Geometries of flammable spun threads where those who want to affirm justice get a crown of thorns and with a vision blurred by blood and sweat they look for the road to an identity towards good far from evil. The taste for evil of Costello resumes the fascination of the criminals of the films of Melville of the years' 50 of 1900. The infiltrators hold to an identity card in the good that is overwhelmed by the evil that they do to clear and protect own identity.