Una giovane ragazza diventa maggiorenne in una famiglia disfunzionale di nomadi anticonformisti, con una madre che è un'eccentrica artista e un padre alcolizzato che vorrebbe stimolare l'imm... Leggi tuttoUna giovane ragazza diventa maggiorenne in una famiglia disfunzionale di nomadi anticonformisti, con una madre che è un'eccentrica artista e un padre alcolizzato che vorrebbe stimolare l'immaginazione dei figli con la speranza che sia da distrazione per la loro povertà.Una giovane ragazza diventa maggiorenne in una famiglia disfunzionale di nomadi anticonformisti, con una madre che è un'eccentrica artista e un padre alcolizzato che vorrebbe stimolare l'immaginazione dei figli con la speranza che sia da distrazione per la loro povertà.
- Premi
- 1 vittoria e 3 candidature
- Young Maureen
- (as Shree Grace Crooks)
Trama
Lo sapevi?
- QuizBased on a true story about a family on the run from the government, often hiding in small towns, living in poverty.
- BlooperWhen Rex and Jeannette are looking at the stars in the middle of the night, she chooses one and he says it is Venus. Not possible because Venus is only seen in the early morning in the east, or early evening in the west. However this works well with Rex's character and perhaps not a goof but intended. Rex made up stuff all the time.
- Citazioni
Rex: [Rex exposes Jeanette's burned stomach] There, how's that feel?
Young Jeannette: It's so ugly, Dad, I look like a demon.
Rex: There's nothing ugly about you. You hear me? One day I promise you you're gonna look at this as just another side of how strong you are. You're a Walls, Mountain Goat. And we ain't like other people. We got a fire burning in our bellies. And that there is goddamn proof of it. Now... this knife is especially designed to hunt demons. It's very sharp. Don't take it out unless you see him. You can borrow it for the night. You know, all monsters are the same. They like to frighten people, but the minute you stare them down, they turn tail and run. I love you, Mountain Goat.
- ConnessioniFeatured in Chris Stuckmann Movie Reviews: The Glass Castle (2017)
- Colonne sonoreLaugh, Cry, Sing, Sigh
Written by Bill Gordon
Performed by Bill Gordon Trio
Courtesy of Fervor Records
Seeing 'The Glass Castle' last night, it is a pretty well done film on its own terms despite a few faults. On the other hand, it is very understandable why it has been said that as an adaptation it is mishandled. Although always striving to judge a film adaptation always as a standalone, if asked which is better between the book and the film the answer's a no brainer. The book feels much more balanced and more complex and the ending rang true far more. Although 'The Glass Castle' has a huge amount to recommend and is better than some of the mixed critical reception suggests (personal opinion), its ending and some tonal issues are its biggest faults.
Particularly in the case of the ending. Not just because it is drenched in sentimentality that is hard even for the strongest of stomachs. Even more so because things feel wrapped up too tidily and patly, the ending is far more realistic in the source material and should have made it on film, definitely would have preferred something more daring than a conclusion that really did not ring true and felt tacked on. Another issue with the ending is that we are told up to the end one thing about Rex and Rose Mary, and it is so overwhelming in evidence that it's easy to believe, then at the end it does a complete 180 degrees and it was just hard to buy.
While not as problematic, things do get a little melodramatic in places and the point of view of the film is somewhat too one-sided, with much more development to Rose Mary and showing her as equally accountable there would have been more complexity.
However, 'The Glass Castle' is a beautifully shot film and the production values are never less than top drawer. The music is neither too intrusive or too low-key and the direction is skillful visually, handles most of the tonal and time shifts well and with good attention to making the portrayal of the family as real as possible.
Script flows naturally and is thought-provoking and nuanced. The story has its problems, but mostly it is very compelling, hard-hitting and pathos-filled. It's particularly good in its careful balance of laughter and tears, the intense but also profound understanding of the central father-daughter bond and in the twisted but troubled portrayal of the dysfunctional family. Apart from Rose Mary being underwritten and underused, the characters are more than archetypal clichés, Jeannette is especially well realised.
Woody Harrelson gives a courageously gutsy performance as a pretty reprehensible human being, while Brie Larson's Jeanette is powerfully conflicted. All the children are well cast, with Ella Anderson in particular being an absolute revelation. Naomi Watts does a very good job with what she has.
In conclusion, adaptation-wise it is mishandled and the ending really doesn't ring true at all, but it's a well made emotional roller-coaster with a believable portrayal of dysfunctional family life and stellar performances deserving of some kind of award recognition (Harrelson, Larson and Anderson in particular). 7/10 Bethany Cox
- TheLittleSongbird
- 11 ott 2017
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- The Glass Castle
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- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 9.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 17.273.059 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.678.548 USD
- 13 ago 2017
- Lordo in tutto il mondo
- 22.088.533 USD
- Tempo di esecuzione2 ore 7 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1