Bayonet, the newest comic book mini series created by indie comics’ maverick, Everette Hartsoe tells the story of Sasha Ravenwood, a retired assassin turned mentor to a homeless girl named Nix. Both share telekinetic and psychokinetic gifts that make them a far dangerous threat to the secret society that enlisted them. Bayonet: created and written …
The post Everette Hartsoe’S ‘Bayonet’ launches under ‘Razorverse’ banner appeared first on Hnn | Horrornews.net.
The post Everette Hartsoe’S ‘Bayonet’ launches under ‘Razorverse’ banner appeared first on Hnn | Horrornews.net.
- 5/31/2020
- by Adrian Halen
- Horror News
Epigmenio Ibarra proudly shows off the impressive new facilities of his 27-year-old production house, Argos Comunicación, located in an industrial zone outside Mexico City. He walks through one of six brand-new sound stages, a state-of-the-art suite where colorists are working on a series, a set-construction warehouse and more. A production has wrapped the day before, another will start the following week, and still another in two weeks.
Construction of the facilities was completed less than two years ago, just in time for the extraordinary explosion of the Mexican entertainment industry that followed the arrival of global companies like Netflix and Amazon. Not that Ibarra had an inkling of what was coming. As recently as five years ago, he says, the local television landscape was still dominated by Televisa and TV Azteca, and perhaps only five series were being produced in all of Mexico.
Today, Ibarra puts that number at 50. Many...
Construction of the facilities was completed less than two years ago, just in time for the extraordinary explosion of the Mexican entertainment industry that followed the arrival of global companies like Netflix and Amazon. Not that Ibarra had an inkling of what was coming. As recently as five years ago, he says, the local television landscape was still dominated by Televisa and TV Azteca, and perhaps only five series were being produced in all of Mexico.
Today, Ibarra puts that number at 50. Many...
- 5/8/2019
- by Laura Tillman
- Variety Film + TV
Buenos Aires — Launching their new production house, La Corriente de Golfo, last April, Gael García Bernal and Diego Luna have tapped Mexican writer-director Kyzza Terrazas as the company’s head of development.
The appointment will certainly help build the company appointing an old-rounder capable of overseeing and implementing development, writing and directing, and a longtime friend of manny of the leading lights of a new creative generation of Mexican directors which has made its marks in cinema but is often now diversifying into TV.
It also builds on past relationships: a longtime friend and work colleague of both García Bernal and Luna, Terrazas co-wrote García Bernal’s feature debut “Deficit,” headed up development at Canana, the company Garcia Bernal and Luna created with Pablo Cruz from 2005. Terrazas ankled Canana in 2009 to make his feature debut, “Machete Language,” produced by Mexico City shingle Mr. Woo and exec-produced by García Bernal and Diego Luna.
The appointment will certainly help build the company appointing an old-rounder capable of overseeing and implementing development, writing and directing, and a longtime friend of manny of the leading lights of a new creative generation of Mexican directors which has made its marks in cinema but is often now diversifying into TV.
It also builds on past relationships: a longtime friend and work colleague of both García Bernal and Luna, Terrazas co-wrote García Bernal’s feature debut “Deficit,” headed up development at Canana, the company Garcia Bernal and Luna created with Pablo Cruz from 2005. Terrazas ankled Canana in 2009 to make his feature debut, “Machete Language,” produced by Mexico City shingle Mr. Woo and exec-produced by García Bernal and Diego Luna.
- 12/9/2018
- by John Hopewell
- Variety Film + TV
Location shooting is underway in Mexico and Argentina for Season 2 of Fox Premium’s “Here on Earth”, the multi award- winning series created by Gael Garcia Bernal, Kyzza Terrazas and Jorge Dorantes.
Mexican actors Adriana Barraza, Kristyan Ferrer and Natasha Dupeyron join the Season 1 cast toplined by Bernal, Alfonso Dosal, Daniel Giménez Cacho –who will also helm an episode – along with Tenoch Huerta, Colombian actress Paulina Dávila and Spanish actress Ariadna Gil.
The political drama-thriller series of eight one-hour episodes has already picked up a clutch of awards including at Canneseries, the Zurich Film Festival, and most recently at the Fenix Film Awards held in Mexico City in its Outstanding Ensemble Cast category.
In this new season of “Here on Earth,” lead character Carlos Calles (Dosal), begins to perceive certainties about the death of his father while his stepfather, Governor Mario Rocha (Giménez Cacho), tries to keep the truth hidden...
Mexican actors Adriana Barraza, Kristyan Ferrer and Natasha Dupeyron join the Season 1 cast toplined by Bernal, Alfonso Dosal, Daniel Giménez Cacho –who will also helm an episode – along with Tenoch Huerta, Colombian actress Paulina Dávila and Spanish actress Ariadna Gil.
The political drama-thriller series of eight one-hour episodes has already picked up a clutch of awards including at Canneseries, the Zurich Film Festival, and most recently at the Fenix Film Awards held in Mexico City in its Outstanding Ensemble Cast category.
