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To mark the release of the brand new 4K restorations of The Teckman Mystery and We Joined The Navy, out now, we’ve been given a bundle of both films to give away on Blu-ray.

The Teckman Mystery

The Teckman Mystery is a 1954 British crime mystery, directed by Wendy Toye and starring Margaret Leighton, John Justin, Roland Culver and Michael Medwin. Philip Chance is commissioned by his publisher to write the biography of Martin Teckman, a young airman who crashed and died whilst testing a new plane. But from the moment he arrives home, Philip Chance is beset by a series of ‘accidents’ which indicate strongly that there are people who do not want to see Teckman’s past investigated.

We Joined the Navy

We Joined The Navy is a 1962 British naval comedy starring British film icon Kenneth More, Lloyd Nolan, Joan O’Brien and Mischa Auer Directed by award-winning Wendy Toye.

In the two dozen years since Paul Thomas Anderson first became an Oscar nominee, he has received seven more bids across four categories, the two most recent of which came in 2018 for “Phantom Thread” (Best Picture; Best Director). He has also directed nine nominated performances that span three of the four acting categories; to date, no Anderson film has ever figured in a Best Actress lineup. But now, Alana Haim (“Licorice Pizza”) could make history as the first to do so.

Haim, whose performance in “Licorice Pizza” marks her film debut, ranks ninth in our Best Actress odds but that should change based on her surprise BAFTA bid. Those running ahead of her are four women snubbed by the BAFTAs — Olivia Colman (“The Lost Daughter”), Nicole Kidman (“Being the Ricardos”), Jessica Chastain (“The Eyes of Tammy Faye”) and Kristen Stewart (“Spencer”) — plus Lady Gaga (“House of Gucci”), Penélope Cruz (“Parallel Mothers...

We told you. Remember the rules. You didn’t listen. Now we’re Back with an all new batch of guest recommendations featuring Blake Masters, Julien Nitzberg, Floyd Norman, Tuppence Middleton and Blaire Bercy.

Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!

Show Notes: Movies Referenced In This Episode

The Wild Angels (1966)

Spirits of the Dead (1966)

The Trip (1967)

Mooch Goes To Hollywood (1971)

Stalker (1979)

The Candidate (1972)

The Parallax View (1974)

Network (1976)

Sweet Smell of Success (1957)

Ace In The Hole (1951)

Margin Call (2011)

Death Wish (1974)

Death Wish (2018)

Seconds (1966)

Soylent Green (1973)

Rage (1972)

Assault on Wall Street (2013)

Repo Man (1984)

Elmer Gantry (1960)

The Train (1965)

Clouds of Sils Maria (2014)

Strange Brew (1983)

To Have And Have Not (1944)

Singin’ In The Rain (1952)

Easter Parade (1948)

The Band Wagon (1953)

Guys And Dolls (1955)

On The Town (1949)

Casablanca (1942)

The Dirt Gang (1972)

Back To The Future (1985)

The Maltese Falcon (1941)

The Big Sleep (1946)

Bomba, the Jungle Boy (1949)

My Man Godfrey...

Destry Rides Again

Blu ray

Criterion

1939 / 1.33:1/ 95 min.

Starring Marlene Dietrich, James Stewart

Cinematography by Hal Mohr

Directed by George Marshall

America’s favorite boy next door meets the Weimar Republic’s preeminent vamp in George Marshall’s Destry Rides Again. James Stewart plays Tom Destry, the self-effacing straight-shooter who cleans up a lawless backwater burg without firing a shot – almost. Marlene Dietrich is Frenchy, a world-weary chanteuse who rules the roost at the town’s only waterhole, the Last Chance saloon. Their relationship is more heated than the volatile town itself but after the final punch is thrown their bond is deeper than any typical Hollywood romance.

Marshall’s comic horse opera was released by Universal in 1939 and like so many of that studio’s horror films of the era, it opens with a slow pan over a moonlit graveyard with more than its fair share of tombstones. Instead...

“Marriage Story” looks like the only Oscar contender this season with a plausible shot at earning nominations in all four acting races, in large part because it’s one of the few films in the conversation with male and female co-leads. Only 15 other movies have accomplished that feat, which would make “Marriage” the 16th. But it’s even more impressive when you consider that it has only happened twice in the last 37 years.

According to the combined predictions of Gold Derby users, “Marriage Story” is a reasonably safe bet for Best Actress (Scarlett Johansson as an actress filing for divorce), Best Actor (Adam Driver as her husband fighting to retain custody of their son) and Best Supporting Actress (Laura Dern as Johansson’s lawyer). That leaves Best Supporting Actor, where Alan Alda is a contender for playing Driver’s kindly but out-of-his-depth attorney, but he’s an underdog according to...

