User reviews

This was a sweet love story, although it left me longing for more background, clarification and character development. The flashbacks were not enough. Why does Sophie live alone? What happened to her parents? How old was she? Answers to these questions would have made her character much more interesting. Would have loved to know more about Mr. Ota and his family background as well, besides the fact that they grew apples! I think this story could have been so much richer had the screenwriter delved deeper into these characters' lives. The movie was touching and interesting and the chemistry between Ota and Sophie was good. But the whole film seemed too superficial. It did touch accurately on the attitude of Americans toward the Japanese Americans during WW2. However, I think in typical Hollywood fashion, it put people of faith in an unfair and negative light. Not all southern churchgoers were cruel toward minorities, but it did happen. I think my favorite character was the maid. She had a confident pride, but also could feel empathy toward Mr. Ota as a black woman in the south. She knew what it was like to be outcast for her skin color. It was such a poignant moment in the film when is the one to wash off the words "dirty Jap" from the wall. She knew his pain.

This movie was a lovely story but I feel it could have been so much more had we really known the characters and what their backstories were.

Maggie Greenwald, whose work I've admired since "The Kill-Off", does a fine job in capturing another era, that of the dawn of World War II in the American South, in its sad tale of love thwarted by prejudice, with great sympathy generated for the underdog. Also sad is the current increase in bigotry in America, putting us on the precipice of a return to such awful times, if powerful forces on the extreme right, get their way.

Powerful performances by Julianne Nicholson, Margo Martindale and Lorraine Toussaint propel the compelling narrative, which while not being preachy does follow time-honored and well-meaning, predictable story arcs.

I first watched this film about a week ago. I watched it again last night because I just couldn't stop thinking about it. I broke down in tears at the ending on that first watch. And then I cried twice more that night just thinking about how impactful that resolution is. I think it's better to go in not knowing how it ends so that you feel the full weight of it. I don't mean to imply that it's a sad ending. It's more like a bittersweet suckerpunch that makes absolutely perfect sense. It also illustrates the true power of love and human connection, and how far we're willing to go when we find it.

Though the ending is likely to be the thing that sticks with you, the movie has so many other delights. Let's start with what drew me to it in the first place... the utterly luminous central performance by Julianne Nicholson as Sophie. Whether she's out "crabbing" in overalls, or dolled-up for an evening at the "picture show" with Miss Ann, Sophie is a magnetic, fascinating creature. How much of that was on the page, and how much is merely the result this gifted actress's presence, I can't say.

Based on the synopsis, you might be expecting a sad, lonely old spinster. That's not Sophie. No. Instead, she's a strong, fiercely independent, delightfully offbeat, daring woman. Gentle of spirit, sweet of soul, most of the townsfolk do dismiss her as someone in need of their protection. The town busybody, who was the best friend of Sophie's late mother, seems to think managing Sophie's life is her personal mission. Her constant snooping and interference drives most of the conflict in the story. And we are treated to flashbacks that reveal that Miss Ruth has been butting in and causing havoc ever since Sophie was a child. These flashbacks also reveal Sophie to be one of those rare humans with nothing but boundless love in her heart. Unfortunately, by the time we meet her, the social constructs of the era and place she was born into have beaten a lot of it out of her.

When a beaten, barely coherent young Japanese man, Mr. Grover Ohta is dumped on a park bench in her small coastal South Carolina town, little does Sophie know the stranger is about to change her life.

I don't want to give away a whole lot because I think you'll enjoy the movie much more, the less you know. I will say that the cinematography is gorgeous, the score is unobtrusive, and all of the acting is uniformly outstanding. Kudos to whoever found Takashi Yamaguchi and brought him on board. He's just perfect. Margo Martindale is as wonderful as always.

One thing I do want to mention is how glorious the love scenes are. They're so heartfelt and well-earned they brought tears to me eyes on that first watch. I can't remember the last time I had such a strong reaction.

See this movie. Then share it with like-minded friends. You will probably need someone to talk to and/or cry with when it's over.

To explain my title, Sophie and the rising sun has everything except shooting, explosions, and car chases. It is a devastating picture of racism. It is a love story beyond compare. It is wonderfully filmed. Nicholson as Sophie is luminous. Martindale as Ann is faultless. Toussaint as Salome is simply amazing. The Japanese gentleman is outstanding. See this movie if you can. It's a solid ten for a viewer who loves good drama, who is maybe tired of cheap thrills. I watched it for free on Prime, and I'll watch it again tomorrow.

Margo Martindale was on top of her game in this retro look at race relations at the beginning of WW2 Everyone else quickly became forgettable. A slow southern pace pulls us along as the film unfolds. Save your popcorn - there's no reason to waste it on this one

"Sophie and the Rising Sun" is a beautifully filmed movie with excellent acting - Margo Martindale and Lorraine Toussaint are particularly strong and give outstanding performances. Visually the film is gorgeous. Wolfgang Held brings magic to the screen with his incredible rich and intense cinematography. Though the story is set in a different time period it vibrates with relevance to today. Sophie comes to us at a time when we can only benefit by the questions it raises. You leave the film with the sad recognition that what was once still exists today. Prejudice and bigotry remains.

As I say in the title, this is a gorgeous, relevant film, on multiple levels, without it being a complex, tiring film to watch, on the contrary, it is very purposeful and clear, yet also very beautiful and engaging, not to mention very stirring and moving. The cinematic language in which the story is told, made me long for more, and as cinema and storytelling go, I count this film as a triumph, so I rate it 10/10.

This movie was a winner for me. I enjoy true to life stories. I knew it was a winner within the first 10 minutes. Gripping, tantalizing and oh.... so romantic. The characters kept my attention. The emotion they emit is so sweet. The story is interesting and held my attention. I wanted more and did not want to stop watching it. So happy to share. I don't find many movies that are 10 stars for me and hope you enjoy it also. This is for true romantics.

Sophie and the Rising Sun is an eloquent and beautiful film. Maggie Greenwald is a sensitive and insightful director and writer who has created a film that speaks to issues of prejudice that are as powerful in 2019 as they were in 1941.

Great story and acting. Time accurate. A real enjoyable film.

I don't understand the low reviews. A classical tale of love in times of war set in the 1930-40s in the South set against a background of courageous people as well bigoted, prejudiced individuals. The lead couple features a handsome, proper and mellow Takashi Yamaguchi who represents a Japanese American flawlessly. He does come across as way more American though. Beautiful dialogues. Great chemistry, captivating romance scenes. Strong performances from the entire cast, all unique in their very own way. Now if it didn't end on a good note, I'd have been very sad. Overall a very solid beautiful classic love-war movie with a unique historical and character setting and an interracial international point of view.

This was a wonderfully done film. Great acting, a touching story, filmed beautifully and a score that fits well for the story. It reminds the viewer of the power of love in times of trauma. Not only romantic love, but also human compassion for others. Much of the concept parallels what people throughout Europe did for Jews as documented in the fine book - "The Rescuers" by Gay Block.

I truly enjoyed this romance story. I felt as if i was in the 1930s . Well done to all the cast and crew. Thank you for this film .

Not a word more! Plain and simple.

Acting and cinematography are superb. This is one of the best movies of 2016.