A young girl endears herself to her caretakers after her father is murdered by mobsters.A young girl endears herself to her caretakers after her father is murdered by mobsters.A young girl endears herself to her caretakers after her father is murdered by mobsters.
Jack La Rue
- Doré
- (as Jack LaRue)
J. Carrol Naish
- Bert
- (as J. Carroll Naish)
Joe Sawyer
- Doré's Henchman
- (as Joseph Sauers)
Max Barwyn
- Waiter with Message
- (uncredited)
Storyline
Did you know
- TriviaSybil Jason stated in her autobiography that director Michael Curtiz filmed some scenes at a real Hollywood orphanage, and (in the interest of realism) cast real orphans as extras. Among them, Jason remembered, was a young Marilyn Monroe, long before her first "recognized" role. This has not yet been confirmed by film historians and Monroe biographers.
- GoofsAt 00:14:42 when Steve and Mortimer go up the stairs to talk to the waiter the boom mic shadow moves on the upper wall above the waiter.
- SoundtracksI'm a Little Big Shot Now
(1935) (uncredited)
Music by Allie Wrubel
Lyrics by Mort Dixon
Played during the opening credits and as background music often
Sung and danced to by Sybil Jason
Reprised by Sybil Jason and Glenda Farrell
Featured review
I guess we were allowed to only have one Shirley Temple, so there were probably a few little girls given chances who did not do the box office and thus they have been consigned to the dustheap of the forgotten.
This little girl deserved better as she was quite talented. Mainly as an actress, she really put the character across, this cute, self-assured, gregarious little gal who befriends all she meets. The trick is not making her TOO adorable, and somehow she pulls it off despite scenes where she is crying on the steps of an orphanage or when her dog is kicked by an evil gangster. She's a little robotic in her Temple-esque musical numbers, but as an actress she had the chops. Only wish she would have shared some of the earnings with the black kids after she horns in on their street act!
As the lead guy, Armstrong really shines as a character we have seen before, the no-good guy who is turned soft by a kid. He makes it fresh by never seeming like too hard a guy to begin with, and not going too soft too soon. Horton helps out a great deal.
The girl ends up being exposed to a surprising lot of violence and emotional turmoil before the whole thing winds up. But that's what you get sometimes!
This little girl deserved better as she was quite talented. Mainly as an actress, she really put the character across, this cute, self-assured, gregarious little gal who befriends all she meets. The trick is not making her TOO adorable, and somehow she pulls it off despite scenes where she is crying on the steps of an orphanage or when her dog is kicked by an evil gangster. She's a little robotic in her Temple-esque musical numbers, but as an actress she had the chops. Only wish she would have shared some of the earnings with the black kids after she horns in on their street act!
As the lead guy, Armstrong really shines as a character we have seen before, the no-good guy who is turned soft by a kid. He makes it fresh by never seeming like too hard a guy to begin with, and not going too soft too soon. Horton helps out a great deal.
The girl ends up being exposed to a surprising lot of violence and emotional turmoil before the whole thing winds up. But that's what you get sometimes!
- LynxMatthews
- Apr 11, 2004
- Permalink
Details
- Runtime1 hour 18 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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