows it. Hugh Grant still plays his caddish character with smarmy charm, while Colin Firth is understated and likable in a role tailor-made for him, practically as if it was written with him in mind.
However, Bridget is far too much of a parody and a butt of the joke here, making it, for all of Zellwegger's good efforts, difficult to feel sorry for or feel pity towards her. The jokes are too recycled and more of the same, with more contrivance and ridiculous silliness than fun or sparkle, and a lot of the script is very weak with lines this time round that makes one cringe. Whereas there was a perfect balance before of the extremely funny and the slightly tiresome this balance goes way too far in the latter.
Story is just as problematic, the situations are much more contrived and reek of predictability without any freshness or charm. It's more tedious than bright and breezy, and fails as a comedy, drama and romance. The comedy is too far and between and feels too much of before without any of the things that worked so well in 'Bridget Jones's' Diary'. The drama is too sentimentalised and lacks any poignancy and the romantic parts are severely lacking in warmth.
Despite it not being the case, being the same director as the previous film except then it was hard to believe it was a debut, you'd think that it was the opposite here because the direction actually felt inexperienced. The music doesn't work here, too randomly placed, the songs not as well chosen and inferior in quality and actually feeling annoying.
Overall, disappointing and a big step down but not without its redeeming merits. 4/10 Bethany Cox
When hearing that there was a sequel, there were mixed feelings. Admittedly, did question the point of it and was worried as to whether it would be as good considering the general reputation of sequels (though there are a lot of exceptions that are as good and nearly better). On the other hand, was more than willing to give 'Bridget Jones: The Edge of Reason' the benefit of the doubt, considering the same people were on board, cast and crew, who did such a great job in 'Bridget Jones's' Diary.
My feelings after 'Bridget Jones: The Edge of Reason' were that of real disappointment. It is not as terrible as many have said and there are far worse sequels around, at least it has things that salvage it from being worse, but what worked so well in 'Bridget Jones's' Diary' didn't here. Always try and judge sequels on their own terms and try not to compare, but it is hard not to when there is such a significant drop in quality, of which 'Bridget Jones: The Edge of Reason' is a big step down.
There are redeeming qualities. 'Bridget Jones: The Edge of Reason' is attractive visually in a film that doesn't require epic sweeping cinematography or opulence, but still manages to be beautifully shot, cohesively edited and have striking locations. There are a few amusing moments, but they are too far and between.
Regarding the cast, they do do well with what they are given, although their material is nowhere near as good they are hardly slumming it and do try to be true to how they were previously. Renee Zellwegger's performance is not as good here, but her accent is still game and she does try to bring out the funny, adorably awkward and sympathetic sides of her character when the material allows it. Hugh Grant still plays his caddish character with smarmy charm, while Colin Firth is understated and likable in a role tailor-made for him, practically as if it was written with him in mind.
However, Bridget is far too much of a parody and a butt of the joke here, making it, for all of Zellwegger's good efforts, difficult to feel sorry for or feel pity towards her. The jokes are too recycled and more of the same, with more contrivance and ridiculous silliness than fun or sparkle, and a lot of the script is very weak with lines this time round that makes one cringe. Whereas there was a perfect balance before of the extremely funny and the slightly tiresome this balance goes way too far in the latter.
Story is just as problematic, the situations are much more contrived and reek of predictability without any freshness or charm. It's more tedious than bright and breezy, and fails as a comedy, drama and romance. The comedy is too far and between and feels too much of before without any of the things that worked so well in 'Bridget Jones's' Diary'. The drama is too sentimentalised and lacks any poignancy and the romantic parts are severely lacking in warmth.
Despite it not being the case, being the same director as the previous film except then it was hard to believe it was a debut, you'd think that it was the opposite here because the direction actually felt inexperienced. The music doesn't work here, too randomly placed, the songs not as well chosen and inferior in quality and actually feeling annoying.
Overall, disappointing and a big step down but not without its redeeming merits. 4/10 Bethany Cox
- TheLittleSongbird
- 11 lug 2017
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Bridget Jones: Al borde de la razón
- Luoghi delle riprese
- Lech, Vorarlberg, Austria(Mark & Bridget's mini-ski-break)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 40.226.215 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.684.055 USD
- 14 nov 2004
- Lordo in tutto il mondo
- 265.126.918 USD
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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By what name was Che pasticcio, Bridget Jones! (2004) officially released in India in Hindi?
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