AVALIAÇÃO DA IMDb
7,2/10
13 mil
SUA AVALIAÇÃO
Um drama centrado em torno de três mulheres: uma mulher de cinquenta anos, a filha que ela abandonou para adoção há trinta e cinco anos e uma mulher que queria adotar um filho dela mesma.Um drama centrado em torno de três mulheres: uma mulher de cinquenta anos, a filha que ela abandonou para adoção há trinta e cinco anos e uma mulher que queria adotar um filho dela mesma.Um drama centrado em torno de três mulheres: uma mulher de cinquenta anos, a filha que ela abandonou para adoção há trinta e cinco anos e uma mulher que queria adotar um filho dela mesma.
- Prêmios
- 4 vitórias e 12 indicações no total
Alexandria M. Salling
- Karen (age 14)
- (as Alexandria Salling)
Enredo
Você sabia?
- CuriosidadesNaomi Watts was pregnant with her second child, and there's a scene at the clinic where the audience can see her real son moving inside her belly. Naomi said in an interview that the baby was sleeping and she took a cold glass of water to wake him up inside.
- Trilhas sonorasTe Quiero
Written by Juan C. Medina and Martins S. Medina
Performed by Medina Productions
Avaliação em destaque
Mother and Child (2009)
A drama filled with crosscurrents and heavy emotional stuff, yet told in such a normal and realistic way we come to believe it. And like it. Especially the acting, with Naomi Watts and Annette Bening leading two generations (and defining the title).
More than just exploring what a woman and her daughter (or her mother) need from one another (and give), this is about that first stage of becoming a mother—and deciding whether to keep the baby at all. So you see, it gets huge. And then comes the long term issue of adoption and finding, with luck, your adopted mother. The anger and released fears and the decades of doubts all flip and resolve, and this is all here.
What helps all along is the imperfect characters. In fact, Watts (as the conniving, independent daughter) and Bening (as the bitter, lonely mother) are really unlikable. At first. What keeps you going is the tenderness of two of the men, played by Jimmy Smits and Samuel L. Jackson, both with wonderful subtlety. While it never becomes "father and child" at all, these men really help nurture the mother and daughter relationships.
So who is this Columbian director and writer who pulled this together so well? He's had a mixed career writing and producing, and directing, including some "Six Feet Under" episodes and other spot jobs. He seems to lean toward interpersonal dramas, and has a knack for playing down sentiment while tuning into emotional impact (which is very different). It works.
Some people might find the plot too controlled, too contrived (almost but not quite to the point of predictability). Others might find the restraint all a bit too realistic, so that you kind of see too much real life and not enough theater. For me it walked a great line between all these poles. Good stuff!
A drama filled with crosscurrents and heavy emotional stuff, yet told in such a normal and realistic way we come to believe it. And like it. Especially the acting, with Naomi Watts and Annette Bening leading two generations (and defining the title).
More than just exploring what a woman and her daughter (or her mother) need from one another (and give), this is about that first stage of becoming a mother—and deciding whether to keep the baby at all. So you see, it gets huge. And then comes the long term issue of adoption and finding, with luck, your adopted mother. The anger and released fears and the decades of doubts all flip and resolve, and this is all here.
What helps all along is the imperfect characters. In fact, Watts (as the conniving, independent daughter) and Bening (as the bitter, lonely mother) are really unlikable. At first. What keeps you going is the tenderness of two of the men, played by Jimmy Smits and Samuel L. Jackson, both with wonderful subtlety. While it never becomes "father and child" at all, these men really help nurture the mother and daughter relationships.
So who is this Columbian director and writer who pulled this together so well? He's had a mixed career writing and producing, and directing, including some "Six Feet Under" episodes and other spot jobs. He seems to lean toward interpersonal dramas, and has a knack for playing down sentiment while tuning into emotional impact (which is very different). It works.
Some people might find the plot too controlled, too contrived (almost but not quite to the point of predictability). Others might find the restraint all a bit too realistic, so that you kind of see too much real life and not enough theater. For me it walked a great line between all these poles. Good stuff!
- secondtake
- 1 de jul. de 2015
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Mother and Child
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 7.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.110.509
- Fim de semana de estreia nos EUA e Canadá
- US$ 43.040
- 9 de mai. de 2010
- Faturamento bruto mundial
- US$ 5.621.971
- Tempo de duração2 horas 5 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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