IMDb RATING
6.0/10
1.4K
YOUR RATING
A runaway bride and an undercover reporter get caught up in political intrigue as they lead a merry chase across Europe and uncover a spy plot.A runaway bride and an undercover reporter get caught up in political intrigue as they lead a merry chase across Europe and uncover a spy plot.A runaway bride and an undercover reporter get caught up in political intrigue as they lead a merry chase across Europe and uncover a spy plot.
Eadie Adams
- Singer (singing 'Gone')
- (uncredited)
Norman Ainsley
- Newspaper Reporter
- (uncredited)
Richard Alexander
- Wilhelm - Baron's Henchman
- (uncredited)
Harry Allen
- Chauffeur
- (uncredited)
Alyce Ardell
- French Maid
- (uncredited)
Jimmy Aubrey
- Airplane Mechanic
- (uncredited)
George Beranger
- Comedy Reactionary
- (uncredited)
Egon Brecher
- Dr. Stefan Gorsay
- (uncredited)
Elsa Buchanan
- English Department Store Girl
- (uncredited)
Storyline
Did you know
- TriviaThe Lockheed Electra seen in this film is the same one that was flown by Amelia Earhart on her ill-fated around-the-world flight attempt the following year.
- GoofsWhen Sally and Michael are at the "London Metropolitan Airport", there are mountains visible in the background. These scenes actually were filmed at the airport in Van Nuys (VNY), known at the time as Metropolitan Airport, which is about 20 miles north of what now is Los Angeles International Airport (LAX).
- Quotes
Michael 'Mike' Anthony: [Putting Sally in a closet] If anybody comes, make a noise like a broom.
- Crazy creditsOpening credits are shown over images of trains and autos.
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA srl, "AMORE IN CORSA (Love on the Run, 1936) + SAN FRANCISCO (1936)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsFeatured in Clark Gable: Tall, Dark and Handsome (1996)
- SoundtracksGone
(1936)
Music by Franz Waxman
Lyrics by Gus Kahn
Sung by an uncredited Martha Mears in a nightclub in Nice, France
Played throughout as part of the score
Featured review
Love On The Run is yet another example of Louis B. Mayer trying to cash in on the success that eluded him when he 'punished' Clark Gable by sending him to Columbia Pictures for a minor comedy that turned out to be It Happened One Night. For the rest of the decade Hollywood saturated the American public with madcap heiress stories.
When you've got one of the leading players under contract to you however it's a bit easier. Gable is given a rival reporter to contend with in Love On The Run in the person of Joan Crawford's real life husband, Franchot Tone. These two room together, but are ready to do everything short of cutting each other's throats to scoop the other.
Two stories that they are both assigned to cover, heiress Joan Crawford's wedding to a prince, Ivan Lebedeff, and a trans-European flight by Baron Reginald Owen get mixed up together as Crawford gets cold feet and Owen turns out to be an international spy.
Gable and Crawford have done it all before, especially Gable. But I kind of feel sorry for Franchot Tone. If he wasn't in a dinner jacket in his MGM parts he was in a film like this, essentially playing the Ralph Bellamy role. It's a very one sided rivalry Gable and Tone have. It's like the Yankees and Red Sox of the last century with the Yankees constantly coming out on top. No wonder Tone left MGM to try for better acting roles. At MGM he showed what he could do in films like Mutiny on the Bounty and Three Comrades, but even these were in support of bigger stars.
There's some nice performances in the cast from Mona Barrie as Owen's wife, Donald Meek as a most eccentric caretaker and William Demarest as Gable's editor. But no new ground was broken here.
When you've got one of the leading players under contract to you however it's a bit easier. Gable is given a rival reporter to contend with in Love On The Run in the person of Joan Crawford's real life husband, Franchot Tone. These two room together, but are ready to do everything short of cutting each other's throats to scoop the other.
Two stories that they are both assigned to cover, heiress Joan Crawford's wedding to a prince, Ivan Lebedeff, and a trans-European flight by Baron Reginald Owen get mixed up together as Crawford gets cold feet and Owen turns out to be an international spy.
Gable and Crawford have done it all before, especially Gable. But I kind of feel sorry for Franchot Tone. If he wasn't in a dinner jacket in his MGM parts he was in a film like this, essentially playing the Ralph Bellamy role. It's a very one sided rivalry Gable and Tone have. It's like the Yankees and Red Sox of the last century with the Yankees constantly coming out on top. No wonder Tone left MGM to try for better acting roles. At MGM he showed what he could do in films like Mutiny on the Bounty and Three Comrades, but even these were in support of bigger stars.
There's some nice performances in the cast from Mona Barrie as Owen's wife, Donald Meek as a most eccentric caretaker and William Demarest as Gable's editor. But no new ground was broken here.
- bkoganbing
- Mar 17, 2008
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Ljubav na juriš
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $578,000 (estimated)
- Runtime1 hour 20 minutes
- Color
- Aspect ratio
- 1.37 : 1
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