Desire

Marlene Dietrich and Gary Cooper show an unexpected flair for romantic comedy that goes into high gear during DESIRE. They are surrounded by some expert supporting players, including Alan Mobray as a doctor who is "taken" by Marlene's sly and crafty jewel thief.

The plot is thin but pleasant and moves at a fast clip with ample chemistry between Dietrich and Cooper more than making up for the slight story. When Dietrich accidentally lets Cooper get away with the pearl necklace she has stolen, she has to follow him and lure him back with some fancy scheming. John Halliday has fun with his role as her consort in crime but it is Alan Mobray who has the plum supporting role as the doctor she so charmingly deceives.

Diverting entertainment with Dietrich expert as the exotic jewel thief under Frank Borzage's direction. The whole picture has such a light touch you'd think it was directed by Ernst Lubitsch.

First, I give kudos to both the camera man as well as the makeup artists. They did an exceptional job in presenting Ms. Dietrich--she's as pretty as I've ever seen her in a film. While I have never been a fan of her work and never found her particularly attractive, they make the absolute most of what she's got in this film. She did appear appropriately tantalizing and her acting was excellent. Maybe I need to see a few more of her films so I might re-appraise her work.

The plot is very hard to believe--not so much as having Dietrich play a jewel thief, but that she would steal and destroy Gary Cooper's car and he wouldn't be a lot more angry about it! In fact, soon they are both head-over-heels in love!! I remember the last time some lady hit my car (she didn't even steal it)--I was much more likely to punch the lady in the nose than fall her her! Oh well, that's Hollywood of the 1930s. If you suspend disbelief about this, the rest of the film is a very entertaining romance. Plus, the end of the film will surely satisfy everyone. It's a very good effort only hampered by a few difficult to swallow story devices.

Directed by Frank Borzage and produced by Ernest Lubitch, that alone is a guarantee of something very special. On top of that, Gary Cooper and Marlene Dietrich in a fast, furious, magical duet. He is a charming Forrest Gump on vacation, she is a born seductress, a jewel thief, a woman on the verge of being beyond redemption. The dialog could have been written today even their talk about war. The camera had a real love affair with Cooper and Dietrich. Their feelings so visible. He in love like a school boy and she discovering him and herself, bit by bit. There are moments of Dietrich staring at Cooper that are a masterpiece on their own right. She is seeing something she has never seen before - innocence at its purest state. Don't miss it.

DESIRE (Paramount, 1936), directed by Frank Borzage, introduces Marlene Dietrich into the genre of comedy, not so much in a sense of screwball or slapstick, but that of sophisticated comedy in the style of director Ernst Lubitsch, who also produced. Teamed opposite Gary Cooper for the first time since MOROCCO (1930), he and Dietrich are at their best here in what proved to be their final collaboration on screen.

Cooper plays Tom Bradley, an engineer from Detroit, Michigan, assigned in a Paris-based auto company, who's determined to take his long-awaited vacation in Spain, regardless of how Mr. Gibson (William Frawley), his employer, might feel about it. Gibson (William Frawley), president of Bronson 8, however, surprises Bradley by approving his vacation by loaning him the company car carrying a sign which reads, "I am happy to drive a Bronson 8" as advertisement. Marlene Dietrich is later introduced as Madeleine de Beaupre, a continental jewel thief who cleverly gains possession of a pearl necklace from Aristide Duval (Ernest Cossart), a Parisian jeweler by posing as the wife of the famed psychiatrist, Doctor Maurice Pauquet (Alan Mowbray). Her path with Tom soon meets as they head to the border and await for customs to inspect their belongings. After Madeleine places her stolen pearls in Tom's coat pocket, they each pass inspection and go on their way. Purposely disabling her car, Madeleine is soon picked up by Tom and becomes his prize passenger. Eventually she drives off with his car, leaving him stranded on the road, unaware that Tom still unwittingly has the pearl necklace on his person. Abandoning the car after realizing her error, their paths meet again at the San Sebastian Continental Palace where Madeleine, posing as a Countess accompanied by her "uncle," Prince Carlos Margoli (John Halliday), her confederate, uses their friendly persuasion to get back the pearls without arousing any suspicion. When things become more complicated, Aunt Olga (Zeffie Tilbury), a third member of the gang of thieves, enters the scene.

For his profile on the film, Bob Osborne, host of Turner Classic Movies where DESIRE premiered January 17, 2002, as part of the station's tribute to Marlene Dietrich, spoke about its production and original title being THE PEARL NECKLACE as more suitable than DESIRE, and rightfully so. It's interesting to point out that its title may stir up some confusion with another film of similar name, DESIRABLE (Warners, 1934) that also featured DESIRE co-star, John Halliday. Halliday, as stated, filled in for former MGM lead actor, John Gilbert, following his sudden death in January 1936. What a missed opportunity for Gilbert in a supporting role as Carlos, which might have proved favorable, though quite unlikely as one posing as Madeleine's uncle. Seen in a smaller role is Akim Tamiroff playing the police official, who would achieve recognition in another Cooper film that same year, THE GENERAL DIED AT DAWN (1936).

Regardless of frequent revivals on commercial television back in the 1970s and public TV during the 1980s, DESIRE is quite underrated and nearly forgotten by today's standards. For being such an enjoyable adventure heist comedy from start to finish highlighted by many witty lines and situations, it's understandable why DESIRE is often mistaken as full fledged film directed by Lubitsch comedy rather than Borzage, best known for love stories with sentimental appeal. There may be some romance going on between the characters enacted by Dietrich and Cooper, but no sentimentality involved. In her attempt in retrieving her stolen pearls, Dietrich does take time out to recite the film's theme song, "Awake in a Dream" composed by Frederick Hollander and Leo Robin. And be sure not to miss the film's conclusion. It's as priceless as the pearl necklace itself. (***1/2 pearls)

The DESIRE for a fabulous string of pearls has unexpected results for the beautiful thief.

Bearing the unmistakable impress of its legendary producer, Ernst Lubitsch, here is a stylish concoction of witty dialogue & sophisticated romance sure to please the most discriminating palate. It is a shame that the film is so badly neglected, as it is a joy from start to finish. With impeccable production values, the film is also a study in handsome sets & costumes.

Gorgeous Marlene Dietrich ravishes the eye with her sheer physical presence, but her beauty should not detract from her acting ability, which is considerable. She presents us with a woman of mystery & slowly, deliberately, allows us to acquaint ourselves with her character. She imbues it all with a real sense of humor, which makes her first scenes, in which she pulls off a classic jewel robbery, all that more delightful.

Rawboned & enthusiastic, there is very little mystery swirling about Gary Cooper, playing an American auto engineer working in Paris. Embracing all life might bring him in his first trip to Spain, he is wide open and ready for passionate romance when Dietrich blows into his life. Their screen time together is charged with sensual electricity which no Production Code could disguise.

Deftly underplaying the menace of his role, John Halliday is dangerously suave as a thieving ‘prince' who manages to keep one step ahead of the law. Ernest Cossart & Alan Mowbray are wonderful as Parisian gentlemen who fall victim to Dietrich's schemes (one has his pearls purloined, the other gets his dignity damaged).

Elderly English actress Zeffie Tilbury is given an unusually choice role, playing the matriarch of the gang of thieves. Arriving late in the proceedings, with only a few scenes she is able to make us wish we knew a lot more about her character.

In much smaller roles, William Frawley as Cooper's boss & Akim Tamiroff, as a Spanish police official blinded by Dietrich's beauty, do well with their few minutes on the screen.