AVALIAÇÃO DA IMDb
6,0/10
10 mil
SUA AVALIAÇÃO
Versão cinematográfica do êxito de vendas de Jacqueline Susann, narrando a ascensão e queda de três jovens mulheres.Versão cinematográfica do êxito de vendas de Jacqueline Susann, narrando a ascensão e queda de três jovens mulheres.Versão cinematográfica do êxito de vendas de Jacqueline Susann, narrando a ascensão e queda de três jovens mulheres.
- Indicado a 1 Oscar
- 6 indicações no total
Alexander Davion
- Ted Casablanca
- (as Alex Davion)
Dionne Warwick
- Theme Song Singer
- (narração)
Sherry Alberoni
- Neely O'Hara
- (narração)
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesDirector Mark Robson had a very combative relationship with all his actresses, particularly singling out Sharon Tate for his harsh treatment. Patty Duke hated working with him, and years later, after his death, still called him "a mean son of a bitch".
- Erros de gravaçãoWhen Neely is tap dancing on the table, shown by her shadow on the wall, the shadow does not reflect a pony tail, but when she jumps down, she has a pony tail.
- Citações
Neely O'Hara: Boobies, boobies, boobies. Nothin' but boobies! Who needs 'em? I did great without 'em.
- ConexõesEdited into Intimate Portrait: Patty Duke (2001)
Avaliação em destaque
The film adaptation of Valley of the Dolls is stupid, empty, overly melodramatic...and a lot of fun!
Jacqueline Susann's 1966 novel is my all-time favorite, and her gritty, glossy pulp material was severely diluted for the big screen. That is the main problem. Too many punches are pulled, the characters are sweetened up, and a completely ridiculous happy ending (which Jackie hated) is substituted for the book's bleak, satisfying conclusion. Mark Robson's film has none of the spirit of its basis.
With that out of the way, the movie is very enjoyable for what it is: An unintentional laugh riot. The dialogue is hilarious and eminently quotable--"Boobies, boobies, boobies! Nothin' but boobies! Who needs 'em? I never had any! Didn't hurt me none!" Most of the supposedly "dramatic" and "touching" scenes are a scream. Patty Duke is priceless as the speech-slurring, tantrum-throwing, self-destructive Neely O'Hara. Watch her flailing around during the "It's Impossible" number; notice the embarrassing position of her beads. Barbara Parkins seems to have taken one Seconal too many before shooting, as she appears to be completely anesthetized. Susan Hayward gets to bellow a lot, fight with Duke, and get her wig thrown into a toilet in the most famous scene. The only one who comes off really well is Sharon Tate, a talent who never got the attention she deserved in life. Hers are the only genuinely affecting moments in the film, especially her final scene.
The candy-colored photography is good, beautifully capturing the glossy red capsules taken at every turn. The hair and fashions are glamorous--and so is the hairspray can! Dionne Warwick sings the beautiful theme, and the rest of the songs are enjoyably silly. I have the soundtrack LP--TWO copies! In conclusion, the ultimate camp classic! I'm off to take another doll now....
Jacqueline Susann's 1966 novel is my all-time favorite, and her gritty, glossy pulp material was severely diluted for the big screen. That is the main problem. Too many punches are pulled, the characters are sweetened up, and a completely ridiculous happy ending (which Jackie hated) is substituted for the book's bleak, satisfying conclusion. Mark Robson's film has none of the spirit of its basis.
With that out of the way, the movie is very enjoyable for what it is: An unintentional laugh riot. The dialogue is hilarious and eminently quotable--"Boobies, boobies, boobies! Nothin' but boobies! Who needs 'em? I never had any! Didn't hurt me none!" Most of the supposedly "dramatic" and "touching" scenes are a scream. Patty Duke is priceless as the speech-slurring, tantrum-throwing, self-destructive Neely O'Hara. Watch her flailing around during the "It's Impossible" number; notice the embarrassing position of her beads. Barbara Parkins seems to have taken one Seconal too many before shooting, as she appears to be completely anesthetized. Susan Hayward gets to bellow a lot, fight with Duke, and get her wig thrown into a toilet in the most famous scene. The only one who comes off really well is Sharon Tate, a talent who never got the attention she deserved in life. Hers are the only genuinely affecting moments in the film, especially her final scene.
The candy-colored photography is good, beautifully capturing the glossy red capsules taken at every turn. The hair and fashions are glamorous--and so is the hairspray can! Dionne Warwick sings the beautiful theme, and the rest of the songs are enjoyably silly. I have the soundtrack LP--TWO copies! In conclusion, the ultimate camp classic! I'm off to take another doll now....
- Vince-5
- 4 de mai. de 2001
- Link permanente
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- How long is Valley of the Dolls?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El valle de las muñecas
- Locações de filme
- Redding Center, Connecticut, EUA(Welles' Home in Lawrenceville)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.690.000 (estimativa)
- Tempo de duração2 horas 3 minutos
- Cor
- Proporção
- 2.35 : 1
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By what name was O Vale das Bonecas (1967) officially released in Canada in French?
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