I torture-tested Syriana - watched it twice over the course of two days. Why? Because I had read that it was a complex film and that it might require two viewings to really get it. After my second viewing, all that I can say is that this film does not live up to its reputation in terms of complexity, and does not treat its subject matter with the reputed depth people seem so willing to ascribe to it. Seems to me that the film introduces the complexity of Middle East/U.S. relations, but doesn't really indicate how deep the rabbit hole goes. I did not learn much from it, but unlike most Hollywood political films, I did not disagree with it either. Despite these comments - which were not meant to be critical - Syriana is a very serious and very good film. In my opinion it is less a thriller and more of a political drama.
Clooney plays Bob Barnes, a CIA field operative who is beginning to develop a conscience. Damon plays a financial analyst who, after the death of his eldest son, becomes adviser and friend to a smart reformist prince (Siddig). Jeffrey Wright gives an outstanding performance as a smart, aggressive attorney preparing for a merger between two oil companies by investigating their dealings in the region very critically. A young man (Amr Waked) and his father are deported from Iran because of a change in ownership at the refinery they worked in, and the young man begins to be drawn toward Islamic fundamentalism. These, and other stories, intertwine and eventually merge explosively.
Although Syriana is not a happy go-lucky walk in the park Disney show, I found it just as interesting and compelling the second time around. This speaks very highly for the films artistry and the performances of the entire cast. Clooney and Daman are always good, but both shine especially nicely in the less mainstream roles they brought to life in Syriana. This film (or the mediocre Kingdom of Heaven) should be a long overdue breakthrough for the great Alex Siddig (Siddig Al Fadil). The cast is a long list of some of Hollywood's brightest (if not most well paid) stars. Each member of the ensemble plays their part very well, and with obvious conviction.
The soundtrack is great! Gaghan's script is excellent, and the cinematography and directing are both good, though perhaps a little derivative of Traffic. Gahgan is establishing himself as one of more objective and well-informed script writers of films with political points, and I am glad to see that he is handling this difficult role with the passion, artistry and intellect it requires.
