A detetive Hazel Micallef não teve muito com que se preocupar na pacata cidade de Fort Dundas até que uma série de assassínios horripilantes nas redondezas do campo a coloca cara a cara com ... Ler tudoA detetive Hazel Micallef não teve muito com que se preocupar na pacata cidade de Fort Dundas até que uma série de assassínios horripilantes nas redondezas do campo a coloca cara a cara com um assassino em série.A detetive Hazel Micallef não teve muito com que se preocupar na pacata cidade de Fort Dundas até que uma série de assassínios horripilantes nas redondezas do campo a coloca cara a cara com um assassino em série.
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- CuriosidadesA number of scenes where shot in Dundas, Ontario. Specifically the house that belongs to Grace Batten (Kristin Booth) is now a Bed & Breakfast in Dundas. The front of the house, front door, entrance hallway can all be seen in the movie. The bedroom scene with Simon (Christopher Heyerdahl) and Rose Batten (Ella Ballentine) is one of the rooms in the B&B. When Simon goes to visit Tamera Lawrence, who is supposed to live in Saint-Dominique, Quebec, but the "hot water kettle" scene is shot in the kitchen of Dundas Glen Bed & Breakfast.
- Erros de gravaçãoWhen Father Price prays the "Our Father", he uses the Anglican version, with the non-Scriptural coda "For Thine is the kingdom, the power and the glory". No Catholic priest (especially one as old as Fr. Price) would do this.
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Grace Batten: Are you a doctor?
Simon: I specialize in methods that conventional medicine ignores. What kind of methods? Many diseases can manifest through our environment. What we eat, how we live. And just as we may create our illness, our bodies can be healed.
Grace Batten: And that works on, uh... On sick people?
Simon: If they are pure of heart and mind, yes.
- ConexõesReferences Os Sete Suspeitos (1985)
- Trilhas sonorasAnd I Know You
Written by Michael Poskanzer
Performed by The Treasures
It's weird to see how routine this kind of movie has become. And how obvious the influences are. Take "Fargo" and put it Canada (same snow, some parochial setting, and same kind of earthy woman cop). Then remove all the originality and verve, and you have "The Calling."
Serial killers are of course more common in the movies than in real life, thankfully. And they all require weird methods, patterns with exceptions to the pattern, and a single (often painfully solitary) cop on the hunt. Susan Sarandon plays the cop, the good guy if you will, and I actually think she does a great job. If she can't match MacDormand in "Fargo" it's partly or mostly because of the writing and direction. In this movie, director Jason Stone in his first full length film, shows he's still learning. And borrowing from good sources. But we all know the formulae, and need more than that. Where do guys like him get budgets and approvals and a couple of great actors when there are so many talented men—and women!—who have shown more mettle and imagination in the trenches?
What remains isn't a disaster, but it's a bit of a trudge. Don't blame Sarandon, who makes it charming overall. There is an intention toward realism here, and yet the scenes are a combination of grotesque and whimsical. The murders are horrible, and beyond probably what is normal horror though I don't really know how the world of murder works. And the people are so homespun and regular, worried about their coffees of course, that they lighten up the whole movie without making it comic.
So, it's not, for sure, a disaster. I don't know that I'd call that a recommendation. There are better films of this type out there (without going to the top of the genre with "Silence of the Lambs" and so forth). But there are worse!
- secondtake
- 26 de out. de 2014
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- The Calling
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- Faturamento bruto mundial
- US$ 189.254
- Tempo de duração1 hora 48 minutos
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- 2.39:1