- Born
- Died
- Birth nameEileen Evelyn Greer Garson
- Nickname
- Duchess
- Height5′ 6″ (1.68 m)
- Eileen Evelyn Greer Garson was born on September 29, 1904 in London, England, to Nancy Sophia (Greer) and George Garson, a commercial clerk. Of Scottish and Ulster-Scots descent, Garson displayed no early interest in becoming an actress. Educated at the University of London intending to become a teacher, she opted instead to take a job at an advertising agency. During her off hours she appeared in local theatrical productions, gaining a reputation as an extremely talented and charismatic performer. During a stage production of "Old Music," Garson was offered a studio contract by MGM Vice President of Production Louis B. Mayer while he was on a visit to London looking for new talent. Garson's very first film under that arrangement was the immensely popular Goodbye, Mr. Chips (1939), earning her an Academy Award nomination for Best Actress - the first of six she would receive. The following year would see Greer in the highly acclaimed Pride and Prejudice (1940) as "Elizabeth Bennet". 1941 saw her earn a second nomination for her role as Edna Gladney in Blossoms in the Dust (1941), but it was the moving, if propagandist, Mrs. Miniver (1942), in a role that she would forever be known by, that actually brought her the Oscar statuette as Best Actress.
As Marie Curie in Madame Curie (1943), she would draw yet another nomination, and the same the next year in Mrs. Parkington (1944). It began to seem that any movie she was part of would be an automatic success. Sure enough, in 1945, she won yet another nomination, for her role as "Mary Rafferty" in The Valley of Decision (1945). Still, Garson began to chafe at the unbroken stream of "noble woman" roles in which the studio was casting her. MGM felt that they had an winning formula and saw no compelling reason to alter it. Two standard seven-year contract extensions kept her at MGM until 1954 when, by mutual consent, she left the only studio she had ever known. In 1946, Greer appeared in Adventure (1945), which was a flop at the box-office. 1947's Desire Me (1947) was no less a disaster, downward spiral finally arrested with the hit That Forsyte Woman (1949). The next year, she reprised her role as "Kay Miniver" in The Miniver Story (1950), though audiences were unsurprisingly put off by her character's untimely demise from cancer, leaving screen husband Walter Pidgeon to soldier on alone.
For the remainder of the 1950s, she endured several predictably unappreciated films. Then, 1960 found her cast in the role of Eleanor Roosevelt in Sunrise at Campobello (1960). This film was, perhaps, her finest work and landed her seventh and final Academy Award nomination. Her final screen appearances were in The Singing Nun (1966) as "Mother Prioress" and The Happiest Millionaire (1967). After a few TV movies, Garson retired to the New Mexico ranch she shared with her husband, millionaire Buddy E.E. Fogelson. She concentrated on the environment and other various charities. By the 1980s, she was suffering from chronic heart problems, prompting her to slow down. That was the cause of her death on April 6, 1996 in Dallas, Texas, at age 91.- IMDb Mini Biography By: Denny Jackson and Mattias Thuresson
- SpousesE.E. Fogelson(July 15, 1949 - December 1, 1987) (his death)Richard Ney(July 24, 1943 - October 4, 1948) (divorced)Edward Alec Abbot Snelson(September 28, 1933 - June 7, 1943) (divorced)
- ChildrenGayle D. Fogelson
- ParentsNacy Sophia Greer
- RelativesJamie Dornan(Cousin)
- Red Hair
- While at MGM in the 1940s she said that she would liked to have been cast in more comedies rather than dramas, and was jealous that those roles were given to another redhead who recently signed with the studio, Lucille Ball. Ironically, Ball was dissatisfied at being overlooked for dramatic roles.
- Played the wife of Walter Pidgeon a total of eight times; in Blossoms in the Dust (1941), Mrs. Miniver (1942), Madame Curie (1943), Mrs. Parkington (1944), Julia Misbehaves (1948), The Miniver Story (1950), Scandal at Scourie (1953) and That Forsyte Woman (1949).
- Donated millions to have the Greer Garson Theater built, at the College of Santa Fe. She had three conditions that had to be followed: 1) It had to be a working circular stage, 2) the first play had to be A Midsummer's Night Dream, and 3) it had to have large ladies' restrooms.
- Tutored by Laurence Olivier during her theatre days in London.
- In the 1982, she turned down Aaron Spelling's offer of a part in the hit soap Dynasty (1981), playing mother to Joan Collins's Alexis.
- "I remember her as gracious and beautiful. She had stature, but it didn't make her inaccessible. She wasn't somebody you'd poke and tell a dirty joke to, but she gave off a real feeling of warmth" -- actress Eve Plumb, who costarred with Garson in the 1978 TV adaptation of Little Women (1978).
- [Speaking in 1990] I'm not a keyhole peeper in real life, so why should I go to the cinema to be a keyhole peeper? Producers should have more courage. People will respond to stories with love and courage and happy endings instead of shockers. I think the mirror should be tilted slightly upward when it's reflecting life - toward the cheerful, the tender, the compassionate, the brave, the funny, the encouraging - and not tilted down to the troubled vistas of conflict.
- If you're going to be typed, there are worse moulds in which you can be cast.
- All I know about getting something that you want is that there are three essential things: wanting, trying and getting the opportunity, the breaks. None works alone without the others. Wanting is basic. Trying is up to you. And the breaks - I do know this, they always happen.
- [speaking in 1968] I've been offered nymphomaniacs, kleptomaniacs, pyromaniacs, homicidal maniacs and just plain maniacs. I think producers felt that after playing a long series of noble and admirable characters there would be quite a lot of shock value in seeing me play something altogether different. But I prefer upbeat stories that send people out of the theater feeling better than they did coming in. It's my cup of tea.
- Goodbye, Mr. Chips (1939) - $1 .000 per week
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