Adicionar um enredo no seu idiomaA travelogue, stopping in a southern tobacco plantation, the Swiss Alps, Egypt, Central Europe, Africa, and others, long enough for one joke per location. Bugs Bunny makes only a cameo appea... Ler tudoA travelogue, stopping in a southern tobacco plantation, the Swiss Alps, Egypt, Central Europe, Africa, and others, long enough for one joke per location. Bugs Bunny makes only a cameo appearance at the end.A travelogue, stopping in a southern tobacco plantation, the Swiss Alps, Egypt, Central Europe, Africa, and others, long enough for one joke per location. Bugs Bunny makes only a cameo appearance at the end.
- Direção
- Roteirista
- Artistas
Fotos
- Tobacco Bug
- (narração)
- (não creditado)
- …
- Narrator
- (narração)
- (não creditado)
Enredo
Você sabia?
- CuriosidadesVitaphone production reel #445A.
- Erros de gravaçãoThe sphinx's mouth is missing during the cross dissolve.
- Citações
Narrator: Deep in the heart of the African jungle, we come upon a treaturous flower that devours all insect life in its reach: The eatimus abuccus.
[buzzing bee appears]
Narrator: Here comes another victim. An unsuspecting little bumble bee. Oh, poor little bee.
Eatimus Abuccus: [eats bee and spits it out]
[shouts in pain]
Eatimus Abuccus: OUCH!
- Versões alternativasOn Cartoon Network, the scene with the Japanese vulture is shortened so the audience no longer sees the actual bird. The following entire racial scene was also entirely removed. Two hunters (caricatures of Friz Freleng and Michael Maltese) pointing guns to a trail, are with their pygmy companion. The two hunters walk off screen and a trapping is heard. The pygmy says some native gibberish, as well as, "They got them!" Two big natives have captured the hunters! One native says, "King size," while holding and comparing the heights of the two hunters, as if they were a pair of cigarettes. Both scenes are uncensored on the Laserdisc box set "The Golden Age of Looney Tunes, Vol. 3".
- ConexõesFeatured in ToonHeads: Travelogue Cartoons (1998)
Also have much admiration for Tex Avery, an animation genius whose best cartoons are animated masterpieces and some of the best ever made by anybody. 'Crazy Cruise' is decent, but Avery has definitely done far better. It is always interesting to see an Avery cartoon before his prime period (all the cartoons he made before his 1942-1950s period at MGM are worth watching though few masterpieces), if more primarily for interest to see how Avery fared early on when he was still evolving and his distinctive style was not as strong or yet to be found.
Actually though, Bob Clampett also played a large hand, completing it when Avery left the studio during production. There are signs at the end of Clampett's distinctively wild style and it is the funniest, most imaginative and most inspired 'Crazy Cruise' gets.
'Crazy Cruise' (another example of Avery's travelogue spot gags cartoons), as said, is a decent interesting watch, but Avery has done far better than decent interesting cartoons. He has done funnier and more imaginative cartoons, and 'Crazy Cruise' was also made during a time where his cartoons by Avery standards were pretty tame. Oh and the story is best forgotten, all it is is a series of travelogue spot gags with variable execution.
Not much risk-taking or boundary-breaking here, let alone his typical wacky wildness, and for me that was a huge part of his appeal as well as his visual and humour uniqueness.
There are inconsistencies with the portrayal of the places visited, there was a sense in some of the the narration that 'Crazy Cruise' was trying hard not to offend but it came over clumsily, and some of it agreed did feel thrown together.
However, it is no surprise that, as with a vast majority of Avery's cartoons regardless of the period, the animation is excellent. Beautifully drawn, very detailed and the colours are vibrant.
Carl Stalling's music score is typically lushly and cleverly orchestrated, with lively and energetic rhythms, it's also beautifully synchronised with the action and gestures/expressions and even enhances the impact.
Some amusing moments, particularly at the end, and some educational ones. Some is well-timed, if not inventively so, the characters engage and the voice acting from the ever versatile Mel Blanc (bringing an unmatched ability to make multiple characters individual) and Robert C. Bruce, who does entertaining and educational narrations better than anyone, is reliably great.
Overall, decent but uneven. 6/10 Bethany Cox
- TheLittleSongbird
- 9 de jun. de 2018
- Link permanente
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Merrie Melodies #13 (1941-1942 Season): Crazy Cruise
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração6 minutos
- Mixagem de som
- Proporção
- 1.37 : 1