Três histórias de amor entrelaçadas envolvendo três casais em três cidades: Roma, Paris e Nova Iorque.Três histórias de amor entrelaçadas envolvendo três casais em três cidades: Roma, Paris e Nova Iorque.Três histórias de amor entrelaçadas envolvendo três casais em três cidades: Roma, Paris e Nova Iorque.
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- 1 vitória e 1 indicação no total
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- CuriosidadesJames Franco said that Ashton Kutcher, Mila Kunis' husband (fiancé then), couldn't endure watching the scene where Franco had to slap Kunis' face and drag her across the floor. Kutcher had to leave the room during the shooting. "I mean, it wasn't my idea!! It was the script!" Franco said. Further to the close of this scene, when dragging Kunis out across the rug, Franco's stumble at the end was unscripted: but director Haggis felt it suited the scene's intensity so left it in the final take. [Latter direction reference from director's own DVD commentary]
- Erros de gravaçãoWhen Olivia Wilde's character is locked out of Liam Neeson's character hotel room, she is completely naked and in such conditions she runs down the corridor and stairs towards her own room. When she enters it, she can be seen wearing knickers.
- Cenas durante ou pós-créditosThe opening as well as the first part of the ending credits share the same graphic pattern style as the lower parts of the glass partitions in the apartment of Franco's character.
- ConexõesFeatured in Film '72: Episode dated 12 November 2014 (2014)
- Trilhas sonorasChiaro
Performed by Gigi D'Alessio
Courtesy of GGD Srl.
Written by Gigi D'Alessio (as Luigi D'Alessio) and Valentina D'Agostina
Published by Warner Chappell Music Italiana Srl and GGD Edizioni Srl
All Rights Administered by Warner Chappell Music Italiana Srl
Avaliação em destaque
*** MAY CONTAIN SPOILERS***
Paul Haggis has a heavy burden after winning Best Picture at the Oscars with "Crash," as high expectations have soon formulated any time he creates an interwoven story. Third Person, with its stellar cast and beautiful scenery, amplifies the hype, but unlike its predecessor, it doesn't deliver.
Third Person tells three love stories, featuring unrelatable caricatures. Liam Neeson is a Pulitzer-prize winner author, who smokes cigarettes in darkness and slams his Macbook when ideas don't seamlessly flow to him (people do that?). Olivia Wilde is a charming though emotionally-detached single-in-the-city gal. Adrian Brody is an American in Rome who detests the culture yet thrives in stealing. James Franco is artist-son of wealthy New Yorkers really? The characters often lack chemistry and their development often seems forced to fill the 'love du jour' trend of love-then-fighting-then love again. The performances are uninspiring, with the exception of Mila Kunis, who plays an ex-soap opera star and single mother trying to get her life back together.
Haggis spent many years crafting this film, but he had to verbally inform the audience of many of the interwoven intricacies. The film will appeal to the New York liberal intellectual crowd who thrive on 'complex' characters, but ultimately, this movie is all sizzle, no steak.
After the TIFF movie premiere, Haggis candidly stated that for the film he had difficulty attaining financing until the last minute. Perhaps this was an omen.
Paul Haggis has a heavy burden after winning Best Picture at the Oscars with "Crash," as high expectations have soon formulated any time he creates an interwoven story. Third Person, with its stellar cast and beautiful scenery, amplifies the hype, but unlike its predecessor, it doesn't deliver.
Third Person tells three love stories, featuring unrelatable caricatures. Liam Neeson is a Pulitzer-prize winner author, who smokes cigarettes in darkness and slams his Macbook when ideas don't seamlessly flow to him (people do that?). Olivia Wilde is a charming though emotionally-detached single-in-the-city gal. Adrian Brody is an American in Rome who detests the culture yet thrives in stealing. James Franco is artist-son of wealthy New Yorkers really? The characters often lack chemistry and their development often seems forced to fill the 'love du jour' trend of love-then-fighting-then love again. The performances are uninspiring, with the exception of Mila Kunis, who plays an ex-soap opera star and single mother trying to get her life back together.
Haggis spent many years crafting this film, but he had to verbally inform the audience of many of the interwoven intricacies. The film will appeal to the New York liberal intellectual crowd who thrive on 'complex' characters, but ultimately, this movie is all sizzle, no steak.
After the TIFF movie premiere, Haggis candidly stated that for the film he had difficulty attaining financing until the last minute. Perhaps this was an omen.
- rm_777
- 25 de set. de 2013
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- Third Person
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 28.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.021.398
- Fim de semana de estreia nos EUA e Canadá
- US$ 38.856
- 22 de jun. de 2014
- Faturamento bruto mundial
- US$ 2.624.761
- Tempo de duração2 horas 17 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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