Stars: Carole Lombard, William Powell, Gail Patrick, Eugene Pallette, Alice Brady | Written by Eric Hatch, Morrie Ryskind | Directed by Gregory La Cava

The fate of the stars of this socially-conscious screwball comedy, directed by former animator Gregory La Cava in 1936, couldn’t be more different. Carole Lombard was cruelly cut off in her prime, dying in a plane crash at the age of 33, while William Powell led a remarkably long life, marrying three times and beating cancer, before passing in 1984.

They show great chemistry in La Cava’s darkly comic fable. The rich WASPs of New York engage in a “Scavenger Hunt”, getting wasted and hunting down things no one else wants. This includes Godfrey (Powell), a homeless man living on a trash heap. He spurns the condescending Cornelia Bullock (Gail Patrick), but when her sister Irene (Lombard) takes an interest, he lets her take him back to the party,...

For my money this is the brightest, most endearing and wittiest ’30s comedy to be given the name ‘screwball.’ Everyone on screen is flawlessly magnificent — Carole Lombard, William Powell, Alice Brady, Gail Patrick, Jean Dixon, Eugene Pallette and Mischa Auer — and Gregory La Cava’s direction is so good, it’s invisible. No kidding, I’ve never watched this with a group or individual that didn’t immediately rank it among the best entertainments they’ve seen.

My Man Godfrey

Blu-ray

The Criterion Collection 114

1936 / B&W / 1:37 Academy / 93 min. / available through The Criterion Collection / Street Date September 18, 2018 / 39.95

Starring: William Powell, Carole Lombard, Alice Brady, Gail Patrick, Eugene Pallette, Alan Mowbray, Jean Dixon, Mischa Auer.

Cinematography: Ted Tetzlaff

Film Editors: Ted Kent, Russell Schoengarth

Original Music: Charles Previn

Written by Morrie Ryskind, Eric Hatch from his novel

Produced by Gregory La Cava, Charles R. Rogers

Directed by Gregory La Cava

Screwball...

Gabriel Over the White House

DVD-r

The Warner Archive Collection

1933 / B&W / 1:37 flat full frame / 86, 102 min. / Street Date October 20, 2009 / available through the Warner Archive Collection / 17.99

Starring: Walter Huston, Karen Morley, Franchot Tone, Arthur Byron, Dickie Moore, C. Henry Gordon, David Landau, Samuel S. Hinds, Jean Parker, Mischa Auer.

Cinematography: Bert Glennon

Film Editor: Basil Wrangell

Original Music: Dr. William Axt

Written by: Carey Wilson, from a book by T. F. Tweed

Produced by: William Randolph Hearst, Walter Wanger

Directed by Gregory La Cava

A Review Revisit.

The unique political fantasy Gabriel Over the White House has become painfully topical lately. This is an update of a 2009 review. To my knowledge nothing has changed with the product — I saw a re-promotion of Twilight Time’s 1984 disc and thought, Gabriel is twice as relevant and at least as scary.

Unstable times in America have produced some pretty strange political-religious message pictures.

“Can’T Buy Me Love”

By Raymond Benson

Frank Capra was a superstar Hollywood director in the 1930s. He had a string of critically-acclaimed and successful pictures after joining Columbia Pictures and elevating the studio from “poverty row” to a force that competed with the big leagues. Two of Capra’s Columbia movies won the Oscar for Best Picture, and Capra became the first filmmaker to win the Oscar for Best Director three times, all within five years. You Can’t Take it With You was Capra’s second Best Picture winner and his third Best Director achievement.

Sometimes his films have been called “Capra-corn,” because they are usually steeped in Americana, explore themes of social class inequality, feature casts of eccentric—but lovable—protagonists and greedy, heartless villains, and contain stories about the Everyman’s struggle against the Establishment. Capra was also one of the developers of the screwball comedy,...

Frank Capra won his third Best Directing Oscar for this Kaufman and Hart adaptation. Star Jean Arthur is radiant, and relative newcomer James Stewart seems to have lifted his 'aw shucks' nice-guy personal from his role. With Lionel Barrymore, Ann Miller, Dub Taylor, Spring Byington and a terrific Edward Arnold. You Can't Take It with You Blu-ray + Digital HD Sony Pictures Home Entertainment 1938 / B&W / 1:37 flat / 126 min. / Street Date December 8, 2015 / 19.99 Starring Jean Arthur, Lionel Barrymore, James Stewart, Edward Arnold, Mischa Auer, Ann Miller, Spring Byington, Samuel S. Hinds, Donald Meek, H.B. Warner, Halliwell Hobbes, Dub Taylor, Mary Forbes, Lillian Yarbo, Eddie 'Rochester' Anderson. Cinematography Joseph Walker Art Direction Stephen Goosson Film Editor Gene Havlick Original Music Dimitri Tiomkin Written by Robert Riskin from the play by George S. Kaufman and Moss Hart Produced and Directed by Frank Capra

Reviewed by Glenn Erickson

One of Frank Capra's brightest, most entertaining features,...

