AVALIAÇÃO DA IMDb
5,2/10
9 mil
SUA AVALIAÇÃO
Baseado na história real das mortes iniciais duplas em Rochester, NY.Baseado na história real das mortes iniciais duplas em Rochester, NY.Baseado na história real das mortes iniciais duplas em Rochester, NY.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 indicação no total
Enredo
Você sabia?
- CuriosidadesWhile filming portions of the movie in Spencerport, New York, a box truck from the production company pulled down two electrical poles with transformers attached to them. Subsequently, a car was set on fire but was not able to be put out with water until the electricity was turned off. 11 residents were displaced from their homes and offered hotel accommodation by the production company.
- Erros de gravaçãoTowards the end of the movie, Richard tells Maegan that she is going to take a trip down "The Geneseo", The river running through Rochester is " The Genesee " River. Geneseo, is a town about 45 minutes south of Rochester.
- Citações
Officer Steven Harper: We should have flattered him. You're an attractive woman; we could've used that.
Megan Paige: What are you saying? You want me to go back and shake my tits for him?
- ConexõesEdited into The Alphabet Killer: Alternate Scene (2009)
- Trilhas sonorasSkeleton (She's So Cool)
Written by Nils Alpha / Jukka Sebatian
Performed by Alpha Kids
Avaliação em destaque
Eliza Dushku is the one who delivers in this fairly predictable serial killer story, reminiscent of such films as "Gothika" and "Jennifer Eight". There are also a lot of serial killer movie alumni populating the lesser roles of this film, like Bill Moseley, Timothy Hutton, Tom Noonan and Cary Elwes. They don't really matter though, because it's all about Dushku's character Megan Paige and her late onset schizophrenia which makes it very difficult for her to crack the case of the Alphabet killer, as well as keep the confidence of her fellow police officers.
Movies that focus on characters with mental disorders are often interesting and unpredictable, like Polanski's "Repulsion" or Fincher's "Fight Club" because they makes the audience question what's reality in the movie and what's just playing out inside the mind of the main character. Unfortunately this isn't one of those movies. Instead of trying to make the audience share in Megan's delusions, they are clearly separated and labeled to avoid any confusion, or excitement for that matter. Instead we are made to watch her from the outside and see her struggling to connect with her colleagues and convince them that she's completely sane despite her textbook "crazy person" behavior. Like I said, Dushku delivers a solid performance as a distraught, emotionally unstable and sometimes delusional police woman. It's just hard to get invested in her character because of the boring predictable story she slowly fights her way through.
There is not a single supporting character that comes off as more than some kind of one-dimensional stereotype. There's the honest cop, the crooked cop, the former lover, the one true friend, the calm doctor, the obvious suspect, the creepy priest and eventually, for a brief time at the end, the killer... non of them with any significant character development or depth. This movie isn't painful to watch and it's not poorly made, it just suffers from lack of imagination on the directors part and some sloppy writing. See it, don't see it... doesn't really matter.
Movies that focus on characters with mental disorders are often interesting and unpredictable, like Polanski's "Repulsion" or Fincher's "Fight Club" because they makes the audience question what's reality in the movie and what's just playing out inside the mind of the main character. Unfortunately this isn't one of those movies. Instead of trying to make the audience share in Megan's delusions, they are clearly separated and labeled to avoid any confusion, or excitement for that matter. Instead we are made to watch her from the outside and see her struggling to connect with her colleagues and convince them that she's completely sane despite her textbook "crazy person" behavior. Like I said, Dushku delivers a solid performance as a distraught, emotionally unstable and sometimes delusional police woman. It's just hard to get invested in her character because of the boring predictable story she slowly fights her way through.
There is not a single supporting character that comes off as more than some kind of one-dimensional stereotype. There's the honest cop, the crooked cop, the former lover, the one true friend, the calm doctor, the obvious suspect, the creepy priest and eventually, for a brief time at the end, the killer... non of them with any significant character development or depth. This movie isn't painful to watch and it's not poorly made, it just suffers from lack of imagination on the directors part and some sloppy writing. See it, don't see it... doesn't really matter.
- alven75
- 22 de dez. de 2008
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Alphabet Killer
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 29.784
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.000
- 9 de nov. de 2008
- Faturamento bruto mundial
- US$ 106.596
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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What is the Spanish language plot outline for O Assassino do alfabeto (2008)?
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