Follows Lucy and Desi as they face a crisis that could end their careers--and another that could end their marriage.Follows Lucy and Desi as they face a crisis that could end their careers--and another that could end their marriage.Follows Lucy and Desi as they face a crisis that could end their careers--and another that could end their marriage.
- Nominated for 3 Oscars
- 13 wins & 60 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaPrior to filming, Lucie Arnaz (daughter of Lucille Ball and Desi Arnaz) had told writer/director Aaron Sorkin that it was okay to make Lucille stubborn and headstrong in the movie, as this was how she was in real life. After seeing the movie, Arnaz released a video on her YouTube Channel on 17 October 2021, in which she called the movie "freaking amazing." She complimented Sorkin for making a great movie that really captured the time period and had wonderful casting. She also said that Nicole Kidman "became my mother's soul." She also said that Javier Bardem didn't look like her dad but, "he has everything that dad had. He has his wit, his charms, his dimples, his musicality."
- GoofsThe movie portrays Lucy's contract at RKO being dropped after her performance in The Big Street (1942) and has RKO's head of production state that at 39 years old she should try radio. In reality Lucy was only 31 when "The Big Street" was released in 1942. Her contract was not dropped by RKO, but rather bought out by MGM, who was impressed by her performance. While working for MGM, Lucy became a redhead. She remained under contract to them until 1946. Additionally, Lucy did not seek out radio until 1948 while concurrently working in movies as a freelance actress.
- Quotes
Lucille Ball: I am the biggest asset in the portfolio of the Columbia Broadcasting System. The biggest asset in the portfolio of Philip Morris Tobacco, Westinghouse. I get paid a fortune to do exactly what I love doing. I work side by side with my husband, who's genuinely impressed by me. And all I have to do to keep it is kill every week for 36 weeks in a row. And then do it again the next year.
- ConnectionsFeatured in The Late Show with Stephen Colbert: Javier Bardem/Gang of Youths (2021)
- SoundtracksShe Could Shake the Maracas
Written by Lorenz Hart, Richard Rodgers
Produced by Michael Andrew
Performed by Javier Bardem with The Michael Andrew Orchestra
Featured review
IMDB where getting over a hundred votes for a movie by big name Hollywood talent gets the review deleted. Am I right, IMDB? Is that how A listers keep you paying to see bombs like this one?
If this movie wins Oscars, it will be the "Shakepeare In Love" of 2022. I know it and the 119 people who upvoted my review (before it disappeared) know it. So why does it keep disappearing, IMDB?
Bad casting is the least of the problems in this Sorkin polemic on the 1950s. But it is the bad casting where I will start.
First, it isn't "ageism" to be so distracted with an actress's bad plastic surgery that a show becomes unpleasantly jarring. Kidman is so frozen that all she can do is stare into the camera when she makes a point. No matter how well Kidman mimics Ball's husky voice, she looks like a doll wearing a mask. It's okay when she's playing Lucille Ball in a serious script read, but it completely falls apart when she plays Lucille Ricardo. Kidman's own features are so robotically flat, that she looks like she's an animated drawing mimicking a human mimicking a the world's most famous comedienne.
To the other miscasting issue, Javier is an older, masculine Spaniard who lacks the litheness and charm of the boyish Desi Arnaz. The scenes of him doing a very bad imitation of Cuban English with Desi as a young man are as jarring to the Spanish ear as the idea of Jackie Gleason suddenly appearing as sexy young Paul Newman in a remake of "HUD." (He can't even sing "BABALU" for Cuban Pete's sake!!!!!)
Third, Sorkin's standard "rata tat tat" dialogue performed by two people who are both uncomfortable with their accents makes the chatter between Lucy and Desi at times unbearable. It's stilted and uncomfortable. It's also full of exposition, which is the hallmark of very lazy writing. These two people were trailblazers, but they were real people. That Sorkin wants to use them as a metaphor might work, if he would stop beating us over the head with what he wants us to know. He should just let the story, which is remarkable, tell itself.
Last, yes. I know Lucie Arnaz did a video defending the casting and Sorkin. And i might take that the endorsement Sorkin's fans want it to be, if she had disclosed in that video that Arnaz and her brother were principal investors in the film. Kidman may have "crawled up in" Lucie's mother's head, but Lucie paid her to be there.
Who wasn't miscast? Nina Arianda shines as Vivian Vance and J. K. Simmons becomes drunk Bill Frawley. Linda Lavin owns the screen as the aged Madelyn Pugh. They make me really want to love this film, but I don't.
Do you love Lucy? Watch the many "Lucy" series and then read the many biographies written about the two actors. You won't have to waste your time with Sorkin's ego trip, and you might learn something.
Lucille Ball and Desi Arnaz deserve better than being Aaron Sorkin's object lesson. I wanted a movie about real people, not a sideways lecture from wannabe professor Sorkin.
If this movie wins Oscars, it will be the "Shakepeare In Love" of 2022. I know it and the 119 people who upvoted my review (before it disappeared) know it. So why does it keep disappearing, IMDB?
Bad casting is the least of the problems in this Sorkin polemic on the 1950s. But it is the bad casting where I will start.
First, it isn't "ageism" to be so distracted with an actress's bad plastic surgery that a show becomes unpleasantly jarring. Kidman is so frozen that all she can do is stare into the camera when she makes a point. No matter how well Kidman mimics Ball's husky voice, she looks like a doll wearing a mask. It's okay when she's playing Lucille Ball in a serious script read, but it completely falls apart when she plays Lucille Ricardo. Kidman's own features are so robotically flat, that she looks like she's an animated drawing mimicking a human mimicking a the world's most famous comedienne.
To the other miscasting issue, Javier is an older, masculine Spaniard who lacks the litheness and charm of the boyish Desi Arnaz. The scenes of him doing a very bad imitation of Cuban English with Desi as a young man are as jarring to the Spanish ear as the idea of Jackie Gleason suddenly appearing as sexy young Paul Newman in a remake of "HUD." (He can't even sing "BABALU" for Cuban Pete's sake!!!!!)
Third, Sorkin's standard "rata tat tat" dialogue performed by two people who are both uncomfortable with their accents makes the chatter between Lucy and Desi at times unbearable. It's stilted and uncomfortable. It's also full of exposition, which is the hallmark of very lazy writing. These two people were trailblazers, but they were real people. That Sorkin wants to use them as a metaphor might work, if he would stop beating us over the head with what he wants us to know. He should just let the story, which is remarkable, tell itself.
Last, yes. I know Lucie Arnaz did a video defending the casting and Sorkin. And i might take that the endorsement Sorkin's fans want it to be, if she had disclosed in that video that Arnaz and her brother were principal investors in the film. Kidman may have "crawled up in" Lucie's mother's head, but Lucie paid her to be there.
Who wasn't miscast? Nina Arianda shines as Vivian Vance and J. K. Simmons becomes drunk Bill Frawley. Linda Lavin owns the screen as the aged Madelyn Pugh. They make me really want to love this film, but I don't.
Do you love Lucy? Watch the many "Lucy" series and then read the many biographies written about the two actors. You won't have to waste your time with Sorkin's ego trip, and you might learn something.
Lucille Ball and Desi Arnaz deserve better than being Aaron Sorkin's object lesson. I wanted a movie about real people, not a sideways lecture from wannabe professor Sorkin.
- How long is Being the Ricardos?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Lucy and Desi
- Filming locations
- RMS Queen Mary - 1126 Queens Highway, Long Beach, California, USA(Ricky's club interior)
- Production companies
- See more company credits at IMDbPro
- Runtime2 hours 11 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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