Maria Callas, a maior cantora de ópera do mundo, vive os últimos dias de sua vida na Paris dos anos 1970, enquanto se confronta com a sua identidade.Maria Callas, a maior cantora de ópera do mundo, vive os últimos dias de sua vida na Paris dos anos 1970, enquanto se confronta com a sua identidade.Maria Callas, a maior cantora de ópera do mundo, vive os últimos dias de sua vida na Paris dos anos 1970, enquanto se confronta com a sua identidade.
- Indicado a 1 Oscar
- 6 vitórias e 30 indicações no total
Erophilie Panagiotarea
- Young Yakinthi
- (as Erofili Panagiotarea)
Lyès Salem
- Waiter
- (as Lyes Salem)
Enredo
Você sabia?
- CuriosidadesAngelina Jolie, refusing to be dubbed and wishing to perform her own singing, took 7 months of opera lessons to prepare for her role. For the scenes set during Callas' heyday, an estimated 90 to 95 percent of Callas' original recordings were used, with Jolie lip-synching along to these songs. However, Jolie's singing comes to the fore during the film's final act.
- Erros de gravaçãoIn the third part of the movie, a Citroën 2cv Charleston gray-black is parked in the background. The car was first presented on the Paris Carshow in 1980, 3 years after La Callas death..
- Citações
Maria Callas: Book me a table at a café where the waiters know who I am. I'm in the mood for adulation.
- ConexõesFeatured in MsMojo: Top 10 Best Netflix Releases of 2024 (2024)
- Trilhas sonorasOtello Act 4: 'Ave Maria' (Desdemona)
Performed by Maria Callas, Orchestre de la Société des Concerts du Conservatoire
Conductor: Nicola Rescigno
Written by Giuseppe Verdi, Arrigo Boito
A Warner Classics Release, (p) 1964 Parlophone Records Limited
Remastered 2014 Parlophone Records Limited
Courtesy of Warner Music Group Germany Holding GmbH, a Warner Music Group Company
Avaliação em destaque
I understand the criticism of this movie. The lip synching was indeed terrible. And the writer and director did Callas a personal disservice by focusing on this part of her life, when she was crazy and high and alone. But I don't believe a biopic has a responsibility to show a person's entire life. It can show a portion, if meaningful and true - which this was, even if it was unflattering. The sad decay of a brilliant life is a story worth telling, and this was told with tenderness.
The flashbacks could have added more value and depth by following a linear plot, showing the arc of Callas's career, her great love story and the many sides of her personality. They could have done more to educate viewers about who she was, the complexity of her character and her artistic process. But the director chose instead to play her life back as her own mind might have in those last few days: fragmented, intense last gasps. We see her grapple with pride and regret, asking herself if it was all enough. It's as much a movie about the act of dying as it is about her, and for that I found it beautiful.
Jolie did better than I expected, and I even think she looked like Callas in the black and white scenes. Too beautiful, but Jolie possesses a similar woundedness that translated certain elements sufficiently. While she captured Callas's tortured and demure sides, she did not capture her charisma, temper or ruthless perfectionism. It was a valiant attempt at a role no one could have played perfectly. Callas was untouchable in life, and knowing she still is in death made me love her even more.
In short, the movie was imperfect but its intention was sincere. A deep love for Callas came through that made it worth watching, if you can focus on the story being told instead of the story you wish were being told.
The flashbacks could have added more value and depth by following a linear plot, showing the arc of Callas's career, her great love story and the many sides of her personality. They could have done more to educate viewers about who she was, the complexity of her character and her artistic process. But the director chose instead to play her life back as her own mind might have in those last few days: fragmented, intense last gasps. We see her grapple with pride and regret, asking herself if it was all enough. It's as much a movie about the act of dying as it is about her, and for that I found it beautiful.
Jolie did better than I expected, and I even think she looked like Callas in the black and white scenes. Too beautiful, but Jolie possesses a similar woundedness that translated certain elements sufficiently. While she captured Callas's tortured and demure sides, she did not capture her charisma, temper or ruthless perfectionism. It was a valiant attempt at a role no one could have played perfectly. Callas was untouchable in life, and knowing she still is in death made me love her even more.
In short, the movie was imperfect but its intention was sincere. A deep love for Callas came through that made it worth watching, if you can focus on the story being told instead of the story you wish were being told.
- qjbz-53177
- 28 de dez. de 2024
- Link permanente
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- How long is Maria?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- María Callas
- Locações de filme
- Budapeste, Hungria(Opera House, Music Academy, various locations)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 19.080.743
- Tempo de duração2 horas 4 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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