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Fashions of 1934

  • 1934
  • Approved
  • 1h 18m
IMDb RATING
6.6/10
2.1K
YOUR RATING
Bette Davis, William Powell, Hugh Herbert, Frank McHugh, and Verree Teasdale in Fashions of 1934 (1934)
When the Manhattan investment firm of Sherwood Nash goes broke, he joins forces with his partner Snap and fashion designer Lynn Mason to provide discount shops with cheap copies of Paris couture dresses.
Play trailer2:43
1 Video
27 Photos
ComedyDramaMusical

When the Manhattan investment firm of Sherwood Nash goes broke, he joins forces with his partner Snap and fashion designer Lynn Mason to provide discount shops with cheap copies of Paris cou... Read allWhen the Manhattan investment firm of Sherwood Nash goes broke, he joins forces with his partner Snap and fashion designer Lynn Mason to provide discount shops with cheap copies of Paris couture dresses.When the Manhattan investment firm of Sherwood Nash goes broke, he joins forces with his partner Snap and fashion designer Lynn Mason to provide discount shops with cheap copies of Paris couture dresses.

  • Director
    • William Dieterle
  • Writers
    • F. Hugh Herbert
    • Carl Erickson
    • Harry Collins
  • Stars
    • William Powell
    • Bette Davis
    • Frank McHugh
  • See production info at IMDbPro
  • IMDb RATING
    6.6/10
    2.1K
    YOUR RATING
    • Director
      • William Dieterle
    • Writers
      • F. Hugh Herbert
      • Carl Erickson
      • Harry Collins
    • Stars
      • William Powell
      • Bette Davis
      • Frank McHugh
    • 46User reviews
    • 13Critic reviews
  • See production info at IMDbPro
    • Awards
      • 2 wins total

    Videos1

    Trailer
    Trailer 2:43
    Trailer

    Photos27

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    Top cast81

    Edit
    William Powell
    William Powell
    • Sherwood Nash
    Bette Davis
    Bette Davis
    • Lynn Mason
    Frank McHugh
    Frank McHugh
    • Snap
    Hugh Herbert
    Hugh Herbert
    • Joe Ward
    Verree Teasdale
    Verree Teasdale
    • Mabel McGuire aka The Duchess
    Reginald Owen
    Reginald Owen
    • Oscar Baroque
    Henry O'Neill
    Henry O'Neill
    • Duryea
    Phillip Reed
    Phillip Reed
    • Jimmy
    Gordon Westcott
    Gordon Westcott
    • Harry Brent
    Dorothy Burgess
    Dorothy Burgess
    • Glenda
    Etienne Girardot
    Etienne Girardot
    • Glass
    William Burress
    William Burress
    • Feldman
    Nella Walker
    Nella Walker
    • Mrs. Van Tyle
    Spencer Charters
    Spencer Charters
    • Man Removing Telephone
    George Humbert
    • Caponelli
    Frank Darien
    Frank Darien
    • Jules
    Harry Beresford
    Harry Beresford
    • Paris Bookseller
    Loretta Andrews
    Loretta Andrews
    • Chorus Girl
    • (uncredited)
    • Director
      • William Dieterle
    • Writers
      • F. Hugh Herbert
      • Carl Erickson
      • Harry Collins
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews46

    6.62.1K
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    Featured reviews

    dougdoepke

    High Fashion Entertainment

    Old time Hollywood doesn't come much slicker than this- a fast talking Powell, a fast moving screenplay, lots of scantily clad girls, and plenty of snappy dialogue. All add up to a WB topper, and catch that Busby Berkeley choreographed show stopper. Have ostrich plumes ever been used to greater dance effect than with Berkeley's artistic eye. Then too, guys, the chorines are about as near-nude as even pre-Code would allow. And that's along with parades of statuesque ladies modeling the year's high fashions. It's also Bette Davis as a near ingenue in her pre-feisty phase. Still, I could have done without two gag men (McHugh & Herbert) furnishing what amounts to unnecessary comedy relief, the snappy dialogue already supplying as much as needed.

    Overall, Powell dominates the speedy proceedings showing his rare talent for charm and presence. Then too, the plot's an engaging one as Powell moves effortlessly from one slick fashion scam to the next. But you may need a scorecard to keep up. Also, check out IMDB's trivia for interesting production facts, like what Davis objected to in her part.