Greta Garbo movie 'The Kiss.' Greta Garbo movies on TCM Greta Garbo, a rarity among silent era movie stars, is Turner Classic Movies' “Summer Under the Stars” performer today, Aug. 26, '15. Now, why would Garbo be considered a silent era rarity? Well, certainly not because she easily made the transition to sound, remaining a major star for another decade. Think Norma Shearer, Joan Crawford, William Powell, Fay Wray, Marie Dressler, Wallace Beery, John Barrymore, Warner Baxter, Janet Gaynor, Constance Bennett, etc. And so much for all the stories about actors with foreign accents being unable to maintain their Hollywood stardom following the advent of sound motion pictures. A Metro-Goldwyn-Mayer star, Garbo was no major exception to the supposed rule. Mexican Ramon Novarro, another MGM star, also made an easy transition to sound, and so did fellow Mexicans Lupe Velez and Dolores del Rio, in addition to the very British...

Marc Allégret: From André Gide lover to Simone Simon mentor (photo: Marc Allégret) (See previous post: "Simone Simon Remembered: Sex Kitten and Femme Fatale.") Simone Simon became a film star following the international critical and financial success of the 1934 romantic drama Lac aux Dames, directed by her self-appointed mentor – and alleged lover – Marc Allégret.[1] The son of an evangelical missionary, Marc Allégret (born on December 22, 1900, in Basel, Switzerland) was to have become a lawyer. At age 16, his life took a different path as a result of his romantic involvement – and elopement to London – with his mentor and later "adoptive uncle" André Gide (1947 Nobel Prize winner in Literature), more than 30 years his senior and married to Madeleine Rondeaux for more than two decades. In various forms – including a threesome with painter Théo Van Rysselberghe's daughter Elisabeth – the Allégret-Gide relationship remained steady until the late '20s and their trip to...

Jean Arthur films on TCM include three Frank Capra classics Five Jean Arthur films will be shown this evening, Monday, January 5, 2015, on Turner Classic Movies, including three directed by Frank Capra, the man who helped to turn Arthur into a major Hollywood star. They are the following: Capra's Mr. Deeds Goes to Town, You Can't Take It with You, and Mr. Smith Goes to Washington; George Stevens' The More the Merrier; and Frank Borzage's History Is Made at Night. One the most effective performers of the studio era, Jean Arthur -- whose film career began inauspiciously in 1923 -- was Columbia Pictures' biggest female star from the mid-'30s to the mid-'40s, when Rita Hayworth came to prominence and, coincidentally, Arthur's Columbia contract expired. Today, she's best known for her trio of films directed by Frank Capra, Columbia's top director of the 1930s. Jean Arthur-Frank Capra...

Wallace Beery from Pancho Villa to Long John Silver: TCM schedule (Pt) on August 17, 2013 (photo: Fay Wray, Wallace Beery as Pancho Villa in ‘Viva Villa!’) See previous post: “Wallace Beery: Best Actor Oscar Winner — and Runner-Up.” 3:00 Am The Last Of The Mohicans (1920). Director: Maurice Tourneur. Cast: Barbara Bedford, Albert Roscoe, Wallace Beery, Lillian Hall, Henry Woodward, James Gordon, George Hackathorne, Nelson McDowell, Harry Lorraine, Theodore Lorch, Jack McDonald, Sydney Deane, Boris Karloff. Bw-76 mins. 4:30 Am The Big House (1930). Director: George W. Hill. Cast: Chester Morris, Wallace Beery, Lewis Stone, Robert Montgomery, Leila Hyams, George F. Marion, J.C. Nugent, DeWitt Jennings, Matthew Betz, Claire McDowell, Robert Emmett O’Connor, Tom Wilson, Eddie Foyer, Roscoe Ates, Fletcher Norton, Noah Beery Jr, Chris-Pin Martin, Eddie Lambert, Harry Wilson. Bw-87 mins. 6:00 Am Bad Man Of Brimstone (1937). Director: J. Walter Ruben. Cast: Wallace Beery, Virginia Bruce, Dennis O’Keefe. Bw-89 mins.

Ramon Novarro and Greta Garbo in ‘Mata Hari’: The wrath of the censors (See previous post: "Ramon Novarro in One of the Best Silent Movies.") George Fitzmaurice’s romantic spy melodrama Mata Hari (1931) was well received by critics and enthusiastically embraced by moviegoers. The Greta Garbo / Ramon Novarro combo — the first time Novarro took second billing since becoming a star — turned Mata Hari into a major worldwide blockbuster, with $2.22 million in worldwide rentals. The film became Garbo’s biggest international success to date, and Novarro’s highest-grossing picture after Ben-Hur. (Photo: Ramon Novarro and Greta Garbo in Mata Hari.) Among MGM’s 1932 releases — Mata Hari opened on December 31, 1931 — only W.S. Van Dyke’s Tarzan, the Ape Man, featuring Johnny Weissmuller and Maureen O’Sullivan, and Edmund Goulding’s all-star Best Picture Academy Award winner Grand Hotel (also with Garbo, in addition to Joan Crawford, John Barrymore, Wallace Beery, and...

