Uma fotógrafa estabelece uma relação com uma mulher mais velha nos anos cinquenta em Nova Iorque.Uma fotógrafa estabelece uma relação com uma mulher mais velha nos anos cinquenta em Nova Iorque.Uma fotógrafa estabelece uma relação com uma mulher mais velha nos anos cinquenta em Nova Iorque.
- Indicado a 6 Oscars
- 75 vitórias e 254 indicações no total
- Rindy Aird
- (as Kennedy Heim)
- Roberta Walls
- (as Pamela Haynes)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
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- CuriosidadesThe character of Carol Aird was inspired by Virginia Kent Catherwood (1915-1966), a Philadelphia socialite six years older than Patricia Highsmith with whom the author had a love affair in the 1940s. Catherwood lost custody of her daughter after her homosexuality was used against her with a taped recording of a lesbian liaison she had in a hotel room. ("'Instantly, I love her': the affairs that inspired Carol". The Telegraph, 28 November 2015)
- Erros de gravaçãoWhen Carol and Therese are driving into the tunnel, Carol turns on the radio. This would have been impossible -- in those days radios were AM, and the signal wouldn't have carried. Back before FM was common, AM signals could cut out briefly even just driving under an overpass.
- Citações
Carol Aird: [while driving back to Chicago] What are you thinking? You know how many times a day I ask you that?
Therese Belivet: Sorry. What am I thinking? I'm thinking that I'm utterly selfish.
Carol Aird: Don't do this. You had no idea. How could you have known?
Therese Belivet: And I should have said "No" to you but I never say "No". And it's selfish because... because I just take everything and I don't know anything. And I don't know what I want. How could I when all I ever do is say "Yes" to everything?
[turns head and cries]
Carol Aird: [pulls car to side of road and stops, moves close to Therese and caresses her face] I took what you gave willingly. It's not your fault, Therese.
- Trilhas sonorasWillow Weep For Me
Performed by Vince Giordano and The Nighthawks
Words and Music by Ann Ronell
© Copyright by Bourne Co.
Copyright Renewed
Rights for the world outside the U.S.A. controlled by Bourne Co.
All rights for the United Kingdom controlled by Bourne Ltd.
All rights reserved international copyright secured
© Copyright 1932. Ann Ronell Music/ASCAP.
All rights reserved. Used by permission.
Master recording licensed courtesy of Starr Score Holdings, LLC
Romance is actually one of my favorite genres, but unfortunately it has let me down a lot more than once. Not the case with Carol. This has a strong possibility of being the best movie of 2015.
Therese is a woman working in a store who has an interest in trains and photography. But her hobbies is not enough to escape her boring and quite uneventful life. Carol has a wonderful daughter and is doing fine financially... but has an husband (whom she is trying to divorce) who won't leave her alone and makes her feel miserable.
These two people meet, and... they connect.
First off, the story itself is already incredibly captivating. It takes place during a time period where homosexuality was not only frowned upon, but there were even laws against it. So seeing the two of them facing struggles in order to keep in contact with each other is fascinating to behold. And it is because the love story is so damn beautiful. There is a lot of visual language. Eye contact and body language often speaks for itself. And it's excellently executed, as you sometimes know exactly how these two character are feeling without a single word spoken. And even the dialogue itself has subtlety to it. There are plenty of times where either Carol or Therese insinuate feelings by using seemingly casual sentences. "Your perfume... it smells good." is really just a synonym for "I want to kiss you". "Oh stop it, you look perfect!" can very well mean "I want to spend the rest of my life with you." The lines are not obvious giveaways and I love it. The audience gets to think for themselves.
But what really makes this movie work is the acting. It's absolutely amazing. Cate Blanchett and Rooney Mara are at their best ever. They make the characters so real, so human, that you wish they actually existed. Kyle Chandler also throws in a remarkable performance as the husband. You root for the two girls... but you don't hate Harge either. There is one scene where he has gone so far as to get himself to the house Carol and Therese is staying at for the weekend. And when he's told he can't have her, I was really feeling bad for the guy!
I can't remember the last time I have been as touched by a movie. It hit my heart just in the right places, and when I walked out of the theater I felt like I had just experienced someone else's life.
Okay, the trailer revealed too goddamn much from the movie, so several important plot details I already knew beforehand. But even that couldn't stop the perfectly orchestrated ocean of emotions it bathed me in. Carol will stick to your brain like glue after you've watched it. Oh and the movie too ;)
- mattiasflgrtll6
- 28 de dez. de 2015
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- The Price of Salt
- Locações de filme
- Cincinnati, Ohio, EUA(main location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 11.800.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 12.711.491
- Fim de semana de estreia nos EUA e Canadá
- US$ 253.510
- 22 de nov. de 2015
- Faturamento bruto mundial
- US$ 42.433.237
- Tempo de duração1 hora 58 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1