    All in all, it's pre-Code Hollywood at its most liberated and engaging, so don't pass it up. Plus, the colorful results are a can't-miss for fans of Powell like me.
    lvovacampos

    Hot sexy timeless piece of the 30s

    A user before called it dated, a user after that said of course it's dated it's from 1933. I am always amused by those comments.

    I think some people don't understand what 'dated' means. Dated means it's tired, old, boring and has no teeth. Which is exactly the OPPOSITE from this kind of film!

    It's PRE CODE : the dancing is provocative, the gals are prostitutes and guys are gangsters + the music numbers are fresh young loud and simply alive! So what on earth are you talking about people??

    This movie is glamour and sleaze and that's what you want from a 30s!

    You want to watch something dated? Try a Von Sternberg/Dietrich film.

    This a great one.
    7LEKKipp

    Art Deco, fashion, funny and risqué

    Don't let the title fool you. Fashions or Fashions of 1934 is just inocently fun to watch. Considering that it was made in the middle of the depression, it gave American's what they were looking for--humor, a love story and a considerable amount of extremely sexy costumes (pre-censor). As always, William Powell is at his best and Bette Davis, is well, Bette Davis--younger and more innocent but absolutely stunningly beautiful. Powell's performance is always enhanced by supporting actors--in this case Frank McHugh who has played his comedic side kick in several other movies. The direction is excellent--good continuity tells an simple but excellent story. Fun to watch--in 1934 or today.
    8cfl-1

    a love affair with 1930's fashion

    Bette Davis looks so beautiful in this confection of a film that celebrates the glorious fashions of the early 1930's. This film will start a love affair for life with the clothes here. If only we could look as lovely every day.

    William Powell and Bette Davis are mere side lines in this film that was made in the height of the Great Depression. The story of a conman in the fashion world of the 1930's is an usual storyline but it gives opportunity for an insiders look at this world that we really know and understand very little especially at this time. There are some unusual scenes that include

    a walking stick that is a camera. The main musical scene has girls as harps. It is absolutely enchanting.
    8ksf-2

    romp in the fashion industry

    It's a caper in the fashion industry. The awesome, charming William Powell, as the forger and faker who moves from one scheme to another, and one country to another. Bette Davis is Lynn, his sidekick. Davis was just getting going in show biz, and would quickly move into some bigger roles. The hilarious Frank McHugh and Hugh Herbert are both along for comedic laughs. and of course... Busby Berkeley directing some huge, gigantic song and dance routine involving TONS of dancers ( as usual). there's a love (triangle) story in amonst the goings on in the fashion world. Which gir will end up with which guy? and which guy will end up with which business? shenanigans that wouldn't be allowed for much longer, under that dreaded stronger film code that would be installed pretty soon after this. it's pretty good. Director Dieterle has an interesting story on wikipedia.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Two things are notable: the only time the studio glamorized Bette Davis (she hated it) and a stupendous Busby Berkeley number where women's belly-buttons are prominently featured (under the code they would disappear for almost 25 years).
    • Goofs
      After the trio leaves the Bouquinistes (book sellers) along the Seine, the matte background previously showing Notre Dame Cathedral is no longer there.
    • Quotes

      Glenda: Something tells me the Golden Investment Corporation is about ready to Rest In Peace. I'm not much fun at a funeral. So, toot-toot!

      [exits]

      Snap: Lovely girl - when you're in the money.

    • Connections
      Edited into Busby Berkeley and the Gold Diggers (1969)
    • Soundtracks
      Spin a Little Web of Dreams
      (1934) (uncredited)

      Music by Sammy Fain

      Lyrics by Irving Kahal

      ("Broken Melody" is part of this song)

      Played during the opening credits, at the end and often in the score

      Sung by Verree Teasdale and chorus in the Paris revue

      Sung and danced by chorus girls during the large production number

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    FAQ17

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    Details

    Edit
    • Release date
      • February 14, 1934 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • French
    • Also known as
      • Fashion Follies
    • Filming locations
      • Paris, France(establishing shots - archive footage)
    • Production company
      • First National Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $317,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 18m(78 min)
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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