Adicionar um enredo no seu idiomaJoe and Alice's marital issues force a joint counseling session with a psychiatrist who implements a form of role reversal so each partner can see the other's side.Joe and Alice's marital issues force a joint counseling session with a psychiatrist who implements a form of role reversal so each partner can see the other's side.Joe and Alice's marital issues force a joint counseling session with a psychiatrist who implements a form of role reversal so each partner can see the other's side.
Fotos
- Alice McDoakes
- (não creditado)
- Psychiatrist
- (não creditado)
- Joe's Office Co-Worker
- (não creditado)
- Mr. Batten
- (não creditado)
- Army Sergeant
- (não creditado)
- Bessie Backspace
- (não creditado)
- Milkman
- (não creditado)
- McDoakes' Lawyer
- (não creditado)
- Office Co-Worker
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- Erros de gravaçãoEarly in the swap, the milkman tells "Alice" that it's Thursday (and payment is made). A couple scenes later a co-worker sends a note to "Joe" that it's Tuesday and they will stay late "to take inventory."
- Citações
Joe McDoakes: She does nothing!
Alice McDoakes: He does nothing!
McDoakes' Lawyer: Shut up! Alice, Joe - what's the matter with you two? If you came to my office in the middle of the day like sane people would, I might be able to help you might be able to help you. But when you wake me up at two o'clock in the morning, you don't need a lawyer - you need a psychiatrist. You both need a psychiatrist!
- ConexõesFollowed by So You Want to Be a Musician (1953)
- Trilhas sonorasI Know That You Know
(uncredited)
Music by Vincent Youmans
Played during the opening credits and at the end
YOU HAVE TO give the production team extra credit for striving to be just a trifle different. (Did we say 'trifle?') Although George O'Hanlon regularly contributed ideas, gags and did some co-writing along with Director, Richard L. Bare, he seldom got credited for doing so. With this episode, he gets recognized in print.
WITH THE FREQUENTLY used subject of matrimonial strife, it has occurred to us that Joe & Wife Alice (Phyllis Coates) had forged a screen image that was oft not unlike the Don Ameche/Frances Langford teaming on Radio as THE BICKERSONS. Of course this was not their only strong suit, but it is a strong one and the similarities are striking.
BUT WITH THIS installment, we see that the envelope being pushed along up to and even beyond its limits. The story has a transfer of personalities, characteristics and behavior between the two. It is as if their total selves have been swapped; with their attitudes, voices and emotional reactions exchanged.
WE CAN OFF hand think of only a couple of similar on screen situations that compare. Although widely separated in chronology, the gags and resulting humor are quite the same in: Laurel & Hardy's 2 reeler, THICKER THAN WATER and Walt Disney Pictures' FREAKY Friday.
THE MAIN DIFFERRENCE and where the story lines diverge are in that this is a married couple and it involves gender identity situations.
BEING THAT THE Korean War was raging, the inclusion of the Military as well as the Selective Service System is neatly brought into the fray as a catalyst in moving the story along to its concluding fade out gag.
WITH THE VERY different view of the roles of the Female & Male of the species, many today would not be so very amused with the resulting gags. But that would not include us. We just clung to our guns sand kept on reading our Bible.
- redryan64
- 20 de fev. de 2016
- Link permanente
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- Tempo de duração10 minutos
- Cor
- Proporção
- 1.37 : 1