AVALIAÇÃO DA IMDb
6,9/10
83 mil
SUA AVALIAÇÃO
Jon, um jovem aspirante a músico, descobre que conseguiu mais do que ele pode quando se junta a uma excêntrica banda pop liderada pelo misterioso e enigmático Frank.Jon, um jovem aspirante a músico, descobre que conseguiu mais do que ele pode quando se junta a uma excêntrica banda pop liderada pelo misterioso e enigmático Frank.Jon, um jovem aspirante a músico, descobre que conseguiu mais do que ele pode quando se junta a uma excêntrica banda pop liderada pelo misterioso e enigmático Frank.
- Prêmios
- 13 vitórias e 18 indicações no total
Enredo
Você sabia?
- CuriosidadesAll of the music performed by the band is played live by the actors on screen.
- Erros de gravaçãoSeveral shots, ostensibly showing Frank' s home town in Kansas, show mountains in the background. There are no mountains in Kansas.
- Cenas durante ou pós-créditosThe credits roll with colored tiles floating and rotating in the background. At one point for a second, the tiles form Frank's head.
- ConexõesFeatured in Projector: Frank (2014)
- Trilhas sonorasEndless Rolling Waves
Performed by Domhnall Gleeson
Music by Domhnall Gleeson
Lyrics by Lenny Abrahamson
Avaliação em destaque
Greetings again from the darkness. Most movies fit pretty easily into a genre: drama, comedy, action, etc. This latest from film festival favorite Lenny Abrahamson is tough to classify. It begins with silly and funny inner-dialogue from an aspiring musician/songwriter (Domhnall Gleeson), transitions into a dark dramady with complex characters and dialogue, and finishes as a bleak statement on mental illness and the music business.
That's more than I would typically disclose, but some have described the film as an outright comedy and I find that unconcsionable. If you are expecting a laugh riot, you will not only be disappointed, but are likely to miss the unique perspective provided.
The screenplay is written by "The Men Who Stare at Goats" collaborators Jon Ronson and Peter Straughan. Clearly inspired by the late British comedian and musician Chris Sievey (and his character Frank Sidebottom), Mr. Ronson's work with Mr. Sievey is the driving force. It's also the reason Gleeson's character is emphasized over Michael Fassbender's titular character who dons the paper mache head for the bulk of the movie. This script decision probably keeps the film from being truly great.
The exceptional and attention-grabbing first 15 minutes set up a movie that dissolves into an exploration of the creative process within mental illness ... Franks states numerous times that he has a certificate (certifiable). There is also an ongoing battle between art and commerce, as waged by Maggie Gyllenhaal's character and that of Gleeson. Social Media power is on full display as this avant-garde performance art band gathers a huge following prior to ever really producing any music.
Without seeing Frank's facial expressions, we witness his transformation from mystic/guru to an unstable and socially uncomfortable dude striving for likability, but unsure what the term really means. Must artists suffer for their art? Why does society latch onto the newest social media gimmick? What is creative success and why are so many afraid of it? The film begs these and other unanswerable questions. Certainly interesting, but definitely not 90 minutes of laughter.
That's more than I would typically disclose, but some have described the film as an outright comedy and I find that unconcsionable. If you are expecting a laugh riot, you will not only be disappointed, but are likely to miss the unique perspective provided.
The screenplay is written by "The Men Who Stare at Goats" collaborators Jon Ronson and Peter Straughan. Clearly inspired by the late British comedian and musician Chris Sievey (and his character Frank Sidebottom), Mr. Ronson's work with Mr. Sievey is the driving force. It's also the reason Gleeson's character is emphasized over Michael Fassbender's titular character who dons the paper mache head for the bulk of the movie. This script decision probably keeps the film from being truly great.
The exceptional and attention-grabbing first 15 minutes set up a movie that dissolves into an exploration of the creative process within mental illness ... Franks states numerous times that he has a certificate (certifiable). There is also an ongoing battle between art and commerce, as waged by Maggie Gyllenhaal's character and that of Gleeson. Social Media power is on full display as this avant-garde performance art band gathers a huge following prior to ever really producing any music.
Without seeing Frank's facial expressions, we witness his transformation from mystic/guru to an unstable and socially uncomfortable dude striving for likability, but unsure what the term really means. Must artists suffer for their art? Why does society latch onto the newest social media gimmick? What is creative success and why are so many afraid of it? The film begs these and other unanswerable questions. Certainly interesting, but definitely not 90 minutes of laughter.
- ferguson-6
- 29 de ago. de 2014
- Link permanente
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- How long is Frank?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Ban Nhạc Dị Thường
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 645.186
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.056
- 17 de ago. de 2014
- Faturamento bruto mundial
- US$ 2.524.835
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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