In this new season of “Here on Earth,” lead character Carlos Calles (Dosal), begins to perceive certainties about the death of his father while his stepfather, Governor Mario Rocha (Giménez Cacho), tries to keep the truth hidden...
- 11/16/2018
- by Anna Marie de la Fuente
- Variety Film + TV
Los Cabos, Mexico — Gerardo Gatica and Alberto Muffelmann’s Panorama Global, the company behind Alfonso Ruizpalacios’ “Museo,” are partnering with its co-screenwriter, Manuel Alcalá, and Mauricio Katz, screenwriter of “Miss Bala,” and Netflix “Maniac,” on futuristic thriller “Frogtown.”
As talent become one – if not the – key competitive issue in the world’s new film-tv landscape for every company from Netflix downwards, the deal sees Panorama, fast emerging as a Mexican movie powerhouse, teaming with two of Mexico’s top writing talents. “Frogtown” will mark both the writers’ directorial debuts.
Alcala co-won a Berlin screenwriting Silver Bear with Ruizpalacios for “Museo”; Katz co-wrote “Miss Bala,” produced by Canana, wrote and executive produced Netflix original series “Maniac,” and is a co-creator on one of the biggest upcoming TV series from continental Europe, the Sky-Canal Plus “ZeroZeroZero,” starring Gabriel Byrne and Andrea Riseborough, and from the creative team behind “Gomorrah.”
“Manuel and Mauricio...
As talent become one – if not the – key competitive issue in the world’s new film-tv landscape for every company from Netflix downwards, the deal sees Panorama, fast emerging as a Mexican movie powerhouse, teaming with two of Mexico’s top writing talents. “Frogtown” will mark both the writers’ directorial debuts.
Alcala co-won a Berlin screenwriting Silver Bear with Ruizpalacios for “Museo”; Katz co-wrote “Miss Bala,” produced by Canana, wrote and executive produced Netflix original series “Maniac,” and is a co-creator on one of the biggest upcoming TV series from continental Europe, the Sky-Canal Plus “ZeroZeroZero,” starring Gabriel Byrne and Andrea Riseborough, and from the creative team behind “Gomorrah.”
“Manuel and Mauricio...
- 11/9/2018
- by John Hopewell
- Variety Film + TV
Los Cabos, Mexico — A mix of traditional pre-colonial and modern, urban-infused storytelling, Julio Hernández Cordón’s “Neza” pitches at this week’s Los Cabos Festival Works in Development, where the filmmaker’s most recent film “Buy Me a Gun” – Director’s Fortnight and San Sebastian Horizontes Latinos competitor – is in competition.
Born in North Carolina but educated at Mexico’s Ccc, Hernández has positioned himself as one of Mexico and Mesoamerica’s most solid filmmakers. In 2007 his feature “Gasolina” won the Filmsin Progress award at San Sebastian and a year later topped the festival’s Horizontes Latinos competition. Since that time, he has pumped out critical and festival acclaimed films regularly, including “Atrás hay relámpagos” – a participant at Rotterdam – and the aforementioned “Buy Me a Gun.”
“Neza” is a modern tale with pre-Spanish roots. It’s the story of a pair of betrayals which become too much for the titular character to bear.
Born in North Carolina but educated at Mexico’s Ccc, Hernández has positioned himself as one of Mexico and Mesoamerica’s most solid filmmakers. In 2007 his feature “Gasolina” won the Filmsin Progress award at San Sebastian and a year later topped the festival’s Horizontes Latinos competition. Since that time, he has pumped out critical and festival acclaimed films regularly, including “Atrás hay relámpagos” – a participant at Rotterdam – and the aforementioned “Buy Me a Gun.”
“Neza” is a modern tale with pre-Spanish roots. It’s the story of a pair of betrayals which become too much for the titular character to bear.
- 11/9/2018
- by Jamie Lang
- Variety Film + TV
Cannes — There’s a scene in “Bayoneta,” Mexican Kyzza Terrazas’ second fiction feature, where Miguel, played by “Club of Crows’” Luis Gerardo Méndez, is asked to sing a song. He does so, Chalino Sanchez’s “Nieves de enero,” a lovely spare ballad about heartbreak. Miguel knows something about that sentiment. An up-and-coming Mexican boxer, a Sydney Olympics medal winner who floors “Matador” Madrigal Ríos, Tijuana’s Miguel “Bayoneta” Galíndez’s prospects look bright until he kills his opponent in the ring.
Looking for atonement, even punishment and out of a sense of shame – as a father, he can’t look his daughter in the eye after failing in basic human ethics – he seeks exile in the snowy wastes of Tirku, a town in Finland, where he trains boxers. “Bayoneta” is a film about immigration, but for emotional need, not economic necessity. Picturing training as relief for Miguel, framing an affair...
Looking for atonement, even punishment and out of a sense of shame – as a father, he can’t look his daughter in the eye after failing in basic human ethics – he seeks exile in the snowy wastes of Tirku, a town in Finland, where he trains boxers. “Bayoneta” is a film about immigration, but for emotional need, not economic necessity. Picturing training as relief for Miguel, framing an affair...
- 10/24/2018
- by John Hopewell
- Variety Film + TV
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