Um conto alegórico sobre um homem que luta contra o bem e o mal dentro de si mesmo. Ambos os lados se tornam carne: uma é uma mulher sofisticada que o atrai e a outra sua esposa.Um conto alegórico sobre um homem que luta contra o bem e o mal dentro de si mesmo. Ambos os lados se tornam carne: uma é uma mulher sofisticada que o atrai e a outra sua esposa.Um conto alegórico sobre um homem que luta contra o bem e o mal dentro de si mesmo. Ambos os lados se tornam carne: uma é uma mulher sofisticada que o atrai e a outra sua esposa.
- Ganhou 3 Oscars
- 9 vitórias e 2 indicações no total
- The Photographer
- (as J. Farrell McDonald)
- Streetcar Conductor
- (não creditado)
- Dance Hall Manager
- (não creditado)
- Manager of Hair Salon
- (não creditado)
- Little Girl
- (não creditado)
- Woman in Dance Hall
- (não creditado)
- Angry Driver
- (não creditado)
- Performer - Song: 'Tozo'
- (não creditado)
- Boy
- (não creditado)
- Old Seaman
- (não creditado)
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Enredo
Você sabia?
- CuriosidadesF.W. Murnau hated to use title cards in his films, so in Aurora (1927), the title cards become more and more infrequent as the film progresses and virtually non-existent by the end.
- Erros de gravaçãoThe number of bottles left on the table after the piglet bumps it changes between shots. There are five bottles when the piglet bumps it, but when the Man comes in and grabs the piglet there are seven bottles on it.
- Citações
[opening title cards]
Title Card: This song of the Man and his Wife is of no place and every place; you might hear it anywhere, at any time.
Title Card: For wherever the sun rises and sets, in the city's turmoil or under the open sky on the farm, life is much the same; sometimes bitter, sometimes sweet.
- Versões alternativasTwo major versions of the film exist - the version for the American market, and the version for the Czech market. While obviously the same basic film, the Czech version is about 15 minutes shorter and features alternate angles/takes for much of the movie - this was not uncommon in the days of silent films when marketing them abroad.
- ConexõesEdited into Histoire(s) du cinéma: Une vague nouvelle (1999)
The story provides a very thoughtful look at the importance and the fragile nature of human relationships. Janet Gaynor is wonderful as the wife - she is always believable, endearing, and completely sympathetic. George O'Brien is also good as the husband, and both of their performances are enhanced by director Murnau's use of their body language. There are also many minor touches in the settings and action that help guide the story and the mood, and it is all complemented by some fine camera work. The first time you watch the film, your attention is fixed on the leading couple, as you hope against hope that things will work out all right for them. Repeated viewings reveal many of the other fine details that make everything work so well.
The movie also has plenty of variety and a masterful structure. The first part and the last part are tense and full of suspense, but they sandwich a very enjoyable series of lighter vignettes in the middle, which make a perfect complement both to the story and to the tone of the movie.
It is very difficult these days to track down this movie, which is a real shame, and even when you do find it you generally have to make do with a rather fuzzy or defective print. But it is well worth the trouble, and "Sunrise" is highly recommended to any silent film fan or to anyone who can appreciate a movie made the way that movies ought to be made. It is not only one of the great masterpieces of the silent era, but is as good a film as any made since.
- Snow Leopard
- 1 de jan. de 2002
- Link permanente
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 200.000 (estimativa)
- Faturamento bruto mundial
- US$ 121.848
- Tempo de duração1 hora 34 minutos
- Cor
- Proporção
- 1.33 : 1