Part of a series by David Cairns on forgotten pre-Code films.

Alice Brady said of her face: "It skids, that's the trouble with it. It needs chains. Just when I'm trying to be serious on the screen the thing skids, and I'm doing a tragic scene with a comic face. Look at it. I've often seen those little blonde babes around here giving me the once over. I'm sure they wonder how a face like that fits into pictures."

Stage Mother (1933) offers Brady, best remembered perhaps as the ditzy mom in My Man Godfrey (with Mischa Auer as her louche live-in lover), one of her rare dramatic roles, and she manages to keep her wonky face on the road throughout. With her unlikely, low voice, wide smile and indescribable cackle, Brady has a repertoire of grotesque traits to dazzle the viewer, but she also has an innate sympathy which she...

 C.S. Hanson: Charles Winn Speaks Directed by Lynn M. Thomson Living Arts Theater Company Cherry Lane Studio Theater

In Charles Winn Speaks,actor Christopher Kipiniak certainly speaks and speaks and speaks. The play consists of four acts, played with no intermission: two long monologs, followed a scene with another character, followed by a brief concluding monolog. In short, Charles Winn does a whole lotta speaking, and for the most part, engagingly so.

Christopher Kipiniak rattles on as Charles Winn, mostly solo for a full ninety minutes in his authentic Russian accent. Classic film aficionados would know this accent from the Russian actor Mischa Auer, who played supporting roles in films which ranged from Hellzapoppin' to Destry Rides Again. When he would appear on the screen, I would endure his grating voice until the stars of the film took over (luckily he was never the star). When it was apparent...

Carole Lombard Best remembered for her light comedies of the '30s and early '40s, Carole Lombard is Turner Classic Movies Star of the Day on Sunday, August 28, as TCM's continues its "Summer Under the Stars" film series. Unfortunately, TCM isn't showing any hard-to-find Carole Lombard movies. So, don't expect Swing High, Swing Low; We're Not Dressing; the eminently dreadful (and compulsively watchable) White Woman; I Take This Woman; Up Pops the Devil; It Pays to Advertise, Power, etc. [Carole Lombard Movie Schedule.] Having said that, TCM did show the lesser-known Virtue (1932) and Brief Moment (1933) earlier today, and will be showing The Racketeer (1929) later this evening. Directed by the all but completely forgotten Howard Higgin, The Racketeer is a crime melodrama that features future King Kong semi-villain Robert Armstrong. Chances are The Racketeer will turn out to be nothing more than a historical curiosity — but that's not a bad thing at all. First,...

Italian film director and screenwriter who established a new school of social-realist comedy

The Italian film director Mario Monicelli has died aged 95, after jumping out of a hospital window in Rome. Monicelli directed more than 60 films, most of which he co-wrote. He was best known for I Soliti Ignoti (Big Deal On Madonna Street, 1958), which was nominated for an Oscar for best foreign-language film. It was remade by Louis Malle as Crackers (1984) and turned into a Broadway musical, Big Deal, by Bob Fosse in 1986. Monicelli's original is one of the most internationally admired Italian comedies of the past 60 years.

Born in Viareggio, Tuscany, Monicelli was the son of a journalist, Tomaso Monicelli, who founded one of the earliest Italian film magazines. Tomaso killed himself in 1946. Mario studied at the universities of Milan and Pisa and took an early interest in films. With the future publisher Alberto Mondadori, he collaborated...

11/17 ~ Todays special boys and girls. Are you one of them?

Mischa, Marty and Rachel

1897 Frank Fay, aka Mr. Barbara Stanwyck. The theory goes that their troubled marriage was the basis of A Star is Born. That story is so big it's practically it's own franchise. I can't stop thinking about it today: Stanwyck through the lens of Gaynor, Garland, Streisand. Yummy!) Even if it's only an urban La legend, I love to think about it. Fay, a popular comedic actor, was also the originator of the Harvey role (on stage) before Jimmy Stewart got to it.

1901 Lee Strasberg, the hugely influential acting teacher that helped popularize "The Method" Students included... well, basically a whose who of late 40s / early 50s giants of the silver screen.

1905 Mischa Auer, very tall actor of oversized comic turns. You'll remember him from the blissfully funny My Man Godfrey and best picture winner You Can't Take It With You...