AVALIAÇÃO DA IMDb
7,0/10
40 mil
SUA AVALIAÇÃO
Uma pequena cidade na Califórnia é atacada por extraterrestres, iniciando uma invasão mundial.Uma pequena cidade na Califórnia é atacada por extraterrestres, iniciando uma invasão mundial.Uma pequena cidade na Califórnia é atacada por extraterrestres, iniciando uma invasão mundial.
- Ganhou 1 Oscar
- 5 vitórias e 2 indicações no total
Robert Cornthwaite
- Dr. Pryor
- (as Bob Cornthwaite)
Houseley Stevenson Jr.
- Gen. Mann's Aide
- (as Housely Stevenson Jr.)
William Phipps
- Wash Perry
- (as Bill Phipps)
Cedric Hardwicke
- Commentary
- (narração)
- (as Sir Cedric Hardwicke)
Peter Adams
- Pine Summit Fire Watcher
- (não creditado)
Eric Alden
- Man
- (não creditado)
Hugh Allen
- Brigadier General
- (não creditado)
Ruth Barnell
- Mother
- (não creditado)
Edgar Barrier
- Prof. McPherson
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe estate of H.G. Wells was so pleased with the final production that it offered George Pal his choice of any other of Wells' properties. Pal chose A Máquina do Tempo (1960).
- Erros de gravaçãoModern viewers often complain that the wires used to suspend the Martian war machines are plainly visible throughout the film. The film was originally shot in three strip Technicolor, with prints made using a dye transfer process that resulted in very saturated colors, but with a slight reduction in overall resolution. This reduction in resolution "fuzzed out" the wires in original prints, making them effectively invisible. Later prints were made in Eastman Color, which uses a photographic process and yields sharper prints, but here had the side effect of making the support and electric wires plainly visible - the models had electrical wires as the side pods of the machines really lit up green and the "cobra heads" lit up as well. It is common practice in the film industry to take into account what details will be visible when a print is projected so as not to waste production time and money on details that will never actually be visible to a viewing audience, especially in the areas of effects and matte paintings. Thus, the filmmakers never thought the wires would be visible and in fact they weren't until the first Eastman Color prints of the film were struck in the late 1960s, and they had become even more visible on modern video releases as there is no dye sublimation resolution loss when making video masters from the original negatives. In the 2018 restoration this was resolved using digital technology.
- Citações
Radio Reporter: All radio is dead, which means that these tape recordings I'm making are for the sake of future history - If any.
- Versões alternativasFor the 2018 restoration Ben Burtt created a new 5.1 surround sound mix with replacements for many of the film's original sound effects, with the jarring result that the sound effects have fidelity far above that of surrounding dialogue in the film. The 2020 Criterion Collection release features this new sound mix as well as the original mono track.
- ConexõesEdited from O Fim do Mundo (1951)
Avaliação em destaque
H.G.Wells' The War Of The Worlds remains a terrifying novel, and two adaptations of it have justifiably passed into popular culture, the Orson Welles radio production in 1938 which convinced many Americans that creatures from Mars actually WERE invading Earth, and Jeff Wayne's 1978 musical album, which still holds up today. The film Independence Day was basically a semi-remake, and of course we are all probably looking forward to the Steven Spielberg version. Somewhat forgotten amongst all those is this 1953 film version, which is a shame. It has considerable flaws, and deviates form the book considerably. However, it's still very enjoyable.
One really needs to think how spectacular and darned frightening it must have seemed to 1953 audiences. Films about aliens visiting Earth had up to than been relatively low key, they would have aliens taking human form, or coming in peace, or just taking over a small town. Here, we had aliens intent on just one thing- the complete destruction and extermination of everything and everyone on Earth. Battles between the Martians and the army, Martian death rays frying huge numbers of people, the destruction of Los Angeles, there had been little like it before, and all this on a moderate budget, which is why the cast is strictly B Movie, although they are adequate to the film's needs.
Of course to a modern audiences many aspects are dated and may even seem laughable. The sometimes visible wires of the Martian death machines -surely they could have been removed with computer technology for the DVD?. The oft repeated stock shots of the military. The religious element, which would have offended the atheist Welles and even suggests God got rid of the Martians. Some VERY corny dialog.
Yet the film has some scenes which are still extremely effective. Most notable is a lengthy sequence in which the hero and heroine are trapped in a house by Martians, this remains genuinely scary. The designs of the briefly seen Martians, their death machines-wires notwithstanding- and their 'cameras' still look great. Of course one misses the huge tripods of the novel, and certain other aspects of the novel, such as the red weed. I'm sure Spielberg will deliver on much of this, even if he is adapting a story which will always be more effective when set in Victorian times. However, until than, this version is still worth seeing as one of the most memorable alien pictures of the 50s alongside The Day The Earth Still and Invasion Of The Body Snatchers.
One really needs to think how spectacular and darned frightening it must have seemed to 1953 audiences. Films about aliens visiting Earth had up to than been relatively low key, they would have aliens taking human form, or coming in peace, or just taking over a small town. Here, we had aliens intent on just one thing- the complete destruction and extermination of everything and everyone on Earth. Battles between the Martians and the army, Martian death rays frying huge numbers of people, the destruction of Los Angeles, there had been little like it before, and all this on a moderate budget, which is why the cast is strictly B Movie, although they are adequate to the film's needs.
Of course to a modern audiences many aspects are dated and may even seem laughable. The sometimes visible wires of the Martian death machines -surely they could have been removed with computer technology for the DVD?. The oft repeated stock shots of the military. The religious element, which would have offended the atheist Welles and even suggests God got rid of the Martians. Some VERY corny dialog.
Yet the film has some scenes which are still extremely effective. Most notable is a lengthy sequence in which the hero and heroine are trapped in a house by Martians, this remains genuinely scary. The designs of the briefly seen Martians, their death machines-wires notwithstanding- and their 'cameras' still look great. Of course one misses the huge tripods of the novel, and certain other aspects of the novel, such as the red weed. I'm sure Spielberg will deliver on much of this, even if he is adapting a story which will always be more effective when set in Victorian times. However, until than, this version is still worth seeing as one of the most memorable alien pictures of the 50s alongside The Day The Earth Still and Invasion Of The Body Snatchers.
- DrLenera
- 25 de jan. de 2005
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The War of the Worlds
- Locações de filme
- Corona, Califórnia, EUA(Opening scenes)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.000.000 (estimativa)
- Tempo de duração1 hora 25 minutos
- Cor
- Mixagem de som
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By what name was A Guerra dos Mundos (1953) officially released in India in English?
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